Marleen Rensen – författare

Do narratives make nations, and if so, did networks make this happen? The notion that national and other group identities are constructed and sustained by narratives and images has been widely postulated for several decades now. This volume contributes to this debate, with a particular emphasis on the networked, transnational nature of cultural nation-building processes in a comparative European and sometimes extra-European context. It gathers together essays that engage with objects of study ranging from poetry, prose, and political ideas to painting, porcelain, and popular song, and which draw on examples in Icelandic, Arabic, German, Irish, Hungarian, and French, among other languages. The contributors study transcultural phenomena from the medieval and early modern periods through to the modern and postmodern era, frequently challenging conventional periodizations and analytical frameworks based on the idea of the nation-state.

This book demonstrates the significance of transnationality for studying and writing the lives of artists. The volume showcases different ways of treating transnationality in life writing by and about artists, investigating how the transnational can offer intriguing new insights on artists who straddle different nations and cultures.

This book demonstrates the significance of transnationality for studying and writing the lives of artists. The volume showcases different ways of treating transnationality in life writing by and about artists, investigating how the transnational can offer intriguing new insights on artists who straddle different nations and cultures.

This volume invites readers to rediscover Amsterdam through the intimate lens of its inhabitants. Amsterdam Diaries, Life Writing and Identity offers a rich and layered portrayal of the city through the self-narratives of ‘ordinary’ individuals from the eighteenth century to the present.