Nicholas Birns – författare

The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and demonstrate what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.

This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already- existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.

This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already- existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.

This book offers a profound and necessary re-evaluation of pacifism, positioning it not merely as a negative stance against war, but as a comprehensive philosophical orientation toward living and ethical engagement. Moving beyond conventional political and historical limitations, the collection interrogates the radical intellectual and practical potential of non-violence in the twenty-first century.The contributions explore historical reappraisals—from reintroducing the Quaker pacifist Jonathan Dymond to considering Tolstoy in relation to critiques of Eurocentrism. Contemporary articulations of non-violence are examined, including anarcho-pacifism and feminist counternarratives emerging from movements like the Arab Spring. The book expands the scope of violence and pacifist resistance, questioning whether the ethical imperative of pacifism must extend to include refusal of violence against animal life and the inanimate, thereby embracing ecological and environmental justice.This collection addresses academics, researchers, and advanced students in philosophy, political theory, peace studies, and environmental studies. It serves as essential reading for courses on pacifist philosophy, nonviolent resistance, and contemporary political thought, offering a revitalisation of pacifist knowledge as a critical counterforce to aggressive politics.This book was originally published as a special issue of Angelaki: Journal for Theoretical Humanities.

The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and demonstrate what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.

The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include:*the author's reception in their native country, Spanish America, and Spain*biographical history*a critical examination of their work, including key themes and conceptual concerns*translation history*scholarly receptionThe Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.

Anthony Trollope's novels and stories entertain while vividly bringing the Victorian era to life. His deep empathy for the underdog led him to subvert conventions, exploring the lives of women, as well as men, and choosing as heroes and heroines outsiders who would be viewed with suspicion by his readers. Trollope's profound insight to human nature made him the first novelist in English to develop three dimensional characters and to create the novel sequence. This literary companion introduces readers to his life and work. A-to-Z entries explore Trollope's short story collections, and nonfiction contributions, as well as important themes in the works. This companion also includes fresh voices of contributors that bring in their contemporary insights to bear on Trollope's achievements, facilitating the understanding of Trollope's perspectives in relation to feminism, queer studies, and transnationalism.

This book examines literary representations of hyperlocal spaces that subvert the idea of grounded and organic spatial identities. Figures such as the pond, the scientific particle, and Wedgwood creamware often go unnoticed, but they exemplify important shifts in culture and aesthetics in the eighteenth and nineteenth centuries. The Hyperlocal in Eighteenth- and Nineteenth-Century Literary Space argues that these objects, as well as locations such as alcoves in remote shires, city inns, and mountain retreats, were portrayed by writers in the late eighteenth and early-to-mid nineteenth centuries as gambits that challenged cultural hegemonies. It shows that the hyperlocal space or object, though particular, reaches beyond itself, affording an elasticity that can allow those things that seem beneath notice to reveal broader cultural significance.

Roberto Bolaño as World Literature provides an introduction to the Chilean novelist that highlights his connections with classic and contemporary masters of world literature and his investigation of topics of international interest, such as the rise of rightwing and neofascist movements during the last decades of the 20th century. But this anthology also shows how Roberto Bolaño's participation in world literature is informed in his experiences, identity, and, more generally, cultural location as a Chilean, Latin American and, more generally, Hispanic writer and man. This book provides a corrective to readings of his novels as exclusively "postmodern" or as unproblematically representative of Chilean or Latin American reality. Roberto Bolaño as World Literature thus helps readers to better understand such complex works as his monumental global five-part masterpiece 2666, his Chilean novels (Distant Star, By Night in Chile), and his Mexican narratives (Amulet, The Savage Detectives), among other works.

Roberto Bolaño as World Literature provides an introduction to the Chilean novelist that highlights his connections with classic and contemporary masters of world literature and his investigation of topics of international interest, such as the rise of rightwing and neofascist movements during the last decades of the 20th century. But this anthology also shows how Roberto Bolaño's participation in world literature is informed in his experiences, identity, and, more generally, cultural location as a Chilean, Latin American and, more generally, Hispanic writer and man. This book provides a corrective to readings of his novels as exclusively "postmodern" or as unproblematically representative of Chilean or Latin American reality. Roberto Bolaño as World Literature thus helps readers to better understand such complex works as his monumental global five-part masterpiece 2666, his Chilean novels (Distant Star, By Night in Chile), and his Mexican narratives (Amulet, The Savage Detectives), among other works.

