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4 produkter
4 produkter
519 kr
Skickas inom 5-8 vardagar
Cybernetics, the science of control systems, was first popularised as an idea in 1948, following Norbert Wiener’s seminal publication on the topic. Almost immediately, cybernetics gripped the imagination of science fiction writers and film and television producers. This collection explores decades of the intersection between cybernetics and speculative fiction, from the Cybermen of Doctor Who to the Borg of Star Trek, sci-fi luminaries from Isaac Asimov to George Lucas, and classic works like The Terminator to current outputs like The Mandalorian. It is intended as both an introduction to and a showcase for new and cutting-edge scholarship on the topic, highlighting the urgency of cybernetics research with the rise of artificial intelligence (AI), anxieties over the potential dehumanisation of society, and new futures envisioned for human-machine integration. As we become accustomed to speaking to nonhuman answering services, using AI technology in our writing, and even seeing films with nonhuman actors, this collection gives us access to rich fictional speculations about cybernetics that may help us to understand our rapidly changing world.
789 kr
Skickas inom 5-8 vardagar
The Woman in Black terrified viewers in 1989 and is remembered as one of Britain’s scariest horror films. It is justly famous as the combined work of three giants of British drama: Susan Hill, Nigel Kneale and Herbert Wise. This book is the first to study the rich themes and terrifying impact of this film, presenting it as a TV film that is cinematic in its effect and quality.The book traces the adaptation of Susan Hill’s novel, paying close attention to the ways in which the celebrated writer Nigel Kneale turned a popular book into a spooky film, and reconstructs the brilliance of veteran director Herbert Wise. It also explores themes ranging from maternal rage and imperial disquiet to eerie soundscapes and landscapes. Archival papers from the Nigel Kneale Archive on the Isle of Man are used to reveal how Kneale transformed the novel into the script, and interviews with production personnel shed light on the remarkable talent and experience of the team who produced this classic film.
378 kr
Skickas inom 5-8 vardagar
The Woman in Black terrified viewers in 1989 and is remembered as one of Britain’s scariest horror films. It is justly famous as the combined work of three giants of British drama: Susan Hill, Nigel Kneale and Herbert Wise. This book is the first to study the rich themes and terrifying impact of this film, presenting it as a TV film that is cinematic in its effect and quality.The book traces the adaptation of Susan Hill’s novel, paying close attention to the ways in which the celebrated writer Nigel Kneale turned a popular book into a spooky film, and reconstructs the brilliance of veteran director Herbert Wise. It also explores themes ranging from maternal rage and imperial disquiet to eerie soundscapes and landscapes. Archival papers from the Nigel Kneale Archive on the Isle of Man are used to reveal how Kneale transformed the novel into the script, and interviews with production personnel shed light on the remarkable talent and experience of the team who produced this classic film.
1 876 kr
Kommande
This book delves into the dark and haunting cinematic and televisual portrayals of the sea in British culture, revealing the hidden narratives that challenge the nation's cherished myths of isolation and exceptionalism. Through a compelling exploration of horror and gothic genres, it uncovers the repressed voices and forgotten histories that lie beneath Britain's maritime identity. The chapters investigate key themes such as the myth of the 'island nation,' the duality of maritime legends, and the cultural significance of marine horror in film and television. By examining works from Joseph Conrad to M.R. James, this book highlights how these narratives reflect internal debates and contradictions within British society. Readers will discover how media cultures construct and challenge collective identity, offering a fresh perspective on Britain's relationship with its maritime past. Aimed at academics in film, television, and cultural studies, as well as general readers intrigued by British history and horror, this book is a must-read for anyone interested in the intersection of media, mythology, and national identity. It speaks to scholars of Gothic literature, Blue Humanities enthusiasts, and those curious about ecological representations in screen media. In an era of heightened scrutiny on British values, this work offers a timely exploration of the stories we tell—and those we choose to forget.