Robert Dixon – författare

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One of Australia's most respected novelists, Alex Miller's writing is both popular and critically well-received. He is twice winner of Australia's premier literary prize, the Miles Franklin Award. He has said that writing is his way of 'locating connections' and his work is known for its deeply empathic engagement with relationships and cultures.This collection explores his early and later works, including Miller's best-known novels, The Ancestor Game, Journey to the Stone Country, Lovesong and Autumn Laing. Contributors examine his intricately constructed plots, his interest in the nature of home and migration, the representation in his work of Australian history and culture, and key recurring themes including art and Aboriginal issues. Also included is a memoir, illustrated by photographs from his personal collection, in which Alex Miller reflects on his writing life.With contributions from leading critics including Raimond Gaita, Peter Pierce, Ronald A. Sharp, Brenda Walker, Elizabeth Webby and Geordie Williamson, this collection is the first substantial critical analysis of Alex Miller's work. It is an invaluable resource for anyone teaching and studying contemporary Australian literature.

This book describes the different banking systems of the twelve European Community countries and examines how they were affected by the Single European market of 1992. Exploring the implications of relevant EC legislation, the book highlights the problems that face financial institutions trying to expand their European operations and draws lessons from the efforts of major European banks to safeguard their own markets and independence in a more competitive European environment.

This book is an exploration of popular late nineteenth-century texts that show Australia - along with Africa, India and the Pacific Islands - to be a preferred site of imperial adventure. Focusing on the period from the advent of the new imperialism in the 1870s to the outbreak of World War I, Robert Dixon looks at a selection of British and Australian writers. Their books, he argues, offer insights into the construction of empire, masculinity, race, and Australian nationhood and identity. Writing the Colonial Adventure shows that the genre of adventure/romance was highly popular throughout this period. The book examines the variety of themes within their narrative form that captured many aspects of imperial ideology. In considering the broader ramifications of these works, Professor Dixon develops an original approach to popular fiction, both for its own sake and as a mode of cultural history.

Provides a fundamental understanding of current as well as future concepts and techniques essential for systematically defining and manufacturing a receiver that is flexible yet functional in today's world. An excellent introduction to communications and the role of receivers in conveying information.

This is the first illustrated edition of the diaries kept by Australian-born photographer and film maker Frank Hurley about his work on the Mawson and Shackleton Antarctic Expeditions, his two expeditions to Papua in the 1920s, and his experiences during the First and Second World Wars. While Hurley is best known today as a photographer and film maker, there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past – his voluminous manuscript diaries, which have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

This is the first illustrated edition of the diaries kept by Australian-born photographer and film maker Frank Hurley about his work on the Mawson and Shackleton Antarctic Expeditions, his two expeditions to Papua in the 1920s, and his experiences during the First and Second World Wars. While Hurley is best known today as a photographer and film maker, there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past – his voluminous manuscript diaries, which have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

‘Photography, Early Cinema and Colonial Modernity’ is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker. The focus of this volume surrounds the media events that encompassed these various creations – what Hurley called his ‘synchronized lecture entertainments’. These media events were at once national and international; they involved Hurley in an entire culture industry that was constantly in movement along global lines of travel and communication. This raises complex questions both about the authorship of Hurley’s photographic and filmic texts – which were often produced and presented by other people – and about their ontology, as they were often in a state of reassemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life enjoyed by Hurley’s creations amidst the complicated topography of the early twentieth century’s rapidly internationalizing mass-media landscape. As a way to conceive of that space, and of the social life of the people and things within it, this study uses the concept of ‘colonial modernity’.

