Matthew Frank – författare

Expelling the Germans focuses on how Britain perceived the mass movement of German populations from Poland and Czechoslovakia at the end of the Second World War. Drawing on a wide range of British archival material, Matthew Frank examines why the British came to regard the forcible removal of Germans as a necessity, and evaluates the public and official responses in Britain once mass expulsion became a reality in 1945. Central to this study is the concept of 'population transfer': the contemporary idea that awkward minority problems could be solved rationally and constructively by removing the population concerned in an orderly and gradual manner, while avoiding unnecessary human suffering and economic disruption. Dr Frank demonstrates that while most British observers accepted the principle of population transfer, most were also consistently uneasy with the results of putting that principle into practice. This clash of 'principle' with 'practice' reveals much not only about the limitations of Britain's role but also the hierarchy of British priorities in immediate post-war Europe.

Making Minorities History examines the various attempts made by European states over the course of the first half of the twentieth century, under the umbrella of international law and in the name of international peace and reconciliation, to rid the Continent of its ethnographic misfits and problem populations. It is principally a study of the concept of 'population transfer' - the idea that, in order to construct stable and homogeneous nation-states and a peaceful international order out of them, national minorities could be relocated en masse in an orderly way with minimal economic and political disruption as long as there was sufficient planning, bureaucratic oversight, and international support in place. Tracing the rise and fall of the concept from its emergence in the late 1890s through its 1940s zenith, and its geopolitical and historiographical afterlife during the Cold War, Making Minorities History explores the historical context and intellectual milieu in which population transfer developed from being initially regarded as a marginal idea propagated by a handful of political fantasists and extreme nationalists into an acceptable and a 'progressive' instrument of state policy, as amenable to bourgeois democracies and Nobel Peace Prize winners as it was to authoritarian regimes and fascist dictators. In addition to examining the planning and implementation of population transfers, and in particular the diplomatic negotiations surrounding them, Making Minorities History looks at a selection of different proposals for the resettlement of minorities that came from individuals, organizations, and states during this era of population transfer.

The gripping and masterfully-crafted new thriller from award-winning author Matthew Frank'Tense and twisty . . . completely gripping. I ignored children, a ringing phone, hunger, everything just to devour the last hundred pages' KAREN PERRY, Sunday Times bestselling author of YOUR CLOSEST FRIEND________Julian Sinclair is a serial killer.Charming, manipulative, deadly. He hunted girls for sport, and it's high time justice was served.But when Sinclair's conviction is thrown out in court, DC Joseph Stark and DS Fran Millhaven are forced to protect the man they're sure is guilty from those who would rather see him pay in blood.Then another girl dies.And Sinclair can't have killed her from his hospital bed . . .Is a killer lurking in someone they never suspected?And have they had the wrong man all along?________'A clever compelling spiderweb of a plot' JANE CORRY, bestselling author of My Husband's Wife'A gripping, pacy read with a "one more chapter" compulsiveness' LAURA MARSHALL, bestselling author of Friend Request'Seriously good . . . a tightly plotted thrilling page turner of a book' JAMES OSWALD, author of the Inspector McLean series'Matthew Frank is a master at juggling light and darkness . . . while serving up satisfying plots with plenty of twists' SARAH HILARY, award-winning author of the Marnie Rome series'Nail-bitingly tense' Susi Holliday, author of The Last Resort

**WINNER of the 2014-2015 Waverton Good Read Award**If I Should Die is the astounding debut from British author Matthew Frank.----------When a homeless man walks into Greenwich police station and confesses a killing, it should be the admission that cracks open a murder enquiry. Instead, he stumbles out on to the street and collapses, bleeding from a stab wound he's attempted to repair himself . . .The newest member of the Met's murder investigation team, twenty-five year-old Afghan veteran Joseph Stark, doesn't believe the man's story. Yet it becomes clear that Stark and the down-and-out share a connection. And that this could provide the key to unlocking the case. Soon, the young detective and his colleagues are drawn deeper into a dark, disturbing world as dangerous as anything Stark has known on the frontline. And where there's enough at stake for a man to risk everything . . .If I Should Die is the first title in a new crime series, and outstanding characterization, pitch perfect dialogue and precision plotting mark out Matthew Frank as a debut writer to watch. With the introduction of series character and ex-soldier police detective Joseph Stark, fans of Ian Rankin's Rebus novels will be hooked from the word go.Praise for If I Should Die:'Skilfully plotted, with a great clarity of style . . . such an original newcomer' Alison Joseph, Chair of the Crime Writer's Association'A gripping murder story ... Frank brilliantly maintains a balance between the demands of a complex plot and his character's difficulty in returning to civilian life ... an accomplished first novel' Sunday Times'Well researched and totally convincing, this is the first of several Stark books. Great news if they're as good as this' Sunday Mirror'A powerful debut ... intensity, outstanding characterisation, passion, perfect dialogue and pinpoint plotting' Crime Review

The masterfully-crafted new crime thriller, featuring haunted army veteran and Detective Constable Joseph StarkEXTRAVAGANT WEALTH. HIGH ART. MURDER . . .‘The best book in the Joe Stark series by far. A truly brilliant mystery that builds to a thrilling climax’ - JAMES BENMORE‘Stark is on top form in this twisty tale . . . a deeply satisfying read’ - SARAH HILARY----Lucinda Drummond, art history expert, was beautiful, clever, successful and loved.When she is found at the bottom of her museum's Tulip Staircase during the pinnacle event of her career, people are as shocked as they are suspicious.Who could have wanted her dead?Detectives Joe Stark and Fran Millhaven are quick on the case, leading them into a world of high art and extravagant wealth that proves far more twisted than they could have imagined.As the bodies begin to mount, and the case grows ever more complex, Stark and Fran must race to discover the perpetrator – before the next victim falls . . .----‘A gripping thriller, packed with dark twists and unexpected turns which kept me guessing until the very end. Perfect for fans of Slow Horses’ - JESSICA BULLPRAISE FOR MATTHEW FRANK:'Tense and twisty . . . completely gripping. I ignored children, a ringing phone, hunger, everything just to devour the last hundred pages' Karen Perry, Sunday Times bestselling author of Your Closest Friend'A clever compelling spiderweb of a plot ' Jane Corry, bestselling author of My Husband's Wife'Seriously good . . . a tightly plotted thrilling page turner of a book' James Oswald, author of the Inspector McLean series

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.This volume offers a new history of Europe’s mid-20th century as seen through the lens of its recurrent refugee crises. Borrowing from and adapting E. H. Carr’s The Twenty Years’ Crisis, the editors of this volume conceive of the two post-war eras as a single ‘forty years’ crisis’, which enables them not only to explore the continuities and disjunctures across the period but also to challenge established historiographical certainties and master narratives. As the essays in this volume show, the story of the ‘forty years’ crisis’ can be told in very different ways: as one of upheaval, disintegration and suffering, or as one of newly emerging national and international solutions and possibilities; as a 'top-down' history of nations, institutions and policies, or as a 'bottom-up' history of refugees, relief workers and refugee advocates; by assessing the historical developments themselves or their historiographical afterlives. This volume is unique in that it brings these different perspectives together and provides a coherent intellectual framework within which they can be made sense of. Refugees in Twentieth-Century Europe represents the first comprehensive treatment of refugees in Europe of this breadth and depth for over a generation. It will provide an indispensable research guide for students of migration, nationalism and international diplomacy in 20th-century Europe, and an up-to-date overview of current research for specialists. As such it will make a major contribution to European and international history.