Analyzes the breadth of representations of the mythic figure of Māra in Buddhism to reveal how closely tied such narratives are to the social and historical concerns of Buddhist communities.2019 CHOICE Outstanding Academic Title This is the first book to examine the development of the figure of Māra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, Māra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, Māra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the Māra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of Māra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it.

Analyzes the breadth of representations of the mythic figure of Māra in Buddhism to reveal how closely tied such narratives are to the social and historical concerns of Buddhist communities.2019 CHOICE Outstanding Academic Title This is the first book to examine the development of the figure of Māra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, Māra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, Māra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the Māra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of Māra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it.

Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. This is the first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. This book places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn.The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.

Analyzes the breadth of representations of the mythic figure of Māra in Buddhism to reveal how closely tied such narratives are to the social and historical concerns of Buddhist communities.2019 CHOICE Outstanding Academic Title This is the first book to examine the development of the figure of Māra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, Māra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, Māra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the Māra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of Māra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it.

Analyzes the breadth of representations of the mythic figure of Māra in Buddhism to reveal how closely tied such narratives are to the social and historical concerns of Buddhist communities.2019 CHOICE Outstanding Academic Title This is the first book to examine the development of the figure of Māra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, Māra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, Māra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the Māra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of Māra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it.

Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. This is the first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. This book places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn.The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.