Mark Richard – författare

This book collects nine seminal essays by Mark Richard published between 1980 and 2014, alongside four new essays and an introduction that puts the essays in context. Each essay is an attempt, in one way or another, to understand the idea of a proposition. Part I discusses whether the objects of thought and assertion can change truth value over time. Part II develops and defends a relativist view of the objects of assertion and thought; it includes discussions ofthe nature of disagreement, moral relativism, and responds to important objections to relativism. It also explores the idea that thoughts and assertions may be neither true nor false. Part III discusses issues having to do with relations between sentential and propositional structure. Among thetopics discussed in Part III are the semantics of quotation, ''mixed quotation'', opacity, philosophical analysis and propositional structure, and the semantics of demonstratives and clausal complements.

Is the point of belief and assertion invariably to think or say something true? Is the truth of a belief or assertion absolute, or is it only relative to human interests? Most philosophers think it incoherent to profess to believe something but not think it true, or to say that some of the things we believe are only relatively true. Common sense disagrees. It sees many opinions, such as those about matters of taste, as neither true nor false; it takes it as obviousthat some of the truth is relative.Mark Richard''s accessible book argues that when it comes to truth, common sense is right, philosophical orthodoxy wrong. The first half of the book examines connections between the performative aspects of talk (what we do when we speak), our emotions and evaluations, and the conditions under which talk and thought qualifies as true or false. It argues that the performative and expressive sometimes trump the semantic, making truth and falsity the wrong dimension of evaluation for belief orassertion. Among the topics taken up are: racial slurs and other epithets; relations between logic and truth; the status of moral and ethical talk; vagueness and the liar paradox. The book''s second half defends the idea that much of everyday thought and talk is only relatively true or false. Truth isinevitably relative, given that we cannot work out in advance how our concepts will apply to the world. Richard explains what it is for truth to be relative, rebuts standard objections to relativism, and argues that relativism is consistent with the idea that one view can be objectively better than another. The book concludes with an account of matters of taste and of how it is possible for divergent views of such matters to be equally valid, even if not true or false.When Truth Gives Out will be of interest not only to philosophers who work on language, ethics, knowledge, or logic, but to any thoughtful person who has wondered what it is, or isn''t, for something to be true.

Is the point of belief and assertion invariably to think or say something true? Is the truth of a belief or assertion absolute, or is it only relative to human interests? Most philosophers think it incoherent to profess to believe something but not think it true, or to say that some of the things we believe are only relatively true. Common sense disagrees. It sees many opinions, such as those about matters of taste, as neither true nor false; it takes it as obviousthat some of the truth is relative.Mark Richard''s accessible book argues that when it comes to truth, common sense is right, philosophical orthodoxy wrong. The first half of the book examines connections between the performative aspects of talk (what we do when we speak), our emotions and evaluations, and the conditions under which talk and thought qualifies as true or false. It argues that the performative and expressive sometimes trump the semantic, making truth and falsity the wrong dimension of evaluation for belief orassertion. Among the topics taken up are: racial slurs and other epithets; relations between logic and truth; the status of moral and ethical talk; vagueness and the liar paradox. The book''s second half defends the idea that much of everyday thought and talk is only relatively true or false. Truth isinevitably relative, given that we cannot work out in advance how our concepts will apply to the world. Richard explains what it is for truth to be relative, rebuts standard objections to relativism, and argues that relativism is consistent with the idea that one view can be objectively better than another. The book concludes with an account of matters of taste and of how it is possible for divergent views of such matters to be equally valid, even if not true or false.When Truth Gives Out will be of interest not only to philosophers who work on language, ethics, knowledge, or logic, but to any thoughtful person who has wondered what it is, or isn''t, for something to be true.

Context and the Attitudes collects thirteen seminal essays by Mark Richard on semantics and propositional attitudes. These essays develop a nuanced account of the semantics and pragmatics of our talk about such attitudes, an account on which in saying what someone thinks, we offer our words as a ''translation'' or representation of the way the target of our talk represents the world. A broad range of topics in philosophical semantics and the philosophy of mindare discussed in detail, including: contextual sensitivity; pretense and semantics; negative existentials; fictional discourse; the nature of quantification; the role of Fregean sense in semantics; ''direct reference'' semantics; de re belief and the contingent a priori; belief de se; intensional transitives;the cognitive role of tense; and the prospects for giving a semantics for the attitudes without recourse to properties or possible worlds. Richard''s extensive, newly written introduction gives an overview of the essays. The introduction also discusses attitudes realized by dispositions and other non-linguistic cognitive structures, as well as the debate between those who think that mental and linguistic content is structured like the sentences that express it, and those who see content asessentially unstructured.

