Michael Warr – författare
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This extraordinary volume collects the poems of forty-four of America’s most talented African American wordsmiths, including Pulitzer Prize– winning poets Rita Dove, Natasha Tretheway, Yusef Komunyakaa and Tracy K. Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, Nikki Giovanni and Sonia Sanchez. Accompanying each poem is a photograph of the poet along with a first-person biography and the book also includes personal essays on race from Harry Belafonte, Amiri Baraka and Reverend R. William Barber II, architect of the Moral Mondays movement. Images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party accompany the work. Taken together, this remarkable book gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony.
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We Are All the Black Boy is a searing work of our time. Full of venom, full of hope, it is an evocative wordscape, tearing down barriers and probing the humanity in each of us. No holds barred poetry. A full appetite of insatiable truth.
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Tracking a nonlinear trek across terrain as distinct as Timbuktu and Baton Rouge, and beliefs as “contrary” as Christianity and Communism, in The Armageddon of Funk Michael Warr manages to interconnect a world of opposites. Via “poetic memoir” we join his navigation through the “apolitical,” rigid morality of the Jehovah’s Witnesses; the revolutionary theories and free love of Black Panthers and Marxists; the promise of a bourgeois future from bank executives; a screaming soldier brandishing an AK-47 in his face, a blizzard of white termite wings; an interrogation under Haile Selassie’s Jubilee Palace; hallucinating of “of cornbread islands” at Chicago’s “Velvet Lounge,” and many “Street Signs, Convolutions, and other California Coincidences” as one poem is titled in this second collection. Warr’s poetry, like his life, is full of interruptions and circularity that captures the broad sweep of the times and microscopic idiosyncrasies of the moment.