Elke Gaugele – författare

This new edited collection assembles academic essays and intellectual activism equally next to visual essays and artistic interventions and proposes a different concept for fashion research that eschews the traditional logic of academic fashion studies. It features acclaimed designers, artists, curators and theorists whose work investigates the multi-faceted debates on the rise of practice-based research in fashion.The book sets out to explore current issues in fashion research with a particular focus on both methodology and expansion of the field to encompass overlooked voices and narratives. It has a particular concern with the relationships between theory and practice and with how knowledge is created and disseminated in fashion studies. It is an excellent and really valuable contribution to the field at a point both when fashion studies is expanding and when the fashion industry is at a crucial point of change.Some of the contributions were originally presented at a symposium hosted by the Austrian Center for Fashion Research ‘TALKSHOW: The politics of practice-based fashion research’ at Vienna’s Museum of Applied Arts, curated by Wally Salner. The symposium brought together a group of fashion scholars, designers, educators and practitioners to explore critical contemporary fashion (research) practices, and to investigate critical fashion knowledge between theory and practice, beyond assumed disciplinary and epistemological boundaries. Many contributions in this volume were initially presented at that symposium, while others are testimonies of international debates that were part of the research activities of the Austrian Center for Fashion Research, a research project funded by the Austrian Federal Ministry of Science Research and Economy, led by Elke Gaugele.The book is structured into three sections: Fashion Knowledge, Practice-Based Fashion Research, and Sites of Fashion and Politics. Contributions look at new forms of fashion knowledge that are forming with and along shifting fashion practices, practice-based fashion research, and sheds light on different sites and entanglements of fashion and politics in distinctive contemporary and historical moments of de/colonization, anti/racism, and anti/globalization.Elke Gaugele is cultural anthropologist and professor of fashion, styles and contextual design at the Academy of Fine Arts in Vienna, Austria. Monica Titton is a sociologist, fashion theorist and senior scientist at the fashion design department of the University of Applied Arts Vienna, Austria. Other contributions are from Elke Bippus, Astrid Engl, Jojo Gronostay, Ruby Hoette, Bianca Koczan, Priska Morger, NCCFN, Wally Salner, Andreas Spiegl, José Teunissen, Lara Torres, Carol Tulloch and Maria ZiegelböckReaders will be academics, practitioners, designers, artists, curators, museums, theoretical scholars, lecturers, practice-based researchers, students and practitioners at all levels in the fields of fashion, textile, art and design.This new book with its original focus on practice-based research will be useful for a general and academic readership alike, and to all those working within the field of fashion studies, including those with a theoretical focus, fashion practitioners and those working within innovative pockets of the fashion industry.

Der Einführungsband zu Kultur- und Sozialtheorien im Kunstfeld bildet den ‚State of the Art‘ gegenwärtiger Kunstausbildung in seiner transdisziplinären und methodologischen Vielfalt ab. Die disziplinäre Palette reicht dabei von traditionsreichen Fächern wie Philosophie und Kunstgeschichte über Kultur- und Kunstsoziologie, Architektur- und Medientheorie, bis hin zu den Studies der Gegenwart: Queer Studies, Visual Studies, Transcultural Studies, Fashion Studies u.a. Darüber hinaus werden fächerübergreifende theoretische Ansätze und angewandte Praxisfelder vorgestellt.

Mode spielt eine zentrale Rolle in unserer Gegenwartsästhetik, ihre ideologische Wirkmacht wird dabei längst von der neuen Rechten erkannt. Gezielt setzen Akteure, Influencer und Entrepreneure sie strategisch für die Ziele extrem rechter Politik ein. Das Buch legt dar, wie Rechtsextremismus aktuell durch Moden, Streetwear und Class-Styles verbreitet wird und wie Mode international zur Waffe eines neuen kulturellen Faschismus avanciert ist. Es zeichnet ein umfassendes Bild der Ästhetiken, Ökonomien, Plattformen und Strategien eines wachsenden rechtsextremen Modenetzwerks – made in Germany und darüber hinaus.