A fresh, twenty-first-century look at Australian literature in a broad, inclusive, and multicultural sense.Australian literature is one of the world's richest, dealing not only with "local" Australian themes and issues but with those at the forefront of global literary discussion. This book offers a fresh look at Australian literature,taking a broad view of what literature is and viewing it with Australian cultural and societal concerns in mind. Especially relevant is the heightened role of indigenous people and issues following the landmark 1992 Mabo decision on Aboriginal land rights. But attention to other multicultural connections and the competing pull of Australia's continued connection to Great Britain are also enlightening. Chapters are devoted to internationally prominent writers such as Patrick White, Peter Carey, David Malouf, and Christina Stead; fast-rising authors such as Gerald Murnane and Tim Winton; less-publicized writers such as Xavier Herbert and Dorothy Hewett; and on prose fiction,poetry, and drama, women's and gay and lesbian writing, children's literature, and science fiction. The Companion goes beyond Eurocentric ideas of national literary history to reveal the full, resplendent variety of Australian writing.Contributors: Nicholas Birns, Rebecca McNeer, Ali Gumillya Baker, Gus Worby, Anita Heiss, Ruth Feingold, Wenche Ommundsen, Susan Jacobowitz, Deborah Madsen, Marguerite Nolan, Tanya Dalziell, Richard Carr, David McCooey, Maryrose Casey, Brigid Rooney, John Beston, John Scheckter, Werner Senn, Carolyn Bliss, Paul Genono, Lyn Jacobs, Nicole Moore, Ouyang Yu, Jaroslav Kusnir, Brigid Magner, Russel Blackford, Toni Johnson-Woods, Theodore F. Sheckels, Alice Mills, Gary Clark, Damien Barlow, Leigh Dale Nicholas Birns teaches literature at the New School in New York City and is the editor of Antipodes. Rebecca McNeer is Associate Dean Emerita at Ohio University Southern.

Australia and New Zealand, united geographically by their location in the South Pacific and linguistically by their English-speaking inhabitants, share the strong bond of hope for cultural diversity and social equality—one often challenged by history, starting with the appropriation of land from their indigenous peoples. This volume explores significant themes and topics in Australian and New Zealand literature. In their introduction, the editors address both the commonalities and differences between the two nations’ literatures by considering literary and historical contexts and by making nuanced connections between the global and the local. Contributors share their experiences teaching literature on the iconic landscape and ecological fragility; stories and perspectives of convicts, migrants, and refugees; and Maori and Aboriginal texts, which add much to the transnational turn.This volume presents a wide array of writers—such as Patrick White, Janet Frame, Katherine Mansfield, Frank Sargeson, Witi Ihimaera, Christina Stead, Allen Curnow, David Malouf, Les Murray, Nam Le, Miles Franklin, Kim Scott, and Sally Morgan—and offers pedagogical tools for teachers to consider issues that include colonial and racial violence, performance traditions, and the role of language and translation. Concluding with a list of resources, this volume serves to supportnew and experienced instructors alike.

Mapping Minor/Small and World Literatures: Periphery and Center makes a declarative intervention in debates about world literature, redefining the boundaries between the center and periphery to rejuvenate long-established assumptions about significance and insignificance. In this book, African American literature (emerging from the often overlooked pink periphery, a cramped space of minor literature), works from the Faroe Islands, Basque literature, First Nation Canadian literature, Western narratives about peripheral China, Kurdish literature, the ultraminor literary space of Antigua, the 'favela' of Brazilian literature, as well as the hyperlocal narratives of Australian and New Zealand literature are all studied for their meaningful role within the world literary system. Additionally, working-class writing and the literary contributions of individuals on the margins of their own societies are given a voice, ensuring that the world literary space does not merely represent the perspectives of dominant elites. Unlike other descriptions of world literature, which have frequently allowed the grandeur and breadth of the global to overshadow the imperative for authentic literary biodiversity, this anthology, featuring contributions from diverse scholars representing various countries and backgrounds, actively deconstructs the structures of power and domination inherent in Western-European-centered world literature, minor literature, and small literature.