Oisín Wall – författare

In the early 1970s Irish prisons were overcrowded – there were few rehabilitation programs, medical care was limited, psychiatric care was practically nonexistent, and brutality was commonplace. The Irish prisoners unionized, igniting a movement that helped transform the penal system over the next decade and a half, and whose legacy is still visible today.Prisoners’ Bodies is the first book on the history of the prisoner-driven movement that sought to revolutionize the prison system in Ireland between 1972 and 1985. Oisín Wall charts the rise and fall of prisoners’ organizations, their changing social networks, tactics, and splits, and the effect that they had on life inside prison, public policy, and society at large. Considering the public discourse around prisons and prisoners during this period, Wall investigates how it shaped and was shaped by the movement. Finally, the book examines the experiences of more than twenty individuals in prison, setting their activism within the context of their lives and their politics. Their stories are reconstructed through oral histories, court records, press reports, prisoners’ publications, and archival material.Prisoners’ Bodies seeks to amplify the voices of people who have been systemically and institutionally silenced in the history of modern Irish prisons.

The British anti-psychiatric group, which formed around R.D. Laing, David Cooper, and Aaron Esterson in the 1960s, burned bright, but briefly, and has left a long legacy. This book follows their practical, social, and theoretical trajectory away from the structured world of institutional psychiatry and into the social chaos of the counter-culture. It explores the rapidly changing landscape of British psychiatry in the mid-Twentieth Century and the apparently structureless organisation of the part of the counter-culture that clustered around the anti-psychiatrists, including the informal power structures that it produced.The book also problematizes this trajectory, examining how the anti-psychiatrists distanced themselves from institutional psychiatry while building links with some of the most important people in post-war psychiatry and psychoanalysis. The anti-psychiatrists bridged the gap between psychiatry and the counter-culture, and briefly became legitimate voices in both. Wall argues that their synthesis of disparate discourses was one of their strengths, but also contributed to the group’s collapse.The British Anti-Psychiatrists offers original historical expositions of the Villa 21 experiment and the Anti-University. Finally, it proposes a new reading of anti-psychiatric theory, displacing Laing from his central position and looking at their work as an unfolding conversation within a social network.