Mark Richard presents an original picture of meaning according to which a word''s meaning is analogous to the biological lineages we call species. His primary thesis is that a word''s meaning - in the sense of what one needs to track in order to be a competent speaker - is the collection of assumptions its users make in using it and expect their hearers to recognize as being made. Meaning is something that is spread across a population, inherited by each new generation of speakers from the last, and typically evolving in so far as what constitutes a meaning changes in virtue of the interactions of speakers with their (linguistic and social) environment. Meanings as Species develops and defends the analogy between the biological and the linguistic, and includes a discussion of the senses in which the processes of meaning change are and are not like evolution via natural selection. Richard argues that thinking of meanings as species supports Quine''s insights about analyticity without rendering talk about meaning theoretically useless. He also discusses the relations between meaning as what the competent speaker knows about her language, meaning as the determinant of reference and truth conditions, and meaning qua what determines what sentence uses say. This book contains insightful discussions of a wide range of topics in the philosophy of language, including: relations between meaning and philosophical analysis, the project of ''conceptual engineering'', the senses in which meaning is and is not compositional, the degree to which to which referential meaning is indeterminate, and what such indeterminacy might tells us about propositional attitudes like belief and assertion.

Mark Richard presents an original picture of meaning according to which a word''s meaning is analogous to the biological lineages we call species. His primary thesis is that a word''s meaning - in the sense of what one needs to track in order to be a competent speaker - is the collection of assumptions its users make in using it and expect their hearers to recognize as being made. Meaning is something that is spread across a population, inherited by each new generation of speakers from the last, and typically evolving in so far as what constitutes a meaning changes in virtue of the interactions of speakers with their (linguistic and social) environment. Meanings as Species develops and defends the analogy between the biological and the linguistic, and includes a discussion of the senses in which the processes of meaning change are and are not like evolution via natural selection. Richard argues that thinking of meanings as species supports Quine''s insights about analyticity without rendering talk about meaning theoretically useless. He also discusses the relations between meaning as what the competent speaker knows about her language, meaning as the determinant of reference and truth conditions, and meaning qua what determines what sentence uses say. This book contains insightful discussions of a wide range of topics in the philosophy of language, including: relations between meaning and philosophical analysis, the project of ''conceptual engineering'', the senses in which meaning is and is not compositional, the degree to which to which referential meaning is indeterminate, and what such indeterminacy might tells us about propositional attitudes like belief and assertion.

Mark Richard presents an original picture of meaning according to which a word's meaning is analogous to the biological lineages we call species. His primary thesis is that a word's meaning - in the sense of what one needs to track in order to be a competent speaker - is the collection of assumptions its users make in using it and expect their hearers to recognize as being made. Meaning is something that is spread across a population, inherited by each new generation of speakers from the last, and typically evolving in so far as what constitutes a meaning changes in virtue of the interactions of speakers with their (linguistic and social) environment. Meanings as Species develops and defends the analogy between the biological and the linguistic, and includes a discussion of the senses in which the processes of meaning change are and are not like evolution via natural selection. Richard argues that thinking of meanings as species supports Quine's insights about analyticity without rendering talk about meaning theoretically useless. He also discusses the relations between meaning as what the competent speaker knows about her language, meaning as the determinant of reference and truth conditions, and meaning qua what determines what sentence uses say. This book contains insightful discussions of a wide range of topics in the philosophy of language, including: relations between meaning and philosophical analysis, the project of 'conceptual engineering', the senses in which meaning is and is not compositional, the degree to which to which referential meaning is indeterminate, and what such indeterminacy might tells us about propositional attitudes like belief and assertion.