On 25 June 1950, the simmering Cold War suddenly turned hot when North Korea, backed by the Soviet Union, crossed the 38th parallel and invaded the South. The United Nations responded rapidly, urging member states to aid South Korea, and among the nations that committed troops was the United Kingdom. One of the British units drawn into what became a bitter three-year conflict was the 1st Battalion, The Gloucestershire Regiment. The Glosters in the Korean War follows the battalion from the moment they were warned for deployment in Colchester in 1950, through their training and arrival in Korea, to the return of their last prisoners of war in late 1953. In February 1951, the Glosters were thrust into heavy fighting as part of the 29th British Independent Infantry Brigade, leading the assault to recapture Hill 327 from Chinese forces. Their successful attack formed part of a wider UN effort to regain lost ground. Yet the same hill would become the site of their most famous and desperate stand during the massive Chinese Spring Offensive only weeks later, in April 1951. On 22 April, three divisions of the Chinese 63rd Army – over 27,000 troops – launched a major assault across the Imjin River. Facing this overwhelming force, the Glosters, numbering just over 700 men, held a five-mile defensive front. For three days they endured continuous attacks, heavy artillery fire, and brutal close-quarters fighting. When the order finally came to withdraw, the battalion was virtually cut off and close to encirclement. Their resistance, however, bought critical time for UN forces to reorganise and helped stabilise the front north of Seoul. The cost of victory at the Imjin was devastating. Of the 620 Glosters who entered the battle, only a small number escaped. Many were killed or wounded, and more than 500 were taken prisoner. For their extraordinary courage, the battalion – soon celebrated as ‘The Glorious Glosters’ – received the U.S. Presidential Unit Citation, an honour rarely granted to non-American units. General James Van Fleet later called their stand ‘the most outstanding example of unit bravery in modern war’.

This book describes the different banking systems of the twelve European Community countries and examines how they were affected by the Single European market of 1992. Exploring the implications of relevant EC legislation, the book highlights the problems that face financial institutions trying to expand their European operations and draws lessons from the efforts of major European banks to safeguard their own markets and independence in a more competitive European environment.

Alex Miller: The Ruin of Time is the first sole-authored critical survey of the respected Australian novelist's eleven novels. While these books are immediately accessible to the general reading public, they are manifestly works of high literary seriousness substantial, technically masterful and assured, intricately interconnected, and of great imaginative, intellectual and ethical weight.

Richard Flanagan: New Critical Essays is the first collection of critical writing on Flanagan’s fiction.

‘Photography, Early Cinema and Colonial Modernity’ is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker. The focus of this volume surrounds the media events that encompassed these various creations – what Hurley called his ‘synchronized lecture entertainments’. These media events were at once national and international; they involved Hurley in an entire culture industry that was constantly in movement along global lines of travel and communication. This raises complex questions both about the authorship of Hurley’s photographic and filmic texts – which were often produced and presented by other people – and about their ontology, as they were often in a state of reassemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life enjoyed by Hurley’s creations amidst the complicated topography of the early twentieth century’s rapidly internationalizing mass-media landscape. As a way to conceive of that space, and of the social life of the people and things within it, this study uses the concept of ‘colonial modernity’.

Australian and international modernity from the late 19th to the mid-20th century inspires research in many fields of cultural endeavour: architecture, fine arts, design, cinema, theatre, and music; in urban studies, literary history and Aboriginal studies. Impact of the Modern brings together examples of this new interdisciplinary work on modern Australian culture by 21 leading scholars. Their writings reveal an original account of 'modernising' Australia as dynamic and creative in many art forms, and interactively linked with international processes and ideas. The essays in Impact of the Modern were presented as papers at the conference, 'Australian Vernacular Modernities', convened by the editors at the University of Queensland in 2006. Plenary papers by Jill Julius Matthews and Angela Woollacott signal the book's focus on the erotic and gendered spaces, and on popular aspects of modernity. They provide the central focus of the material, through such vital and dynamic categories as the 'modern', the 'erotic' and the 'primitive'. As essential components of the historical processes of innovation and modernisation, these central questions of gender and public sociality are taken up in diverse ways in the other chapters, forming a varied and exciting study of a range of creative Australian engagements with modern international life and popular culture.