Milton C. Sernett – författare

The compelling and wide-ranging tale that examines the moral choices made by blacks and whites of New York State to aid the newly freed slaves to secure the promise of freedom. The North Star was both an astronomical reference guiding slaves north to freedom, and a symbol of the moral enterprise that sought to end slavery. This crusade for freedom in the north was born of the religious revivals of the 1820s and 1830s in central and western New York - known as the ""Burned-Over District,"" which lit the fires that eventually burst into the conflagration of the Civil War. Milton C. Sernett begins with a history of slavery in upstate New York and ends with John Brown's execution and burial in the Adirondacks. He includes great abolitionists - among them Harriet Tubman, Frederick Douglass, Gerrit Smith, Beriah Green, Jermain Lougen, and Samuel May - and many lesset-known characters who rescued fugitives from slave hunters, maintained safe houses along the Underground Railroad, and otherwise furthered the cause of freedom.

Bound for the Promised Land is the first extensive examination of the impact on the American religious landscape of the Great Migration-the movement from South to North and from country to city by hundreds of thousands of African Americans following World War I. In focusing on this phenomenon’s religious and cultural implications, Milton C. Sernett breaks with traditional patterns of historiography that analyze the migration in terms of socioeconomic considerations.Drawing on a range of sources-interviews, government documents, church periodicals, books, pamphlets, and articles-Sernett shows how the mass migration created an institutional crisis for black religious leaders. He describes the creative tensions that resulted when the southern migrants who saw their exodus as the Second Emancipation brought their religious beliefs and practices into northern cities such as Chicago, and traces the resulting emergence of the belief that black churches ought to be more than places for "praying and preaching." Explaining how this social gospel perspective came to dominate many of the classic studies of African American religion, Bound for the Promised Land sheds new light on various components of the development of black religion, including philanthropic endeavors to "modernize" the southern black rural church. In providing a balanced and holistic understanding of black religion in post–World War I America, Bound for the Promised Land serves to reveal the challenges presently confronting this vital component of America’s religious mosaic.

This widely-heralded collection of remarkable documents offers a view of African American religious history from Africa and early America through Reconstruction to the rise of black nationalism, civil rights, and black theology of today. The documents-many of them rare, out-of-print, or difficult to find-include personal narratives, sermons, letters, protest pamphlets, early denominational histories, journalistic accounts, and theological statements. In this volume Olaudah Equiano describes Ibo religion. Lemuel Haynes gives a black Puritan’s farewell. Nat Turner confesses. Jarena Lee becomes a female preacher among the African Methodists. Frederick Douglass discusses Christianity and slavery. Isaac Lane preaches among the freedmen. Nannie Helen Burroughs reports on the work of Baptist women. African Methodist bishops deliberate on the Great Migration. Bishop C. H. Mason tells of the Pentecostal experience. Mahalia Jackson recalls the glory of singing at the 1963 March on Washington. Martin Luther King, Jr. writes from the Birmingham jail. Originally published in 1985, this expanded second edition includes new sources on women, African missions, and the Great Migration. Milton C. Sernett provides a general introduction as well as historical context and comment for each document.

Bound for the Promised Land is the first extensive examination of the impact on the American religious landscape of the Great Migration—the movement from South to North and from country to city by hundreds of thousands of African Americans following World War I. In focusing on this phenomenon’s religious and cultural implications, Milton C. Sernett breaks with traditional patterns of historiography that analyze the migration in terms of socioeconomic considerations.Drawing on a range of sources—interviews, government documents, church periodicals, books, pamphlets, and articles—Sernett shows how the mass migration created an institutional crisis for black religious leaders. He describes the creative tensions that resulted when the southern migrants who saw their exodus as the Second Emancipation brought their religious beliefs and practices into northern cities such as Chicago, and traces the resulting emergence of the belief that black churches ought to be more than places for "praying and preaching." Explaining how this social gospel perspective came to dominate many of the classic studies of African American religion, Bound for the Promised Land sheds new light on various components of the development of black religion, including philanthropic endeavors to "modernize" the southern black rural church. In providing a balanced and holistic understanding of black religion in post–World War I America, Bound for the Promised Land serves to reveal the challenges presently confronting this vital component of America’s religious mosaic.

Harriet Tubman is one of America’s most beloved historical figures, revered alongside luminaries including Abraham Lincoln and Frederick Douglass. Harriet Tubman: Myth, Memory, and History tells the fascinating story of Tubman’s life as an American icon. The distinguished historian Milton C. Sernett compares the larger-than-life symbolic Tubman with the actual “historical” Tubman. He does so not to diminish Tubman’s achievements but rather to explore the interplay of history and myth in our national consciousness. Analyzing how the Tubman icon has changed over time, Sernett shows that the various constructions of the “Black Moses” reveal as much about their creators as they do about Tubman herself.

Three biographies of Harriet Tubman were published within months of each other in 2003–04; they were the first book-length studies of the “Queen of the Underground Railroad” to appear in almost sixty years. Sernett examines the accuracy and reception of these three books as well as two earlier biographies first published in 1869 and 1943. He finds that the three recent studies come closer to capturing the “real” Tubman than did the earlier two. Arguing that the mythical Tubman is most clearly enshrined in stories told to and written for children, Sernett scrutinizes visual and textual representations of “Aunt Harriet” in children’s literature. He looks at how Tubman has been portrayed in film, painting, music, and theater; in her Maryland birthplace; in Auburn, New York, where she lived out her final years; and in the naming of schools, streets, and other public venues. He also investigates how the legendary Tubman was embraced and represented by different groups during her lifetime and at her death in 1913. Ultimately, Sernett contends that Harriet Tubman may be America’s most malleable and resilient icon.