Nicole Loraux – författare

In ordinary life an Athenian woman was allowed no accomplishments beyond leading a quiet and exemplary existence as wife and mother. Her glory was to have no glory. In Greek tragedy, however, women die violently and, through violence, master their own fate. It is a genre that delights in blurring the formal frontier between masculine and feminine. Through the subtlety of her reading of these powerful and ambiguous texts, Nicole Loraux elicits an array of insights into Greek attitudes toward death, sexuality, and gender.

According to one myth, the first Athenian citizen was born from the earth after the sperm of a rejected lover, the god Hephaistos, dripped off the virgin goddess Athena's leg and onto fertile soil. Henceforth Athenian citizens could claim to be truly indigenous to their city and to have divine origins that bypassed maternity. In these essays, the renowned French Hellenist Nicole Loraux examines the implication of this and other Greek origin myths as she explores how Athenians in the fifth century forged and maintained a collective identity.

Nicole Loraux has devoted much of her writing to charting the paths of the Greek "imaginary," revealing a collective masculine psyche fraught with ambivalence as it tries to grasp the differences between nature and culture, body and soul, woman and man. The Experiences of Tiresias, its title referring to the shepherd struck blind after glimpsing Athena's naked body, captures this ambivalence in exploring how the Greek male defines himself in relationship to the feminine. In these essays, Loraux disturbs the idea of virile men and feminine women, a distinction found in official discourse and aimed at protecting the ideals of male identity from any taint of the feminine. Turning to epic and to Socrates, however, she insists on a logic of an inclusiveness between the genders, which casts a shadow over their clear, officially defined borders. The emphasis falls on the body, often associated with feminine vulnerability and weakness, and often dissociated from the ideal of the brave, self-sacrificing male warrior. But heroes such as the Homeric Achilles, who fears yet fights bravely, and Socrates, who speaks of the soul through the language of the body, challenge these representations.The anatomy of pain, the heroics of childbirth, the sorrows of tears, the warrior's wounds, and the madness of the soul: all these experiences are shown to engage with both the masculine and the feminine in ways that do not denigrate the experiences for either gender. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Nicole Loraux has devoted much of her writing to charting the paths of the Greek "imaginary," revealing a collective masculine psyche fraught with ambivalence as it tries to grasp the differences between nature and culture, body and soul, woman and man. The Experiences of Tiresias, its title referring to the shepherd struck blind after glimpsing Athena's naked body, captures this ambivalence in exploring how the Greek male defines himself in relationship to the feminine. In these essays, Loraux disturbs the idea of virile men and feminine women, a distinction found in official discourse and aimed at protecting the ideals of male identity from any taint of the feminine. Turning to epic and to Socrates, however, she insists on a logic of an inclusiveness between the genders, which casts a shadow over their clear, officially defined borders. The emphasis falls on the body, often associated with feminine vulnerability and weakness, and often dissociated from the ideal of the brave, self-sacrificing male warrior. But heroes such as the Homeric Achilles, who fears yet fights bravely, and Socrates, who speaks of the soul through the language of the body, challenge these representations.The anatomy of pain, the heroics of childbirth, the sorrows of tears, the warrior's wounds, and the madness of the soul: all these experiences are shown to engage with both the masculine and the feminine in ways that do not denigrate the experiences for either gender. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Nicole Loraux brilliantly elucidates how Athenian politics were 'gendered' in the Classical period. She investigates the Athenian state's interdiction of ritualized mourning by women, in a city where public mourning constituted a vital act of civic self-definition and solidarity. "As Loraux shows, the silencing and exclusion of female—especially maternal—claims to a crucial relationship with the city's fallen war heroes served, and was reinforced by, the ideologically charged, distinctively Athenian notion of the polis as mother of its citizens. But, Loraux points out, the voice and audience that were denied the bereaved women in the political arena were made available to them in the Athenian theater. She focuses on the representation of mothers in mourning in the myths that are the substance of epic poetry and, principally, in Athenian drama, where the dire, menacing implications of their relentless grief are exposed and played out."Using evidence from sources as diverse as legal inscriptions, forensic oratory, ancient historiography, and early religious treatises, Loraux once again illuminates the culture of democracy, specifically the institutional suppression of women as a political and social force in the most flourishing period of Athenian history."—Laura M. Slatkin, University of ChicagoThis volume includes translations of the book "Les meres en deuil" and the essay "De l'amnistie et de son contraire."

In The Mourning Voice, Nicole Loraux presents a radical challenge to what has become the dominant view of tragedy in recent years: that tragedy is primarily a civic phenomenon, infused with Athenian political ideology, which envisions its spectators first and foremost as citizens, members of the political collective. Instead, Loraux maintains, the spectator addressed by tragedy is the individual defined primarily in terms of his or her humanity, rather than in terms of affiliation with a political group. The plays, she says, involve the spectators in the emotional expressiveness of tragic suffering, thereby creating a theatrical identity. Aroused by the experience of suffering, the audience is reminded that it is witnessing a theatrical representation of the instability of the human condition—a state that Loraux asserts tragedy is uniquely suited to convey.

"Nicole Loraux brilliantly elucidates how Athenian politics were 'gendered' in the Classical period. She investigates the Athenian state's interdiction of ritualized mourning by women, in a city where public mourning constituted a vital act of civic self-definition and solidarity. "As Loraux shows, the silencing and exclusion of female—especially maternal—claims to a crucial relationship with the city's fallen war heroes served, and was reinforced by, the ideologically charged, distinctively Athenian notion of the polis as mother of its citizens. But, Loraux points out, the voice and audience that were denied the bereaved women in the political arena were made available to them in the Athenian theater. She focuses on the representation of mothers in mourning in the myths that are the substance of epic poetry and, principally, in Athenian drama, where the dire, menacing implications of their relentless grief are exposed and played out."Using evidence from sources as diverse as legal inscriptions, forensic oratory, ancient historiography, and early religious treatises, Loraux once again illuminates the culture of democracy, specifically the institutional suppression of women as a political and social force in the most flourishing period of Athenian history."—Laura M. Slatkin, University of ChicagoThis volume includes translations of the book "Les meres en deuil" and the essay "De l'amnistie et de son contraire."

Third volume in a timely and ambitious series.