Michaeline A. Crichlow – författare

This book, contextualized by the violence of globalization, investigates the fungible, fugitive, and untenable experiences of Black being and time through a decolonial poethics of global*Blackness. In so doing it introduces innovative readings of coloniality/decoloniality by threading its meaning and movement through the “problem” of Blackness.

It argues that global*Blackness is the complexly entangled other side of decoloniality, as movement, method, and poethics for radical new worlds. The essays explore this through inter/transdisciplinary, creative, and decolonial standpoints, whether from prison abolitionist demands to Afrofuturist imaginaries, or by seeing through Black mirrors. It emphasizes the paradoxical characteristics of global*Blackness—its spectral quality of being in and out of modernity''s self-narrative—to provide a way of dwelling with global Blackness as a force that is neither “properly” constituted by corporeality nor thinkable in ontological terms determined by modern power.

The book will be of interest to academics, researchers, and students in the fields of social sciences, cultural studies, postcolonial studies as well as cultural practitioners, art educators, artists, cultural activists, and those institutions that seek to decolonize imaginaries, thought, practices, and methods. Given its diverse offerings, it will also be of interest to upper-level undergraduates, graduate students, and academics.

This book, contextualized by the violence of globalization, investigates the fungible, fugitive, and untenable experiences of Black being and time through a decolonial poethics of global*Blackness. In so doing it introduces innovative readings of coloniality/decoloniality by threading its meaning and movement through the “problem” of Blackness.

It argues that global*Blackness is the complexly entangled other side of decoloniality, as movement, method, and poethics for radical new worlds. The essays explore this through inter/transdisciplinary, creative, and decolonial standpoints, whether from prison abolitionist demands to Afrofuturist imaginaries, or by seeing through Black mirrors. It emphasizes the paradoxical characteristics of global*Blackness—its spectral quality of being in and out of modernity''s self-narrative—to provide a way of dwelling with global Blackness as a force that is neither “properly” constituted by corporeality nor thinkable in ontological terms determined by modern power.

The book will be of interest to academics, researchers, and students in the fields of social sciences, cultural studies, postcolonial studies as well as cultural practitioners, art educators, artists, cultural activists, and those institutions that seek to decolonize imaginaries, thought, practices, and methods. Given its diverse offerings, it will also be of interest to upper-level undergraduates, graduate students, and academics.