Mary Pierse – författare

Co-published by Routledge and Edition Synapse, the History of Feminism series makes key archival source material readily available to scholars, researchers, and students of women’s and gender studies, women’s history, and women’s writing, as well as those working in allied and related fields. Selected and introduced by an expert editor, the gathered materials are reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination.This new title in the series brings together a unique selection of the multiple feminisms articulated by Irish writers between 1810 and 1930, a ‘long Victorian’ period. The five volumes foreground a multiplicity of beliefs and attitudes from novels, poetry, short stories, newspaper and journal articles, and essays, both by relatively unknown and by more celebrated writers (such as Lady Gregory, Lady Wilde, and the Parnells). While the history of feminism consistently and universally reveals conflicting interpretations of the female role in society, the situation in Ireland was significantly complicated by the backdrop of national uprisings, land war, world war, and the growing hegemony of a strongly religious patriarchy. In particular, the collection makes apparent the disparities of interest as writers confront, or covertly negotiate, the burning issues of education, suffrage, and participation in charitable work or politics.Female frustrations, and collusion, with societal norms are documented in each of the thematically organized volumes. Volume I (‘Leading the Way’) includes key ideological articulations of Irish feminist beliefs. Volume II (‘Land and Labour’) is a collection of vital materials which show the intermeshing of women’s concerns with prevailing political turmoil. The question mark in the title of Volume III (‘Eire Abú?’ (‘Ireland Forever?’)) hints at the uncertainties facing women in any New Ireland. These fears are reflected in the materials reproduced in this volume, which contains work by the redoubtable Sheehy Skeffingtons, by the strongly feminist Haslams, and by Yeats’s beloved Maud Gonne. Nationalistic and feminist prose and poetry by sisters Countess Markievicz and Eva Gore-Booth—portrayed by Yeats as ‘one beautiful, the other a gazelle’—is also included in this volume. Bringing together extracts from biography, fiction, poetry and bitter-sweet drama, Volume IV (‘In the Real World’) is a repository of vital work which engaged with education, social and sexual mores, marriage, and religious life and the novel Callaghan is its fitting and concluding text. Finally, Volume V (‘Literary Approaches’) highlights disparate expressions of the evolving Irish attitudes to feminist issues, from the competing spheres of the convent and secular world (George Moore’s ‘The Exile’), to challenges to fixed notions of gender (K. C. Thurston’s Max). The sheer diversity of poetical contributions is fascinating. Most texts in this collection have either not appeared at all since their first publication, or have never been reprinted in their entirety; the remainder have been extremely difficult to find. Their collocation and juxtaposition in these volumes provides a unique insight into a multiplicity of Irish feminisms, and vividly recreates the literary and historical climate in which they were written. With its comprehensive introductions, (which furnish vital background information), this ground-breaking collection is destined to be welcomed as a treasure-trove by all serious scholars and students of Gender and Irish Studies—as well as those working in Victorian and Literary Studies.

This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

This engaging collection of essays considers the cultural complexities of the Franco-Irish relationship in song and story, image and cuisine, novels, paintings and poetry. It casts a fresh eye on public perceptions of the historic bonds between Ireland and France, revealing a rich variety of contact and influence. Controversy is not shirked, whether on the subject of Irish economic decline or reflecting on prominent, contentious personalities such as Ian Paisley and Michel Houellebecq. Contrasting ideas of the popular and the intellectual emerge in a study of Brendan Kennelly; recent Irish tribunals are analysed in the light of French cultural theory; and familiar renditions of Franco-Irish links are re-evaluated against the evidence of newspaper and journal accounts.Drawing on the disciplines of history, art, economics and literature, and dipping into the good wines of France and Ireland, the book paints a fascinating picture of the relationship between the two countries over three dramatic centuries.

The engaging figure of Irish writer George Moore (1852-1933) comes to life in this collection of essays on his works and influences. So often considered as dangerously controversial in his lifetime, his literary output can now be appreciated as groundbreaking, artistically sophisticated and particularly significant for the innovations he introduced into English literature. In this volume, international Moore scholars venture into previously unexplored literary, historical and psychological territory as they shine new light on Moore’s diagnoses, and on his presentation of human quirks. In turn, and in a Moorian spirit, the author is critically examined for his alleged feminist credentials, his spiritual understanding, his cultural insights and his literary experimentation. The analytical focus is sharp; the presence of Joyce, Yeats, Wilde, Zola and Dujardin is strong; and the surrounding atmosphere of Revival Ireland is unmistakable, albeit with a French colouring. This is an entertaining and enlightening compilation that will engage the reader and provide much relevant material for specialists across a variety of fields.

The rich association between Ireland and France is embodied in music, art and creative writing from both countries and this collection provides a tantalising selection of these interweaving influences. The book presents a vivid picture of interactions between composers, performers, poets and novelists on each side of the Celtic Sea. Surprises abound, with music unexpectedly linking Ireland and France through George Alexander Osborne and Frédéric Chopin, through Thomas Moore and Jean-Jacques Rousseau, through Irish-inspired French opera and a French-directed Irish orchestra. Words and music meet in a Kate O'Brien novel, a musical interpretation of Verlaine and a selection of Paula Meehan's poetry, while the encounter between wine and music creates new possibilities for artistic and cultural expression. Exploring the works and influence of a wide range of figures including James Joyce, Marcel Proust, Jacques Derrida, J.M. Synge, Hélène Cixous, Eiléan Ní Chuilleanáin, Hector Berlioz, Maurice Ravel, Neil Jordan and John Field, the essays collected here uncover a wealth of artistic interconnections between France and Ireland.