Marit Tolo Østebø – författare

With the launch of Agenda 2030, public–private partnerships (PPPs) were heralded as an important means of realising the UN Sustainable Development Goals and providing more sustainable development financing in the global south.This book explores PPPs from the bottom up, drawing on extensive empirical research in Ethiopia to illuminate the diversity of practices, arrangements and contradictions that the PPP agenda enables, generates and occludes. Despite the omnipresence of PPP talk among governments and international organisations, donor and recipient agencies, and private actors, there exists no universally agreed definition of PPPs, and in practice they encompass a remarkable diversity of activities and arrangements. This book thoroughly examines PPPs in Ethiopia, considering what actors they bring together, what power dynamics they produce, how the dynamics alter them, what PPPs and such dynamics say about changing state–society relations and how the individual Ps of PPPs get infused with context-specific meaning. By investigating how PPPs play out in practice, the book sheds new light on how this ambiguous but proliferating discourse is changing the meanings, processes and mechanisms of international development.This book illuminates the unseen consequences of translating bold sustainable development goals into practice and will be of interest to researchers and practitioners of international development.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

In 2001, Ethiopian Television aired a documentary about a small, rural village called Awra Amba, where women ploughed, men worked in the kitchen, and so-called harmful traditional practices did not exist. The documentary radically challenged prevailing images of Ethiopia as a gender-conservative and aid-dependent place, and Awra Amba became a symbol of gender equality and sustainable development in Ethiopia and beyond.Village Gone Viral uses the example of Awra Amba to consider the widespread circulation and use of modeling practices in an increasingly transnational and digital policy world. With a particular focus on traveling models—policy models that become "viral" through various vectors, ranging from NGOs and multilateral organizations to the Internet—Marit Tolo Østebø critically examines the hidden dimensions of models and model making. While a policy model may be presented as a "best practice," one that can be scaled up and successfully applied to other places, the local impacts of the model paradigm are far more ambivalent—potentially increasing social inequalities, reinforcing social stratification, and concealing injustice. With this book, Østebø ultimately calls for a reflexive critical anthropology of the production, circulation, and use of models as instruments for social change.

In 2001, Ethiopian Television aired a documentary about a small, rural village called Awra Amba, where women ploughed, men worked in the kitchen, and so-called harmful traditional practices did not exist. The documentary radically challenged prevailing images of Ethiopia as a gender-conservative and aid-dependent place, and Awra Amba became a symbol of gender equality and sustainable development in Ethiopia and beyond.Village Gone Viral uses the example of Awra Amba to consider the widespread circulation and use of modeling practices in an increasingly transnational and digital policy world. With a particular focus on traveling models—policy models that become "viral" through various vectors, ranging from NGOs and multilateral organizations to the Internet—Marit Tolo Østebø critically examines the hidden dimensions of models and model making. While a policy model may be presented as a "best practice," one that can be scaled up and successfully applied to other places, the local impacts of the model paradigm are far more ambivalent—potentially increasing social inequalities, reinforcing social stratification, and concealing injustice. With this book, Østebø ultimately calls for a reflexive critical anthropology of the production, circulation, and use of models as instruments for social change.