This book collects nine seminal essays by Mark Richard published between 1980 and 2014, alongside four new essays and an introduction that puts the essays in context. Each essay is an attempt, in one way or another, to understand the idea of a proposition. Part I discusses whether the objects of thought and assertion can change truth value over time. Part II develops and defends a relativist view of the objects of assertion and thought; it includes discussions of the nature of disagreement, moral relativism, and responds to important objections to relativism. It also explores the idea that thoughts and assertions may be neither true nor false. Part III discusses issues having to do with relations between sentential and propositional structure. Among the topics discussed in Part III are the semantics of quotation, 'mixed quotation', opacity, philosophical analysis and propositional structure, and the semantics of demonstratives and clausal complements.

Mark Richard presents an original picture of meaning according to which a word's meaning is analogous to the biological lineages we call species. His primary thesis is that a word's meaning - in the sense of what one needs to track in order to be a competent speaker - is the collection of assumptions its users make in using it and expect their hearers to recognize as being made. Meaning is something that is spread across a population, inherited by each new generation of speakers from the last, and typically evolving in so far as what constitutes a meaning changes in virtue of the interactions of speakers with their (linguistic and social) environment. Meanings as Species develops and defends the analogy between the biological and the linguistic, and includes a discussion of the senses in which the processes of meaning change are and are not like evolution via natural selection. Richard argues that thinking of meanings as species supports Quine's insights about analyticity without rendering talk about meaning theoretically useless. He also discusses the relations between meaning as what the competent speaker knows about her language, meaning as the determinant of reference and truth conditions, and meaning qua what determines what sentence uses say. This book contains insightful discussions of a wide range of topics in the philosophy of language, including: relations between meaning and philosophical analysis, the project of 'conceptual engineering', the senses in which meaning is and is not compositional, the degree to which to which referential meaning is indeterminate, and what such indeterminacy might tells us about propositional attitudes like belief and assertion.

Is the point of belief and assertion invariably to think or say something true? Is the truth of a belief or assertion absolute, or is it only relative to human interests? Most philosophers think it incoherent to profess to believe something but not think it true, or to say that some of the things we believe are only relatively true. Common sense disagrees. It sees many opinions, such as those about matters of taste, as neither true nor false; it takes it as obvious that some of the truth is relative.Mark Richard's accessible book argues that when it comes to truth, common sense is right, philosophical orthodoxy wrong. The first half of the book examines connections between the performative aspects of talk (what we do when we speak), our emotions and evaluations, and the conditions under which talk and thought qualifies as true or false. It argues that the performative and expressive sometimes trump the semantic, making truth and falsity the wrong dimension of evaluation for belief or assertion. Among the topics taken up are: racial slurs and other epithets; relations between logic and truth; the status of moral and ethical talk; vagueness and the liar paradox. The book's second half defends the idea that much of everyday thought and talk is only relatively true or false. Truth is inevitably relative, given that we cannot work out in advance how our concepts will apply to the world. Richard explains what it is for truth to be relative, rebuts standard objections to relativism, and argues that relativism is consistent with the idea that one view can be objectively better than another. The book concludes with an account of matters of taste and of how it is possible for divergent views of such matters to be equally valid, even if not true or false.When Truth Gives Out will be of interest not only to philosophers who work on language, ethics, knowledge, or logic, but to any thoughtful person who has wondered what it is, or isn't, for something to be true.

Context and the Attitudes collects thirteen seminal essays by Mark Richard on semantics and propositional attitudes. These essays develop a nuanced account of the semantics and pragmatics of our talk about such attitudes, an account on which in saying what someone thinks, we offer our words as a 'translation' or representation of the way the target of our talk represents the world. A broad range of topics in philosophical semantics and the philosophy of mind are discussed in detail, including: contextual sensitivity; pretense and semantics; negative existentials; fictional discourse; the nature of quantification; the role of Fregean sense in semantics; 'direct reference' semantics; de re belief and the contingent a priori; belief de se; intensional transitives; the cognitive role of tense; and the prospects for giving a semantics for the attitudes without recourse to properties or possible worlds. Richard's extensive, newly written introduction gives an overview of the essays. The introduction also discusses attitudes realized by dispositions and other non-linguistic cognitive structures, as well as the debate between those who think that mental and linguistic content is structured like the sentences that express it, and those who see content as essentially unstructured.

