Mary R. Reichardt – författare
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Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources.Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.
492 kr
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Designed for students of all ages, Exploring Catholic Literature: A Companion and Resource Guide provides an engaging and succinct introduction to twelve recognized masterpieces of Catholic literature, from Augustine's 4th century conversion narrative, The Confessions, to the recent poetry of Denise Levertov collected in The Stream and the Sapphire. Each chapter contains a brief biography of the author, an extended critical essay highlighting the work's Catholic and literary aspects, suggestions for further reading and study, and questions for discussion.
924 kr
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From publisher lists to bestseller lists, Catholic literature is thriving today. ""Between Human and Divine"" is the first collection of scholarly essays published on a wide variety of contemporary (post 1980) Catholic literary works and artists. Its aim is to introduce readers to recent and emerging writers and texts in the tradition. Each of the fifteen essays presents an informative critical perspective on a given work or works, and each addresses the questions: What, specifically, makes this a work of Catholic literature? How does it both fit into and help shape the Catholic literary tradition? In the broad and diverse range of works represented in this book, readers will find a veritable treasure trove of contemporary Catholic writing. Genres covered include fiction, poetry, and literary non-fiction, and authors include those from the United States, England, Ireland, Spain, Canada, Australia, and Japan. This collection will appeal not only to literary scholars but to all readers interested in the intersection of religion and literature in general and in Catholic literature in particular. ""Between Human and Divine"" furthers the study of the fascinating ways that religion, culture, social change, and tradition are shaped by the imaginative process. It also contributes to scholarship in the area by extending the parameters of the Catholic literary tradition into the present, demonstrating that such literature is flourishing today even if its subject matter, thematic concerns, and writing techniques show new and intriguing shifts in direction. This is an introduction to recent and emerging Catholic literary works and artists.
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Few who appreciate the heritage of the short story would question Mary Wilkins Freeman's important position in turn-of-the-century American fiction or her major contributions to the development of the short story form. Freeman (1852-1930), one of the first women elected to the National Institute of Arts and Letters (1927), was a regional writer who excelled in the careful delineation of local characters and customs and in exact transcription of indigenous dialect. She also is noted for her contribution to modern psychological literature.This volume brings together for the first time twenty of the best of her ""lost"" tales. It contributes to the growing reevaluation of this exceptional author of such often anthologized stories as ""The 'Revolt' of Mother"" and ""A New England Nun."" The stories in this volume are chronologically arranged. They reveal both familiar and new terrain. Freeman once again delves into the inner lives of New England women. Yet, unlike many of her well-known stories, in these there are new moods and experiments. Four stories involve male protagonists. Three are mystery stories. Three are tales of women artists. Two illustrate Freeman's attempt in her later fiction to incorporate ""modern"" themes. A prolific writer, Freeman published nearly two-hundred-fifty short stories during her lifetime. Almost a hundred of those stories, however, were not collected. For more than half a century they have remained virtually inaccessible. This volume brings together twenty of the best of Freeman's uncollected stories from such magazines as Century, Collier's, Harper's Monthly, Good Housekeeping, The Golden Book, Woman's Home Companion, Independent and Frank Leslie's Popular Monthly. This collection restores significant works to the treasury of American literature.
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Although a prolific and popular writer in her day, Mary Wilkins Freeman has only recently been rediscovered and reevaluated as a realistic recorder of the status and sensibility of the New England woman in the early years of this century. Women form the backbone of her stories. Within a framework tightly controlled by patriarchal and religious tradition, Freeman's women strive for an understanding of the roles assigned to them. Through their relationships and responses, they test the limits of their freedom and learn the moral and personal consequences of rejecting or acquiescing to the roles the larger community has imposed on them.The rebellious woman became a key these in Freeman's stories and a major image in her gallery of fictional portraits of women. A Web of Relationship reveals how she sharply delineates the lives and personalities of women who accept of reject the ideal Victorian code of ""true womanhood"" as mother and wife. This study of Freeman's stories throws light upon the other women her rich fictional narratives portray--women who are rejected by men and who feel their lives are thus worthless and their futures bleak; women frustrated yet submissive to the confines of marriage; women whose sole means of solidarity with other women is through self-aggrandizing gossip; women who must deal with day with the twin hardships of advancing age and poverty. Freeman's unifying theme is the web of relationships connecting every type of New England woman struggling towards selfhood despite straitened circumstances and repression by family and community. Freeman's collective portraits of New England women not only give insight into her art but also reveal her penetrating vision of women frustrated by the confusing and confining roles forced upon them in this time and place.