N. Scott Momaday – författare

“These are the poems of a master poet. . . . When you read these poems, you will learn to hear deeply the sound a soul makes as it sings about the mystery of dreaming and becoming.” — Joy Harjo, Mvskoke Nation, U.S. Poet LaureatePulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American oral tradition.One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing—most notably the Native American oral tradition—are the centerpiece of his work.This luminous collection demonstrates Momaday’s mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape.The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief. “I feel his presence close by in my blood and imagination,” Momaday writes, “and I sing him an honor song.” Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest.The Death of Sitting Bear evokes the essence of human experience and speaks to us all.

“[Momaday] must be ranked among the greatest of our contemporary writers.”—American Scholar"Momaday’s poems are rich with description, lush with dreaming, and filled with magic." — Library Journal (starred review)From Pulitzer Prize winner and revered literary master N. Scott Momaday, a beautiful and enchanting new poetry collection, at once a celebration of language, imagination, and the human spirit.“Language and the imagination work hand in hand, and together they enable us to reveal us to ourselves in story. That is indeed a magical process. . . . We imagine and we dream, and we translate our dreams into language.” —from the PrefaceA singular voice in American letters, Momaday’s love of language and storytelling are on full display in this brilliant new collection comprising one hundred sketches or “dream drawings”—furnishings of the mind—as he calls them. Influenced by his Native American heritage and its oral storytelling traditions, here are prose poems about nature, animals, warriors, and hunters, as well as meditations that explore themes of love, loss, time, and memory. Each piece, full of wisdom and wonder, showcases Momaday’s extraordinary lyrical talent, the breadth of his imagination, and the transformative power of his writing. Dream Drawings is also illustrated with a selection of black-and-white paintings by Momaday that capture the spirit of his prose.Poignant, inspired, and timeless, this is a collection that will nourish the soul.

Long a leading figure in American literature, N. Scott Momaday is perhaps best known for his Pulitzer Prize-winning House Made of Dawn and his celebration of his Kiowa ancestry, The Way to Rainy Mountain. Momaday has also made his mark in theater through two plays and a screenplay. Published here for the first time, they display his signature talent for interweaving oral and literary traditions.The Indolent Boys recounts the 1891 tragedy of runaways from the Kiowa Boarding School who froze to death while trying to return to their families. The play explores the consequences, for Indian students and their white teachers, of the federal program to ""kill the Indian and save the Man."" A joyous counterpoint to this tragedy, Children of the Sun is a short children's play that explains the people's relationship to the sun. The Moon in Two Windows, a screenplay set in the early 1900s, centers on the children of defeated Indian tribes, who are forced into assimilation at Carlisle, Pennsylvania, where the U.S. government established the first off-reservation boarding school.Belonging with the best of Momaday's classic writing, these plays are works of a mature craftsman that preserve the mythic and cultural tradition of unique tribal communities in the face of an increasingly homogeneous society.

Long a leading figure in American literature, N. Scott Momaday is perhaps best known for his Pulitzer Prize-winning House Made of Dawn and his celebration of his Kiowa ancestry, The Way to Rainy Mountain. Momaday has also made his mark in theater through two plays and a screenplay. Published here for the first time, they display his signature talent for interweaving oral and literary traditions.The Indolent Boys recounts the 1891 tragedy of runaways from the Kiowa Boarding School who froze to death while trying to return to their families. The play explores the consequences, for Indian students and their white teachers, of the federal program to ""kill the Indian and save the Man."" A joyous counterpoint to this tragedy, Children of the Sun is a short children's play that explains the people's relationship to the sun. The Moon in Two Windows, a screenplay set in the early 1900s, centers on the children of defeated Indian tribes, who are forced into assimilation at Carlisle, Pennsylvania, where the U.S. government established the first off-reservation boarding school.Belonging with the best of Momaday's classic writing, these plays are works of a mature craftsman that preserve the mythic and cultural tradition of unique tribal communities in the face of an increasingly homogeneous society.

Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression. ...Bear is a template of the wilderness." - from the IntroductionSince receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and his evolution as one of our most gifted artists.

Although highly regarded as a writer of fiction, nonfiction, and drama, N. Scott Momaday considers himself primarily a poet. This first book of his poems to be published in over a decade, Again the Far Morning comprises a varied selection of new work along with the best from his four earlier books of poems: Angle of Geese (1974), The Gourd Dancer (1976), In the Presence of the Sun (1992), and In the Bear's House (1999). To read Momaday's poems from the last forty years is to understand that his focus on Kiowa traditions and other American Indian myths is further evidence of his spectacular formal accomplishments. His early syllabic verse, his sonnets, and his mastery of iambic pentameter are echoed in more recent work, and prose poetry has been part of his oeuvre from the beginning. The new work includes the elegies and meditations on mortality that we expect from a writer whose career has been as long as Momaday's, but it also includes light verse and sprightly translations of Kiowa songs.

The Way to Rainy Mountain recalls the journey of Tai-me, the sacred Sun Dance doll, and of Tai-me's people in three unique voices: the legendary, the historical, and the contemporary. It is also the personal journey of N. Scott Momaday, who on a pilgrimage to the grave of his Kiowa grandmother traversed the same route taken by his forebears and in so doing confronted his Kiowa heritage. It is an evocation of three things in particular: a landscape that is incomparable, a time that is gone forever, and the human spirit, which endures. Celebrating fifty years since its 1969 release, this new edition offers a moving new preface and invites a new generation of readers to explore the Kiowa myths, legends, and history with Pulitzer Prize-winning author N. Scott Momaday.

The boy, the bird, and the beasts made a circle of wonder and good will around the real gift of fire, and beyond them were other wider circles, made of the meadow, the mountains, and the starry sky, all the fires and processions, all the voices and silences of all the world. . . . His spirit wheeled above the great meadow and the mountains, his loneliness was borne with the wild strength of a great elk, and he sang of his whole being with a voice that carried like the cry of a wolf.