Megan Grumbling – författare
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2 produkter
2 produkter
163 kr
Skickas inom 10-15 vardagar
Bernard A. Booker, wry old Maine codger andunofficial mayor of Ell Pond, is the subject ofBooker’s Point, an oral history-inspired portrait-inverse.Weaving storytelling, natural history, and thepoetry of place, the collection evokes the sensibilityof rural New England, meditations on home andelders, and above all, the pleasures of a good story.From “Some Kind of Hunter”He coaxed a pregnant woman right acrossthe river, and it weren’t no easy bridge.A cousin of an in-law, broke as dirt,she come up visiting from Vermont too poorto buy a license. Booker paid it, seta rifle in her hands, and took her upto Perkinstown, the brook side, where they comeupon this bridge, just beams and cables, rough.Full six months big, a borrowed gun; to her,that span, it looked like one hell of a stunt“Grumbling is subtle, conjures the natural worldrichly and convincingly, and her subject matter issurprising and intriguing. I also admire how shehandles meter. Nobody else that I know of is writinglike her.”—Morri Creech, judge and author of Sleepof Reason
154 kr
Skickas inom 5-8 vardagar
Persephone in the Late Anthropocene vaults an ancient myth into the age of climate change. In this poetry collection, the goddess of spring now comes and goes erratically, drinks too much, and takes a human lover in our warming, unraveling world. Meanwhile, Persephone’s mother searches for her troubled daughter, and humanity is first seduced by the unseasonable abundance, then devastated by the fallout, and finally roused to act.This ecopoetic collection interweaves the voices of Persephone, Demeter, and a human chorus with a range of texts, including speculative cryptostudies that shed light on the culture of the “Late Anthropocene.” These voices speak of decadence and blame, green crabs and neonicotinoids, mysteries and effigies. They reckon with extreme weather, industrialized plenty, and their own roles in ecological collapse.Tonally, the poems of this book range between the sublime and the profane; formally, from lyric verse and modern magical-realist prose poems to New Farmer’s Almanac riddles and pop-anthropology texts. At the heart of this varied and inventive collection is story itself, as Demeter deconstructs “whodunits,” as the chorus grasps that mythmaking is an act of “throwing their voices,” and as their very language mirrors the downward spiral of destruction. Together, the collected pieces of Persephone in the Late Anthropocene form a narrative prism, exploring both environmental crisis and the question of how we tell it.