Context and the Attitudes collects thirteen seminal essays by Mark Richard on semantics and propositional attitudes. These essays develop a nuanced account of the semantics and pragmatics of our talk about such attitudes, an account on which in saying what someone thinks, we offer our words as a 'translation' or representation of the way the target of our talk represents the world. A broad range of topics in philosophical semantics and the philosophy of mind are discussed in detail, including: contextual sensitivity; pretense and semantics; negative existentials; fictional discourse; the nature of quantification; the role of Fregean sense in semantics; 'direct reference' semantics; de re belief and the contingent a priori; belief de se; intensional transitives; the cognitive role of tense; and the prospects for giving a semantics for the attitudes without recourse to properties or possible worlds. Richard's extensive, newly written introduction gives an overview of the essays. The introduction also discusses attitudes realized by dispositions and other non-linguistic cognitive structures, as well as the debate between those who think that mental and linguistic content is structured like the sentences that express it, and those who see content as essentially unstructured.

Is the point of belief and assertion invariably to think or say something true? Is the truth of a belief or assertion absolute, or is it only relative to human interests? Most philosophers think it incoherent to profess to believe something but not think it true, or to say that some of the things we believe are only relatively true. Common sense disagrees. It sees many opinions, such as those about matters of taste, as neither true nor false; it takes it as obvious that some of the truth is relative. Mark Richard's accessible book argues that when it comes to truth, common sense is right, philosophical orthodoxy wrong. The first half of the book examines connections between the performative aspects of talk (what we do when we speak), our emotions and evaluations, and the conditions under which talk and thought qualifies as true or false. It argues that the performative and expressive sometimes trump the semantic, making truth and falsity the wrong dimension of evaluation for belief or assertion. Among the topics taken up are: racial slurs and other epithets; relations between logic and truth; the status of moral and ethical talk; vagueness and the liar paradox. The book's second half defends the idea that much of everyday thought and talk is only relatively true or false. Truth is inevitably relative, given that we cannot work out in advance how our concepts will apply to the world. Richard explains what it is for truth to be relative, rebuts standard objections to relativism, and argues that relativism is consistent with the idea that one view can be objectively better than another. The book concludes with an account of matters of taste and of how it is possible for divergent views of such matters to be equally valid, even if not true or false. When Truth Gives Out will be of interest not only to philosophers who work on language, ethics, knowledge, or logic, but to any thoughtful person who has wondered what it is, or isn't, for something to be true.

In this otherworldly memoir of extraordinary power, Mark Richard, an award-winning author, tells his story of growing up in the American South with a heady Gothic mix of racial tension and religious fervor.    Called a “special child,” Southern social code for mentally—and physically—challenged children, Richard was crippled by deformed hips and was told he would spend his adult life in a wheelchair. During his early years in charity hospitals, Richard observed the drama of other broken boys’ lives, children from impoverished Appalachia, tobacco country lowlands, and Richmond’s poorest neighborhoods. The son of a solitary alcoholic father whose hair-trigger temper terrorized his family, and of a mother who sought inner peace through fasting, prayer, and scripture, Richard spent his bedridden childhood withdrawn into the company of books.      As a young man, Richard, defying both his doctors and parents, set out to experience as much of the world as he could—as a disc jockey, fishing trawler deckhand, house painter, naval correspondent, aerial photographer, private investigator, foreign journalist, bartender and unsuccessful seminarian—before his hips failed him.  While digging irrigation ditches in east Texas, he discovered that a teacher had sent a story of his to the Atlantic, where it was named a winner in the magazine’s national fiction contest launching a career much in the mold of Jack London and Mark Twain.    A superbly written and irresistible blend of history, travelogue, and personal reflection, House of Prayer No. 2 is a remarkable portrait of a writer’s struggle with his faith, the evolution of his art, and of recognizing one’s singularity in the face of painful disability.  Written with humor and a poetic force, this memoir is destined to become a modern classic.From the Hardcover edition.

