'Suddenly he tripped and fell his length over a prostrate body... he marvelled that so rough an impact should not have kicked a groan out of the drunkard...'With a stiff measure of the supernatural, a dram of melodrama and a chaser of the cautionary kind, tales of drink and drunkenness can be found in a well- stocked cabinet of Victorian and early twentieth-century fiction, reflecting an anxiety about the impact of alcohol and intoxicants in society, as well as an acknowledgment of their influence on humans' perception of reality.Featuring drink-fuelled classics such as Robert Louis Stevenson's 'The Body Snatcher' alongside obscurities from periodicals such as Blackwood's Magazine, this new collection offers a (somewhat poisoned) chalice of dark and stormy short fiction, brimming with the weird, the grotesque, the entertaining and the outlandish.

This book explores the fictional figure of the drunkard and why it was so important to Victorian thinking about what it meant to be human. From Jos’s life-changing hangover in Vanity Fair to Henchard’s twenty-one-year pledge of sobriety in The Mayor of Casterbridge, habitual drunkards were defining characters in nineteenth-century novels and short stories, creating chaos, joy, comedy, suffering and often their own destruction in works by authors like Mary Elizabeth Braddon, Anne Brontë, Wilkie Collins, Charles Dickens, George Eliot, Thomas Hardy and Anthony Trollope. Fiction played a key role in Victorian political discourses about the place of alcohol in society, fuelling the battle between temperance campaigners and defenders of moderation and pleasure, as well as disseminating and challenging new medical understandings of alcohol’s effects on the body and mind. By examining gendered and classed representations of drunkenness, The Drunkard in Victorian Fiction and Culture also documents how women and working-class drinkers were portrayed more harshly than their male and higher-class counterparts, reflecting wider religious and moral prejudices of the time. Pam Lock demonstrates the importance of studying literary drunkards both as evidence of Victorian attitudes to alcohol and as cautionary figures that remind us of the fragility and preciousness of life.

This book explores the fictional figure of the drunkard and why it was so important to Victorian thinking about what it meant to be human. From Jos’s life-changing hangover in Vanity Fair to Henchard’s twenty-one-year pledge of sobriety in The Mayor of Casterbridge, habitual drunkards were defining characters in nineteenth-century novels and short stories, creating chaos, joy, comedy, suffering and often their own destruction in works by authors like Mary Elizabeth Braddon, Anne Bronte, Wilkie Collins, Charles Dickens, George Eliot, Thomas Hardy and Anthony Trollope. Fiction played a key role in Victorian political discourses about the place of alcohol in society, fuelling the battle between temperance campaigners and defenders of moderation and pleasure, as well as disseminating and challenging new medical understandings of alcohol’s effects on the body and mind. By examining gendered and classed representations of drunkenness, The Drunkard in Victorian Fiction and Culture also documents how women and working-class drinkers were portrayed more harshly than their male and higher-class counterparts, reflecting wider religious and moral prejudices of the time. Pam Lock demonstrates the importance of studying literary drunkards both as evidence of Victorian attitudes to alcohol and as cautionary figures that remind us of the fragility and preciousness of life.

'Suddenly he tripped and fell his length over a prostrate body... he marvelled that so rough an impact should not have kicked a groan out of the drunkard...'With a stiff measure of the supernatural, a dram of melodrama and a chaser of the cautionary kind, tales of drink and drunkenness can be found in a well- stocked cabinet of Victorian and early twentieth-century fiction, reflecting an anxiety about the impact of alcohol and intoxicants in society, as well as an acknowledgment of their influence on humans' perception of reality.Featuring drink-fuelled classics such as Robert Louis Stevenson's 'The Body Snatcher' alongside obscurities from periodicals such as Blackwood's Magazine, this new collection offers a (somewhat poisoned) chalice of dark and stormy short fiction, brimming with the weird, the grotesque, the entertaining and the outlandish.

This book explores the fictional figure of the drunkard and why it was so important to Victorian thinking about what it meant to be human. From Jos’s life-changing hangover in Vanity Fair to Henchard’s twenty-one-year pledge of sobriety in The Mayor of Casterbridge, habitual drunkards were defining characters in nineteenth-century novels and short stories, creating chaos, joy, comedy, suffering and often their own destruction in works by authors like Mary Elizabeth Braddon, Anne Brontë, Wilkie Collins, Charles Dickens, George Eliot, Thomas Hardy and Anthony Trollope. Fiction played a key role in Victorian political discourses about the place of alcohol in society, fuelling the battle between temperance campaigners and defenders of moderation and pleasure, as well as disseminating and challenging new medical understandings of alcohol’s effects on the body and mind. By examining gendered and classed representations of drunkenness, The Drunkard in Victorian Fiction and Culture also documents how women and working-class drinkers were portrayed more harshly than their male and higher-class counterparts, reflecting wider religious and moral prejudices of the time. Pam Lock demonstrates the importance of studying literary drunkards both as evidence of Victorian attitudes to alcohol and as cautionary figures that remind us of the fragility and preciousness of life.

This book explores the fictional figure of the drunkard and why it was so important to Victorian thinking about what it meant to be human. From Jos’s life-changing hangover in Vanity Fair to Henchard’s twenty-one-year pledge of sobriety in The Mayor of Casterbridge, habitual drunkards were defining characters in nineteenth-century novels and short stories, creating chaos, joy, comedy, suffering and often their own destruction in works by authors like Mary Elizabeth Braddon, Anne Bronte, Wilkie Collins, Charles Dickens, George Eliot, Thomas Hardy and Anthony Trollope. Fiction played a key role in Victorian political discourses about the place of alcohol in society, fuelling the battle between temperance campaigners and defenders of moderation and pleasure, as well as disseminating and challenging new medical understandings of alcohol’s effects on the body and mind. By examining gendered and classed representations of drunkenness, The Drunkard in Victorian Fiction and Culture also documents how women and working-class drinkers were portrayed more harshly than their male and higher-class counterparts, reflecting wider religious and moral prejudices of the time. Pam Lock demonstrates the importance of studying literary drunkards both as evidence of Victorian attitudes to alcohol and as cautionary figures that remind us of the fragility and preciousness of life.