Marit K. Munson – författare

Archaeologists seldom study ancient art, even though art is fundamental to the human experience. The Archaeology of Art in the American Southwest argues that archaeologists should study ancient artifacts as artwork, as applying the term "art" to the past raises new questions about artists, audiences, and the works of art themselves. Munson proposes that studies of ancient artwork be based on standard archaeological approaches to material culture, framed by theoretical insights of disciplines such as art history, visual studies, and psychology. Using examples drawn from the American Southwest, The Archaeology of Art in the American Southwest discusses artistic practice in ancestral Pueblo and Mimbres ceramics and the implications of context and accessibility for the audiences of painted murals and rock art. Studies of Hohokam figurines and rock art illustrate methods for studying ancient images, while the aesthetics of ancient art are suggested by work on ceramics and kivas from Chaco Canyon. This book will be of interest to archaeologists working in the Southwest who want to broaden their perspective on the past. It will also appeal to archaeologists in other parts of the world and to anthropologists, art historians, and those who are intrigued by the material world, aesthetics, and the visual.

Before Ontario there was ice. As the last ice age came to an end, land began to emerge from the melting glaciers. With time, plants and animals moved into the new landscape and people followed. For almost 15,000 years, the land that is now Ontario has provided a home for their descendants: hundreds of generations of First Peoples. With contributions from the province's leading archaeologists, Before Ontario provides both an outline of Ontario's ancient past and an easy to understand explanation of how archaeology works. The authors show how archaeologists are able to study items as diverse as fish bones, flakes of stone, and stains in the soil to reconstruct the events and places of a distant past - fishing parties, long-distance trade, and houses built to withstand frigid winters. Presenting new insights into archaeology's purpose and practice, Before Ontario bridges the gap between the modern world and a past that can seem distant and unfamiliar, but is not beyond our reach. Contributors include Christopher Ellis (University of Western Ontario), Neal Ferris (University of Western Ontario/Museum of Ontario Archaeology), William Fox (Canadian Museum of Civilization/Royal Ontario Museum), Scott Hamilton (Lakehead University), Susan Jamieson (Trent University Archaeological Research Centre - TUARC), Mima Kapches (Royal Ontario Museum), Anne Keenleyside (TUARC), Stephen Monckton (Bioarchaeological Research), Marit Munson (TUARC), Kris Nahrgang (Kawartha Nishnawbe First Nation), Suzanne Needs-Howarth (Perca Zooarchaeological Research), Cath Oberholtzer (TUARC), Michael Spence (University of Western Ontario), Andrew Stewart (Strata Consulting Inc.), Gary Warrick (Wilfrid Laurier University), and Ron Williamson (Archaeological Services Inc).

Before Ontario there was ice. As the last ice age came to an end, land began to emerge from the melting glaciers. With time, plants and animals moved into the new landscape and people followed. For almost 15,000 years, the land that is now Ontario has provided a home for their descendants: hundreds of generations of First Peoples. With contributions from the province''s leading archaeologists, Before Ontario provides both an outline of Ontario''s ancient past and an easy to understand explanation of how archaeology works. The authors show how archaeologists are able to study items as diverse as fish bones, flakes of stone, and stains in the soil to reconstruct the events and places of a distant past - fishing parties, long-distance trade, and houses built to withstand frigid winters. Presenting new insights into archaeology’s purpose and practice, Before Ontario bridges the gap between the modern world and a past that can seem distant and unfamiliar, but is not beyond our reach. Contributors include Christopher Ellis (University of Western Ontario), Neal Ferris (University of Western Ontario/Museum of Ontario Archaeology), William Fox (Canadian Museum of Civilization/Royal Ontario Museum), Scott Hamilton (Lakehead University), Susan Jamieson (Trent University Archaeological Research Centre - TUARC), Mima Kapches (Royal Ontario Museum), Anne Keenleyside (TUARC), Stephen Monckton (Bioarchaeological Research), Marit Munson (TUARC), Kris Nahrgang (Kawartha Nishnawbe First Nation), Suzanne Needs-Howarth (Perca Zooarchaeological Research), Cath Oberholtzer (TUARC), Michael Spence (University of Western Ontario), Andrew Stewart (Strata Consulting Inc.), Gary Warrick (Wilfrid Laurier University), and Ron Williamson (Archaeological Services Inc).

