Monica Titton – författare

This new edited collection assembles academic essays and intellectual activism equally next to visual essays and artistic interventions and proposes a different concept for fashion research that eschews the traditional logic of academic fashion studies. It features acclaimed designers, artists, curators and theorists whose work investigates the multi-faceted debates on the rise of practice-based research in fashion.The book sets out to explore current issues in fashion research with a particular focus on both methodology and expansion of the field to encompass overlooked voices and narratives. It has a particular concern with the relationships between theory and practice and with how knowledge is created and disseminated in fashion studies. It is an excellent and really valuable contribution to the field at a point both when fashion studies is expanding and when the fashion industry is at a crucial point of change.Some of the contributions were originally presented at a symposium hosted by the Austrian Center for Fashion Research ‘TALKSHOW: The politics of practice-based fashion research’ at Vienna’s Museum of Applied Arts, curated by Wally Salner. The symposium brought together a group of fashion scholars, designers, educators and practitioners to explore critical contemporary fashion (research) practices, and to investigate critical fashion knowledge between theory and practice, beyond assumed disciplinary and epistemological boundaries. Many contributions in this volume were initially presented at that symposium, while others are testimonies of international debates that were part of the research activities of the Austrian Center for Fashion Research, a research project funded by the Austrian Federal Ministry of Science Research and Economy, led by Elke Gaugele.The book is structured into three sections: 'Fashion Knowledge', 'Practice-Based Fashion Research', and 'Sites of Fashion and Politics'. Contributions look at new forms of fashion knowledge that are forming with and along shifting fashion practices, practice-based fashion research, and sheds light on different sites and entanglements of fashion and politics in distinctive contemporary and historical moments of de/colonization, anti/racism, and anti/globalization.Elke Gaugele is cultural anthropologist and professor of fashion, styles and contextual design at the Academy of Fine Arts in Vienna, Austria. Monica Titton is a sociologist, fashion theorist and senior scientist at the fashion design department of the University of Applied Arts Vienna, Austria. Other contributions are from Elke Bippus, Astrid Engl, Jojo Gronostay, Ruby Hoette, Bianca Koczan, Priska Morger, NCCFN, Wally Salner, Andreas Spiegl, José Teunissen, Lara Torres, Carol Tulloch and Maria ZiegelböckReaders will be academics, practitioners, designers, artists, curators, museums, theoretical scholars, lecturers, practice-based researchers, students and practitioners at all levels in the fields of fashion, textile, art and design.This new book with its original focus on practice-based research will be useful for a general and academic readership alike, and to all those working within the field of fashion studies, including those with a theoretical focus, fashion practitioners and those working within innovative pockets of the fashion industry./p>

1.1 Vorwort Werden die Strukturen und Funktionsweisen von Familien in der Gegenwart beleuchtet, wird der Part der Väter zumeist nachrangig behandelt. Nach wie vor beschäftigt sich die Familienforschung primär mit den Müttern oder mit dem Paar. Erst in den letzten beiden Jahrzehnten gewann der Forschungsgegenstand „Vater“ in deutschsprachigen Studien kontinuierlich Platz. Das Vaterbild wird primär auf der Mikroebene des individuellen Verhaltens im familialen Raum untersucht, ist aber auch Gegenstand der Forschung auf gesellschaftlicher Ebene. Im Sonderheft der Zeitschrift für Familienforschung (2005) werden die Männer allerdings immer noch als das „vernachlässigte“ Geschlecht in der Famili- forschung bezeichnet. Auch innerhalb der Männerforschung erfolgt in erster Linie eine Beschäftigung mit der Definition und Identität von Männlichkeit, die sich diesen Studien zufolge hauptsächlich in der Auseinandersetzung unter M- nern konstituiert. Das generative Verhalten von Männern und die soziale Vat- schaft im familialen Kontext wurden erst spät zum Forschungsgegenstand inn- halb der Sozialwissenschaften. Wie aus Studien aller Industriestaaten hervorgeht, bleiben die Kinder zum überwiegenden Teil nach einer Trennung in der Obhut der Mütter. Die Dynamik der Familienformen in jüngster Zeit zeigt uns, dass die Zahl der Scheidungen und damit die Zahl der alleinerziehenden Mütter und betroffenen Kindern - steigt und somit auch die Zahl der Väter, die zu sogenannten „Besuchsvätern“ werden.

Das Anliegen der vorliegenden Studie aus Österreich ist es, einen differenzierten Beitrag zur Komplexität der Beweggründe und Motivationen zu leisten, die zum Kontaktabbruch der Vater-Kind-Beziehung nach einer Scheidung oder Trennung führen.

This new edited collection assembles academic essays and intellectual activism equally next to visual essays and artistic interventions and proposes a different concept for fashion research that eschews the traditional logic of academic fashion studies. It features acclaimed designers, artists, curators and theorists whose work investigates the multi-faceted debates on the rise of practice-based research in fashion.The book sets out to explore current issues in fashion research with a particular focus on both methodology and expansion of the field to encompass overlooked voices and narratives. It has a particular concern with the relationships between theory and practice and with how knowledge is created and disseminated in fashion studies. It is an excellent and really valuable contribution to the field at a point both when fashion studies is expanding and when the fashion industry is at a crucial point of change.Some of the contributions were originally presented at a symposium hosted by the Austrian Center for Fashion Research ‘TALKSHOW: The politics of practice-based fashion research’ at Vienna’s Museum of Applied Arts, curated by Wally Salner. The symposium brought together a group of fashion scholars, designers, educators and practitioners to explore critical contemporary fashion (research) practices, and to investigate critical fashion knowledge between theory and practice, beyond assumed disciplinary and epistemological boundaries. Many contributions in this volume were initially presented at that symposium, while others are testimonies of international debates that were part of the research activities of the Austrian Center for Fashion Research, a research project funded by the Austrian Federal Ministry of Science Research and Economy, led by Elke Gaugele.The book is structured into three sections: 'Fashion Knowledge', 'Practice-Based Fashion Research', and 'Sites of Fashion and Politics'. Contributions look at new forms of fashion knowledge that are forming with and along shifting fashion practices, practice-based fashion research, and sheds light on different sites and entanglements of fashion and politics in distinctive contemporary and historical moments of de/colonization, anti/racism, and anti/globalization.Elke Gaugele is cultural anthropologist and professor of fashion, styles and contextual design at the Academy of Fine Arts in Vienna, Austria. Monica Titton is a sociologist, fashion theorist and senior scientist at the fashion design department of the University of Applied Arts Vienna, Austria. Other contributions are from Elke Bippus, Astrid Engl, Jojo Gronostay, Ruby Hoette, Bianca Koczan, Priska Morger, NCCFN, Wally Salner, Andreas Spiegl, José Teunissen, Lara Torres, Carol Tulloch and Maria ZiegelböckReaders will be academics, practitioners, designers, artists, curators, museums, theoretical scholars, lecturers, practice-based researchers, students and practitioners at all levels in the fields of fashion, textile, art and design.This new book with its original focus on practice-based research will be useful for a general and academic readership alike, and to all those working within the field of fashion studies, including those with a theoretical focus, fashion practitioners and those working within innovative pockets of the fashion industry./p>