Natilee Harren – författare
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2 produkter
2 produkter
453 kr
Skickas inom 5-8 vardagar
"PURGE the world of dead art, imitation, artificial art. . . . Promote living art, anti-art, promote NON ART REALITY to be grasped by all peoples," writes artist George Maciunas in his Fluxus manifesto of 1963. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective--including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts--embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making.While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. With Fluxus Forms, Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works--including event scores and Fluxbox multiples--that irreversibly expanded the boundaries of contemporary art.
Scores Project
Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950-1975
Häftad, Engelska, 2025
382 kr
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Individualsworking in and across the fields of visual art, music, poetry, theater, anddance at midcentury began to use experimental scores in ways thatrevolutionized artistic practice and opened up new forms of interdisciplinarycollaboration. Their experimental practices-associated with theneo-avant-garde, neo-Dadaism, intermedia, Fluxus, and postmodernism-explodedin notoriety during the 1960s in locales from New York to Europe, East Asia,and Latin America, becoming foundational to global trends in contemporary artand performance. The Scores Project providesan in-depth view of this historical moment. Through expert commentaries froman interdisciplinary team of scholars with accompanying illustrations, thispublication examines a series of experimental scores by John Cage, GeorgeBrecht, Sylvano Bussotti, Morton Feldman, Allan Kaprow, Alison Knowles,Jackson Mac Low, Benjamin Patterson, Yvonne Rainer, Mieko Shiomi, DavidTudor, and La Monte Young. Ambitious, provocative, and playful, The Scores Project is anilluminating resource to scholars and students who seek to understand thisinnovative and historically complex moment in the history of art.