Mark Kingwell – författare

Anxiety about non-human intelligent machines is a longstanding theme of cultural production and consumption. Examples range from tales of golems and Frankenstein’s monster to the evil overlord scenarios of contemporary film and television franchises: Star Trek, the Alien series, and the Terminator sequence, as well as Her, Black Mirror, Blade Runner, Ex Machina, and many other less mainstream cultural artifacts. The source of this anxiety is clear. Non-human conscious entities may turn out to be superior to any biological form of life, allowing a stride across human ambition in a moment dubbed “the Singularity” by AI insiders. This is the turning point when non-human entities advance and reproduce in a manner that surpasses and subjugates biological forms of intelligent life. Although today’s artificial intelligences fall notably short of this level of sophistication, Mark Kingwell argues that we are already more than human in important ways, and likely to become more so as time goes on. In Singular Creatures Kingwell plumbs the depths of cultural and political meaning in the apparent transition to posthuman life. Our immersion in technology, now comprehensive to the point of invisibility, has altered forever what it means to be alive. The politics of posthumanism flow directly from our own situation, at once dependent on technology and afraid of its effects on current and future experiences.More than a century after playwright Karel Čapek coined the word robot – rooted in the Czech robota, meaning “servitude” or “drudgery” – in his 1920 allegory about the alienation of forced labour leading to a violent workers’ revolt, Čapek’s central question continues to haunt us. Can humans and their own creations co-exist in a new cyberflesh world, or is a struggle for superiority inevitable? Singular Creatures is an attempt at sketching the field before any deadly battle is joined.

Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for.Offering a timely meditation on the profound effects of constant immersion in technology, also known as the Interface, Wish I Were Here draws on philosophical analysis of boredom and happiness to examine the pressing issues of screen addiction and the lure of online outrage. Without moralizing, Mark Kingwell takes seriously the possibility that current conditions of life and connection are creating hollowed-out human selves, divorced from their own external world. While scrolling, swiping, and clicking suggest purposeful action, such as choosing and connecting with others, Kingwell argues that repeated flicks of the finger provide merely the shadow of meaning, by reducing us to scattered data fragments, Twitter feeds, Instagram posts, shopping preferences, and text trends captured by algorithms.Written in accessible language that references both classical philosophers and contemporary critics, Wish I Were Here turns to philosophy for a cure to the widespread unease that something is amiss in modern waking life.

This book is about a widely shared desire: the desire among citizens for a vibrant and effective social discourse of legitimation. It therefore begins with the conviction that what political philosophy can provide citizens is not further theories of the good life but instead directions for talking about how to justify the choices they make—or, in brief, "just talking."As part of the general trend away from the aridity of Kantian universalism in political philosophy, thinkers as diverse as Bruce Ackerman, Jürgen Habermas, Alasdair MacIntyre, and Richard Rorty have taken a "dialogic turn" that seeks to understand the determination of principles of justice as a cooperative task, achieved in some kind of social dialogue among real citizens. In one way or another, however, each of these different variations on the dialogic model fail to provide fully satisfactory answers, Mark Kingwell shows. Drawing on their strengths, he presents another model he calls "justice as civility," which makes original use of the popular literature on etiquette and work in sociolinguistics to develop a more adequate theory of dialogic justice.

A new perspective on a beloved cultural icon, its place in our history, and its meaning in the American imaginationThis elegantly written appreciation of the Empire State Building opens up the building’s richness and importance as an icon of America. The book leads us through the facts surrounding the skyscraper’s conception and construction, then enters into a provocative theoretical discussion of its function as an icon, its representation in pictures, literature, and film, and the implications of its iconic status as New York’s most important architectural monument to ambition and optimism. The Empire State Building literally cannot be seen in its totality, from any perspective. And paradoxically, this building of unmistakable solidity has been made invisible by familiarity and reproduction through imagery. Mark Kingwell encourages us to look beneath the strong physical presence of the building, to become aware of its evolving layers of meaning, and to see how the building lives within a unique imaginative space in the landscape of the American consciousness. He offers new ways of understanding the Empire State Building in all its complexity and surprising insights into its special role as an American icon.

There are many ways to approach the subject of public space: the threats posed to it by surveillance and visual pollution; the joys it offers of stimulation and excitement, of anonymity and transformation; its importance to urban variety or democratic politics. But public space remains an evanescent and multidimensional concept that too often escapes scrutiny. The essays in Rites of Way: The Politics and Poetics of Public Space open up multiple dimensions of the concept from architectural, political, philosophical, and technological points of view. There is some historical analysis here, but the contributors are more focused on the future of public space under conditions of growing urbanization and democratic confusion. The added interest offered by non-academic work - visual art, fiction, poetry, and drama - is in part an admission that this is a topic too important to be left only to theorists. It also makes an implicit argument for the crucial role that art, not just public art, plays in a thriving public realm. Throughout this work contributors are guided by the conviction, not pious but steely, that healthy public space is one of the best, living parts of a just society. The paths of desire we follow in public trace and speak our convictions and needs, our interests and foibles. They are the vectors and walkways of the social, the public dimension of life lying at the heart of all politics.

