Marjet Brolsma – författare

This book shows how antiliberal discourse, thought, and mobilization have, in defiance of nationalist aims, been significantly shaped and determined in the international sphere, as new collaborations position themselves against the liberal order established after the fall of the Berlin Wall.Despite often drawing inspiration from nationalist movements and ideologies, antiliberalism is a phenomenon that transcends domestic contexts and settings in important ways. This collection of essays charts the many-sided aspects of twentieth-century internationalism and its contemporary developments across the globe. Without excluding well-known European sources of antiliberal internationalism, it decentres the European experience by exploring specific case studies from South and East Asia, the Middle East, the Americas, Africa, and Oceania. Moreover, the volume abundantly demonstrates that “liberalism” and “anti-liberalism” cannot be considered as fixed entities as (anti)liberalism was, and is, as much defined by its enemies as by its advocates.This book is intended for scholars and students of International Studies, Intellectual History, Political History, Political Science, European Studies, and Global Studies, as well as for journalists and policymakers interested in contemporary Europe, cosmopolitanism, political polarization, and the traditions of the right and far right.

Eurocentrism means seeing the world in Europe’s terms and through European eyes. This may not be unreasonable for Europeans, but there are unforeseen consequences. Eurocentric history implies that a scientific modernity has diffused out from Europe to benefit the rest of the world, through colonies and development aid. It involves the imposition of European norms on places and times where they are often quite inappropriate. In Eurocentrism in European History and Memory, well-known scholars explore and critically analyse manifestations of Eurocentrism in representations of the European past from different disciplines — history, literature, art, memory and cultural policy — as well as from different geographical perspectives. The book investigates the role imaginings of the European past since the eighteenth century played in the construction of a Europeanist worldview and the ways in which ‘Europe’ was constructed in literature and art.

Do narratives make nations, and if so, did networks make this happen? The notion that national and other group identities are constructed and sustained by narratives and images has been widely postulated for several decades now. This volume contributes to this debate, with a particular emphasis on the networked, transnational nature of cultural nation-building processes in a comparative European and sometimes extra-European context. It gathers together essays that engage with objects of study ranging from poetry, prose, and political ideas to painting, porcelain, and popular song, and which draw on examples in Icelandic, Arabic, German, Irish, Hungarian, and French, among other languages. The contributors study transcultural phenomena from the medieval and early modern periods through to the modern and postmodern era, frequently challenging conventional periodizations and analytical frameworks based on the idea of the nation-state.

Charley Toorop's work has its own originality and power. This is not to say that she did not have an eye to the work of other artists. On the contrary. Toorop admired the painting of Piet Mondrian, but also of foreign contemporaries such as Pablo Picasso and Fernand Léger. Yet there is one artist who she believes stood at the cradle of her artistry and for whom she subsequently had respect throughout her life: Vincent van Gogh. His work was for her ‘the breakthrough to a new world'.Four essays explain her fascination and place it in a broader context. They include her travels to the Borinage and southern France where she saw the landscape and people through Van Gogh's eyes, her awe of Van Gogh's ‘deep barren love of reality' placed in the social and political engagement of the interwar period and her interest in man's state of mind.

The notion that national and other group identities are constructed and sustained by narratives and images has been widely postulated for several decades now. This volume contributes to this debate, with a particular emphasis on the networked, transnational nature of cultural nation-building processes in a comparative European/sometimes extra-European context.