This book makes a stimulating contribution to the philosophy of language and philosophy of mind. It begins with a spirited defence of the view that propositions are structured and that propositional structure is 'psychologically real'. The author then develops a subtle view of propositions and attitude ascription. The view is worked out in detail with attention to such topics as the semantics of conversations, iterated attitude ascriptions, and the role of propositions as bearers of truth. Along the way important issues in the philosophy of mind are addressed. Though intended primarily for professional philosophers and graduate students the book will also interest cognitive scientists and linguists.

Meaning brings together some of the most significant philosophical work on linguistic representation and understanding, presenting canonical essays on core questions in the philosophy of language. Brings together essential readings which define and advance the literature on linguistic representation and understanding.Examines key topics in philosophy of language, including analyticity; translational indeterminacy; theories of reference; meaning as use; the nature of linguistic competence; truth and meaning; and relations between semantics and metaphysics.Includes classic articles by key figures such as Frege, Quine, Putnam, Kripke, and Davidson; and recent reactions to this work by philosophers including Mark Wilson, Scott Soames, James Higginbotham, Frank Jackson, Alex Byrne, and Paul Bogohossian.

With a distinctive and original voice, Mark Richard''s stories capture characters on the fringe of society, and illuminate the goodness at the heart of their Southern, down-and-out lies. Full of startling images and harrowing epiphanies, The Ice at the Bottom of the World is a collection by a true master of his craft. In these ten stories, Mark Richard, winner of the 1990 PEN/Ernest Hemingway Foundation Award, emerges as the heir apparent to Mark Twain, Flannery O''Connor, and William Faulkner.

In the brilliant idiom of a modern Melville or Conrad, an odyssey of discovery by a bold and outrageous talent--the PEN/Hemingway Award--winning author of The Ice At The Bottom Of The World.

With Charity, Mark Richard again secures the distinction of poet laureate of the orphaned poor, the broken, the deceived, and the unrelieved. In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock''s classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman''s Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O''Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

A delightful British comedy from the wonderful world of P.G. Wodehouse! The perpetually misguided Bertie finds himself embroiled in a madcap adventure sparked by the abrupt departure of his beloved Jeeves. Adapted by Mark Richard.

All We Need is a Pair of Pliers is the amazing story of how God took the life of a man who was in rebellion and changed the world of so many, one precious soul at a time. Mark Richard’s parents divorced in his early teens, and he and his brothers grew up with no parental supervision. He struggled with undiagnosed learning disabilities which led to failures in school. Eventually, this led to his rebellion in the days of the hippy culture and drugs. Throughout it all, Mark always sought something “more” in his life. Miraculously, God got his attention and he was saved. Mark was totally unqualified for the ministry that God planned for him. If he would have taken others’ advice, he would have never driven the first trailer load of wheelchairs to Guatemala in 1988 – this was dangerous and total reckless faith. Fortunately, that act of obedience led to another trip, and another, to eventually become The Beeline which is an incredible ministry that has impacted hundreds of thousands. Within All We Need is a Pair of Pliers, shows how Mark developed a platform, The Beeline, that is a game-changer for the millions of people worldwide who need an appropriate wheelchair. Throughout its pages, readers learn that all they need to say is, “You know what, I think God can use me!”.

The inspiring story of how God saved a rebellious young man and inspired him to help countless others through his international wheelchair organization.Mark Richard was in his early teens when his parents divorced. From then on, he and his brothers grew up with minimal parental supervision. He also struggled with undiagnosed learning disabilities which led to failures in school. These circumstances led Mark to a rime of rebellion during the days of the hippy culture and drugs. Yet, throughout it all, Mark always sought something “more” in his life. Miraculously, God caught Mark’s attention and he was saved. Though he was totally unqualified for the ministry that God planned for him, he followed the path with faith and courage. If Mark had taken others’ advice, he would never have driven a trailer full of wheelchairs to Guatemala in 1988. But over time, that act of obedience grew into a ministry that has impacted hundreds of thousands. All We Need is a Pair of Pliers shows how Mark developed The Beeline, an organization that offers appropriate wheelchair to the millions across the globe who need them. Throughout its pages, readers learn that all they need to say is, “You know what, I think God can use me!”

An adaptation of the prose and poetry of author Raymond Carver and his wife Tess Gallagher, with play arrangements by Mark Richard. The story chronicles the last year of Carver's life when he was struggling to finish his final book. Runtime: 1:16