Paola Mayer – författare
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5 produkter
5 produkter
E-bok
PDF, Engelska, 2020712 kr
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Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff''s critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
E-bok
Engelska, 2020614 kr
Läs direkt efter köp
Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff''s critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
Del 77 - McGill-Queen's Studies in the History of Ideas
Aesthetics of Fear in German Romanticism
Häftad, Engelska, 2020
567 kr
Skickas inom 10-15 vardagar
Enlightenment - both the phenomenon specific to the eighteenth century and the continuing trend in Western thought - is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann - the father of the modern fantastic - with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
E-bok
PDF, Engelska, 19991 122 kr
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These appropriations fall into two main groups: those pertaining to the name Böhme or a life assigned to it, and those involving concepts or images from the mystic''s oeuvre. The first group constituted an attempt to co-opt the aura of sanctity attached to portrayals of the poet-prophet in order to invest Romantic Poesie with the sacral standing of religion. The second group, exemplified by Friedrich Schlegel and Friedrich Schelling, involved the borrowing and radical redefinition of a few concepts and images from Böhme''s work in the hope of bridging the gap between the abstract first principle of idealism and the personal God that became an emotional necessity for both thinkers. Jena Romanticism and Its Appropriation of Jakob Böhme treats the Romantic reception of Böhme as a striking example of how the past is appropriated and rewritten in the service of self-affirmation. Analysing the need and the techniques for this self-affirmation sheds light on the nature of the self to be affirmed and on the content and underlying motivation of the Romantic program.
Del 52 - Kanadische Studien zur deutschen Sprache und Literatur
Romanticism, Humanism, Judaism- Romantik, Humanismus, Judentum
The Legacy of Hans Eichner- Hans Eichners Vermaechtnis
Häftad, Engelska, 2013
1 582 kr
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Hans Eichner belongs to that group of Jewish intellectuals who fled Nazi Germany or Austria in the 1930s and who subsequently exerted a formative influence on German Studies in the English-speaking world. Eichner made a new home in Canada, where he taught first at Queen’s University in Kingston, Ontario, and then for many years at the University of Toronto. He was known mainly for his work on Thomas Mann, on German Romanticism, and as a co-editor of the historical-critical edition of Friedrich Schlegel’s collected works. The essays in this volume by Hans Eichner’s colleagues, friends, and students deal with Romanticism, Humanism and Judaism, subjects which occupied Eichner throughout his long scholarly career. Contributors also pay homage to his importance as scholar, as teacher, and as the author of an autobiographical novel about the fate of Hungarian-Austrian Jews, written late in his life. The essays illuminate the work of a Jewish scholar who was always conscious of the paradox of dedicating his life to German literature, after and despite the Holocaust.Hans Eichner gehört zu den jüdischen Intellektuellen, die in den dreißiger Jahren aus dem Nationalsozialistischen Deutschland oder aus Österreich flohen und in der zweiten Hälfte des 20. Jahrhunderts eine prägende Rolle in der Auslandsgermanistik spielten. Eichner fand in Kanada seine neue Heimat, wo er zuerst an der Queen’s University in Kingston, Ontario, und dann viele Jahre an der Universität Toronto lehrte. Er wurde vor allem bekannt durch seine Arbeiten über Thomas Mann, die deutsche Romantik und als Mitherausgeber der historisch-kritischen Friedrich-Schlegel-Ausgabe. Die Aufsätze in diesem Band, verfasst von Kollegen, Freunden und Schülern Hans Eichners, nehmen die Themen Romantik, Humanismus und Judentum auf, mit denen sich Hans Eichner während seiner langen wissenschaftlichen Laufbahn auseinandersetzte. Andere Beiträge würdigen seine Bedeutung als Wissenschaftler, Lehrer und als Autor eines autobiographischen Romans über das Schicksal derungarisch-österreichischen Juden, den er spät in seinem Leben schrieb. Die Aufsätze zeichnen das Bild eines jüdischen Wissenschaftlers, der sich immer des Paradoxons bewusst war, trotz des Holocausts seine Lebensarbeit der deutschen Literatur zu widmen.