Before Ontario there was ice. As the last ice age came to an end, land began to emerge from the melting glaciers. With time, plants and animals moved into the new landscape and people followed. For almost 15,000 years, the land that is now Ontario has provided a home for their descendants: hundreds of generations of First Peoples. With contributions from the province''s leading archaeologists, Before Ontario provides both an outline of Ontario''s ancient past and an easy to understand explanation of how archaeology works. The authors show how archaeologists are able to study items as diverse as fish bones, flakes of stone, and stains in the soil to reconstruct the events and places of a distant past - fishing parties, long-distance trade, and houses built to withstand frigid winters. Presenting new insights into archaeology’s purpose and practice, Before Ontario bridges the gap between the modern world and a past that can seem distant and unfamiliar, but is not beyond our reach. Contributors include Christopher Ellis (University of Western Ontario), Neal Ferris (University of Western Ontario/Museum of Ontario Archaeology), William Fox (Canadian Museum of Civilization/Royal Ontario Museum), Scott Hamilton (Lakehead University), Susan Jamieson (Trent University Archaeological Research Centre - TUARC), Mima Kapches (Royal Ontario Museum), Anne Keenleyside (TUARC), Stephen Monckton (Bioarchaeological Research), Marit Munson (TUARC), Kris Nahrgang (Kawartha Nishnawbe First Nation), Suzanne Needs-Howarth (Perca Zooarchaeological Research), Cath Oberholtzer (TUARC), Michael Spence (University of Western Ontario), Andrew Stewart (Strata Consulting Inc.), Gary Warrick (Wilfrid Laurier University), and Ron Williamson (Archaeological Services Inc).

Archaeologists seldom study ancient art, even though art is fundamental to the human experience. The Archaeology of Art in the American Southwest argues that archaeologists should study ancient artifacts as artwork, as applying the term "art" to the past raises new questions about artists, audiences, and the works of art themselves. Munson proposes that studies of ancient artwork be based on standard archaeological approaches to material culture, framed by theoretical insights of disciplines such as art history, visual studies, and psychology. Using examples drawn from the American Southwest, The Archaeology of Art in the American Southwest discusses artistic practice in ancestral Pueblo and Mimbres ceramics and the implications of context and accessibility for the audiences of painted murals and rock art. Studies of Hohokam figurines and rock art illustrate methods for studying ancient images, while the aesthetics of ancient art are suggested by work on ceramics and kivas from Chaco Canyon. This book will be of interest to archaeologists working in the Southwest who want to broaden their perspective on the past. It will also appeal to archaeologists in other parts of the world and to anthropologists, art historians, and those who are intrigued by the material world, aesthetics, and the visual.

Arriving in New Mexico in 1899, Kenneth Milton Chapman took on all manner of projects: mapping archaeological ruins, judging Pueblo pottery, teaching art, and studying ancient and modern Indian design. He became an "art archaeologist," a self-made expert riding the line between disciplines. When he moved to Santa Fe in 1909, he found himself in the midst of the city's identity crisis. Eventually, he played a part in virtually all of the central institutions and critical events that shaped Santa Fe, but he has remained in the shadows. His hard work behind the scenes was obscured by the dazzle of self-promoters like Edgar Lee Hewett; his studies of Indian art and design were overshadowed by the ground-breaking research of archaeologists like A. V. Kidder and Nels Nelson and the artistic accomplishments of well-known Pueblo potters. Now, archaeologist and rock art specialist Marit K. Munson presents a carefully edited and annotated edition of Chapman's memoirs. Written in the late 1950s and early 1960s, Chapman's side of the story is an intimate insider's portrait of the personalities and events that shaped Santa Fe.