Olga Peters Hasty – författare

To view the familiar from a different perspective is always enlightening. This engaging collection of travel accounts by Russian writers who visited America around the turn of the century offers fresh insights into both the American experience and the Russian mind. The documents, most of which appear in English for the first time, and interwoven with explanatory comments by Olga Peters Hasty and Susanne Fusso.The anthology begins in 1874 with young Machtet, who enthusiastically describes his journey across the prairie to a tiny utopian community in Kansas. Next Vladimir Korolenko gives his impressions of the stockyards of Chicago, and Vladimir Bogoraz observes fellow-passengers coming into New York harbor and traveling on a trans-continental train. With Gorky's visit in 1906, the tone of the Russian visitors' renderings of America changes. Because of the rise of Bolshevism, Russian travelers are inclined to convey negative impressions of America and to focus on its dramatic rise as an industrial power. Gorky's invective is followed by the commentaries of Sergei Esenin and Vladimir Mayakovsky that are also critical of American life but express admiration for American technology and know-how.

How Women Must Write studies how women who write poems were invented in late nineteenth and early twentieth-century Russia by women poets themselves, readers who derived poets of their own design from women’s poems, and male poets who fabricated women and wrote poems on their behalf. These distinct vantage points on how the Russian woman poet is constituted foreground the complex interactions between writing women and their readers within ever-shifting social, political, and cultural power structures. Hasty’s exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also its containment. Each chapter studies an episode from Russian cultural history. The first part explores the successes and vulnerabilities of Karolina Pavlova and Evdokiia Rostopchina, who lay the groundwork for women writing after them. The second part examines two women invented by men: Cherubina de Gabriak and Briusov’s Nelli, who reflect the establishment’s efforts to retain command over women’s writing in the Silver Age. Last, Hasty examines Marina Tsvetaeva’s and Anna Akhmatova’s challenges to male authority. Illuminating these writers and characters not as passive victims of gender-driven limitations and disincentives but rather as purposeful actors realizing themselves creatively and advancing the woman poet’s cause, How Women Must Write will appeal to the general reader as well as to specialists in Russian literature, women’s studies, and cultural history.

How Women Must Write studies how women who write poems were invented in late nineteenth and early twentieth-century Russia by women poets themselves, readers who derived poets of their own design from women’s poems, and male poets who fabricated women and wrote poems on their behalf. These distinct vantage points on how the Russian woman poet is constituted foreground the complex interactions between writing women and their readers within ever-shifting social, political, and cultural power structures. Hasty’s exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also its containment. Each chapter studies an episode from Russian cultural history. The first part explores the successes and vulnerabilities of Karolina Pavlova and Evdokiia Rostopchina, who lay the groundwork for women writing after them. The second part examines two women invented by men: Cherubina de Gabriak and Briusov’s Nelli, who reflect the establishment’s efforts to retain command over women’s writing in the Silver Age. Last, Hasty examines Marina Tsvetaeva’s and Anna Akhmatova’s challenges to male authority. Illuminating these writers and characters not as passive victims of gender-driven limitations and disincentives but rather as purposeful actors realizing themselves creatively and advancing the woman poet’s cause, How Women Must Write will appeal to the general reader as well as to specialists in Russian literature, women’s studies, and cultural history.