Meg Jensen – författare

Personal testimonies are the life force of human rights work, and rights claims have brought profound power to the practice of life writing. This volume explores the connections and conversations between human rights and life writing through a dazzling, international collection of essays by survivor-writers, scholars, and human rights advocates.In We Shall Bear Witness, editors Meg Jensen and Margaretta Jolly assemble moving personal accounts from those who have endured persecution, imprisonment, and torture; meditations on experiences of injustice and protest by creative writers and filmmakers; and innovative research on ways that digital media, commodification, and geopolitics are shaping what is possible to hear and say. The book’s primary sections—testimony, recognition, representation, and justice—evoke the key stages in turning experience into a human rights life story and attend to such diverse and varied arts as autobiography, documentary film, report, oral history, blog, and verbatim theater. The result is a groundbreaking book that sensitively examines how life and rights narratives have become so powerfully entwined. Also included is an innovative guide to teaching human rights and life narrative in the classroom.

Radical, witty and inventive, Katherine Mansfield is one of the twentieth century’s most accomplished short-story writers and this selection of stories showcases her dazzling skill. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Prelude & Other Stories is edited and introduced by Professor Meg Jensen.This selection of stories by Katherine Mansfield showcases her remarkable ability to delve into the human mind; in stories such as ‘The Garden Party’ she reveals the tension between innocence and corruption, the dark side of love and romance are explored in ‘Bliss’ and ‘Love à la Mode’, and in the title story, ‘Prelude’, inspired by her own childhood, her concern is for the isolated and the lonely. Collected together for the first time, this selection of short stories by Katherine Mansfield showcase her remarkable ability to delve deep into human psychology.

This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the ‘science of trauma’ (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as ‘symptoms’but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.