Moyra Haslett – författare
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This study is a contextual reading of Byron's epic poem Don Juan which argues that the importance of the Don Juan legend has been considerably underestimated. Contemporary histories--critical, political, theatrical, and personal--reveal that innocent or neutral readings of the poem were precluded by the figure's notoriety. It demonstrates the invitation which the poem was seen to offer to specific categories of readership--especially those of women and of the working classes--and how their reading not only contributes to the meaning of the text but makes that reading inherently political.The scope of the book includes other versions of the Don Juan legend. It also engages throughout with a critique of traditional myth-criticism, using instead Lévi-Strauss's more inclusive definition of what constitutes a myth. It considers those discourses which have spoken of the Don Juan legend---philosophical, psychoanalytical, speech-act---and applies postmodernist and feminist theories to a consideration of both Byron's poem and the legend itself.
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This essential guide defines literature of the eighteenth century as a literature written and received as public conversation. Moyra Haslett discusses and challenges conventional ways of reading the period, particularly in relation to notions of the public sphere. In her wide-ranging study, Haslett reads key texts - including The Dunciad, Gulliver's Travels and Pamela - in their literary and cultural contexts, and examines such genres as the periodical, the familiar letter, the verse epistle and the novel as textual equivalents of coterie culture.
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This volume examines eighteenth-century Irish literature, highlighting the diversity of texts, authors and approaches that characterises contemporary studies of the period. Chapters consider the contexts of history, politics, language, philosophy, gender, sexuality, and the environment while situating Irish literature in relation to Ireland, Britain, Europe and beyond. Well-known authors (Jonathan Swift, Edmund Burke and Oliver Goldsmith) are read alongside less familiar writers (including Mary Barber, William Chaigneau, Frances Sheridan, and Samuel Whyte) and popular and ephemeral literatures take their place with formerly canonical texts. It demonstrates the exciting vitality and richness of eighteenth-century Irish literature - written and performed - as well as its complex intersections with different communities and traditions. This book will be a key resource to scholars and students of Irish eighteenth-century studies as well as readers generally interested in questions of Anglophone and Irish-language culture, representations of gender and sexuality, and national and trans-national identities.