Max Lobe - Böcker

"My mother says that there are things in life that she can't forgive . . ."At age 16, Dipita's mother, Mbila, arrived in Switzerland from Cameroon. Trafficked into Europe, she supported herself and her son as a prostitute in Geneva. Dipita, now a young, black, gay man serving a five-year sentence in a Swiss prison, shares their story and his own search for purpose. He intertwines their stories with the life of Uncle Démoney, a former civil servant in Cameroon, who staked everything on sending his sister to Switzerland.39 Berne Street explores the complex themes of prostitution, immigration, and homosexuality through a fluid and expressive prose that makes it ring true. Originally published in French, it won the Prix du Roman des Romands in 2014.Max Lobe's 39 Berne Street vividly describes the unforgivable actions visited by family members upon family members in desperate bids for survival and contentment in the midst of Dipita's struggle toward forgiveness and acceptance.

Important issues of violence, terrorism, homosexuality and migration feature in A LONG WAY FROM DOULA , the first publication in English of a work by Max Lobé, an important new voice in African writing.On the trail of Roger, a brother who has gone north in search of football fame in Europe, Choupi, the narrator, takes with him the older Simon, a neighborhood friend. The bus trip north nearly ends in disaster when, at a pit stop, Simon goes wandering in search of grilled caterpillars. At the police station in Yaoundé, the local cop tells them that a feckless boza who wants to go to Europe is not worth police effort and their mother should go and pleasure the police chief if she wants help! Through a series of joyful sparky vignettes, Cameroon life is revealed in all its ups and downs. Issues of life and death are raised but the tone remains light and edgy.

The narrator, Mwana, is a young man from Bantuland, living in Geneva. A graduate from a Swiss university, we first encounter Mwana waiting for a bus in the hills of Lugano gazing at a poster calling for "black sheep" to be sent home. Mwana's efforts to find work are fruitless until he lands an internship in an NGO campaigning against racial discrimination. The team is busy organising a demonstration against the black sheep poster. Mwana has one foot in each culture. He sees Swiss society through African eyes, with all its contradictions: its moderation, stunning landscapes and its eccentricities, but also its intolerance and inflexibility. He also casts a critical eye on his native Africa, the weight of its traditions and beliefs. Is belonging nowhere the price Mwana has to pay for these insights?