Max Holleran – författare

A fascinating account of the growing "Yes in My Backyard" urban movement The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents.Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create.Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

A fascinating account of the growing "Yes in My Backyard" urban movement The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents.Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create.Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

How do we remember a seering event that left so little behind?Scattered Steel traces the extraordinary journey of the twisted remnants of the World Trade Center. When the Towers fell on September 11, 2001, nearly all that remained was pulverized concrete and contorted steel. Samuel and Max Holleran investigate how fragments of these skyscrapers became modern relics, scattered across all fifty states and beyond, built into hundreds of local memorials in firehouses, parks, and plazas, providing new and creative ways to grieve and remember.Drawing on years of research and interviews with artists, city officials, and first responders, the authors reveal a semi-improvised process that transformed industrial debris into sacred objects. They explore the aesthetics of rust and ruin, the rituals of transport and dedication, and the cultural tensions between grief, patriotism, and public art. From a quiet town square in Wyoming to a monumental glass "book" in Padua, Italy, these memorials tell a story not only of loss but of how communities far from Ground Zero took a piece of the tragedy – and made it their own.At once deeply human and sharply analytical, Scattered Steel asks urgent questions: What does it mean to sanctify matter? How do memorials shape collective memory in an age of global, and highly visual, trauma? And what happens when the symbols of tragedy become part of everyday landscapes?