Mark Kingwell is as at home discussing Battlestar Galactica as he is civility, can find the Plato in popular culture, and sees in idleness a deeply revolutionary gesture. In Measure Yourself Against the Earth, he brings his heady mixture of critical intelligence and infectious enthusiasm to bear on film, aesthetics, politics, leisure, literature and much more, showing us how each can help us to imagine and achieve the society we want. The concept of "the gift" unites many of these essays: it is in this idea, Kingwell argues persuasively, in which we may be able to refashion the real world of democracy. "An activist, fugitive democracy. A living democracy that is no opaque demand but a real thing--a society. Democracy: the gift we keep on giving each other." Smart, engaged, and wide ranging, Mark Kingwell's Measure Yourself Against the Earth confirms its author as among our leading cultural theorists and philosophers.

"Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher ...His insights are intellectual anchors in a fast-changing world. " --Naomi Klein "[Mark Kingwell] illuminates on almost every page. " --Los Angeles Times "Kingwell's musings on angling inevitably lead to in-depth essays on the inherent nature of and reasoning for various aspects of fishing, such as casting, killing, patience, and outdoorsmanship...[Catch and Release is] filled with a sense of joy and awe. " --Publishers Weekly Taking seriously the idea that baseball is a study in failure--a very successful batter manages a hit only three of every ten attempts--Harper's Magazine contributing editor Mark Kingwell explores ways in which the game teaches us lessons on fragility, contingency, and community. Weaving elements of memoir, philosophical reflection, sports writing, and humour, the book serves as an unofficial follow-up to Catch and Release: Trout Fishing and the Meaning of Life, which won over readers by offering an intelligent but accessible look into the deep waters of angling. Never pretentious, always entertaining, Fail Better is set to be the homerun non-fiction title of the spring.Mark Kingwell is a professor of philosophy at the University of Toronto. He is the author or co-author of eighteen books, including the national bestsellers Better Living (1998), The World We Want (2000), Concrete Reveries (2008), and Glenn Gould (2009). In addition to many scholarly articles, his writing has appeared in more than forty mainstream magazines and newspapers. His most recent books are the essay collections Unruly Voices (2012) and Measure Yourself Against the Earth (2015).

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

Philosopher Mark Kingwell thinks about thinking for yourself in an era of radical know-it-all-ism.“Question authority,” the popular 1960s slogan commanded. “Think for yourself.” But what started as a counter-cultural catchphrase, playful in logic but serious in intent, has become a practical paradox. Yesterday’s social critics are the tone-policing tyrants of today, while those who claim “colourblindness” see no need to engage with critical theory at all. The resulting crisis of authority, made worse by rival political factions and chaotic public discourse, has exposed cracks in every facet of shared social life. Politics, academia, journalism, medicine, religion, science—every kind of institutional claim is now routinely subject to objection, investigation, and outright disbelief. A recurring feature of this comprehensive distrust of authority is the firm, often unshakeable, belief in personal righteousness and superiority: what Mark Kingwell calls our “addiction to conviction.”In this critical survey of the predicament of contemporary authority, Kingwell draws on philosophical argument, personal reflection, and details from the headlines in an attempt to reclaim the democratic spirit of questioning authority and thinking for oneself. Defending a program of compassionate skepticism, Question Authority is a fascinating survey of the role of individual humility in public life and illuminates how we might each do our part in the infinite project of justice.

"Dawdler." "Layabout." "Shit-heel." "Loser." For as long as mankind has had to work for a living, which is to say ever since the expulsion of Adam and Eve from the Garden of Eden, people who work have disparaged those who prefer not to. Mark Kingwell's introductory essay offers a playful defence of the idler as homo superior, while Joshua Glenn's glossary playfully explores the etymology and history of hundreds of idler-specific terms and phrases, while offering both a corrective to popular misconceptions about idling and a foundation for a new mode of thinking about working and not working. The Idler's Glossary is destined to become The Devil's Dictionary for the idling classes, necessary reading for any and all who wish to introduce more truly "free" time into their daily lives.

"Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher ...His insights are intellectual anchors in a fast-changing world."--Naomi Klein, author of No Logo Meet the "fast zombie" citizen of the current world. He is a rapid, brainless carrier of preference-driven consumption. His Facebook-style 'likes' replace complex notions of personhood. Legacy college admissions and status-seekers gobble up his idea of public education, and positional market reductions hollow out his sense of shared goods. Meanwhile, the political debates of his 24-hour-a-day newscycle are picked clean by pundits, tortured by tweets. Forget the TV shows and doomsday scenarios; when it comes to democracy, the zombie apocalypse may already be here. Since the publication of A Civil Tongue (1995), philosopher Mark Kingwell has been urging us to consider how monstrous, self-serving public behaviour can make it harder to imagine and achieve the society we want. Now, with Unruly Voices, Kingwell returns to the subjects of democracy, civility, and political action, in an attempt to revitalize an intellectual culture too-often deadened by its assumptions of personal advantage and economic value.These 17 new essays, where zombies share pages with cultural theorists, poets, and presidents, together argue for a return to the imagination--and from their own unruly voices rises a sympathetic democracy to counter the strangeness of the postmodern political landscape. Mark Kingwell is the author of sixteen books and a contributing editor for Harper's Magazine.