Melania Mazzucco – författare
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The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863–1944) at the forefront of European art at the turn of the last century.Interestingly, Munch’s artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist’s work: Munch’s relationship to Italy.The first essay, Lasse Jacobsen’s ‘Edvard Munch. Italian Impressions’, explores this connection explicitly, as part of a general overview of Munch’s life and work.The second text, ‘Reflections in Munch’s Inner Eye’ by Patricia G. Berman, charts the art historical context of Munch’s exploration of experience’s subjective dimension. Emil Leth Meilvang’s ‘Seeing without Sight. Munch’s Vision’, on its part, explores the relationship between Munch’s artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: ‘I am a Romantic’ and ‘Who Am I’. Each demonstrates Munch’s continuing ability to light the inner fires of other artists.
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In April 1903, Diamante, age twelve, and Vita, age nine, are sent by their poor families in southern Italy to make a life in America. Theirs is an unforgettable love story, a riveting tale of immigrant survival and hope that takes them from the crime-ridden tenements of Little Italy to the brutal rail yards of the Midwest, on paths that cross with the Black Hand, Caruso, and Chaplin. It is a story that reaches across decades, to the son of Vita, who would travel as far as Italy to find his roots, and the man who could have been his father. In "Vita", Melania G. Mazzucco also tells of how she found Diamante and Vita in old photographs, documents, ship manifests, and the fading memories of her relatives, and from these fragments of the past imagined this gripping epic fiction of her family's history.