Patricia Vigderman - Böcker
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“A searching, sensitive, and engagingly witty meditation.” —Lyndall Gordon “What a great pleasure this gorgeous little book has given me! It should be offered everywhere indeed, and at every museum shop on earth.”—Honor Moore A fascinating meditation on art and personality, Patricia Vigderman’s exploration of Isabella Stewart Gardner’s famous Boston museum radiates out from its subject to investigate Garnder’s legacy of luxury and willfulness. Isabella Gardner’s high spirits and aesthetic pleasure, her women friends and female power, her friendships with the adventurers and aesthetes of her world, are gathered into this engrossing investigation of patronage and passion. Blending biography, memoir, philosophy, and detective story, The Memory Palace is more than a tribute to the museum and the woman; it is an altogether new genre. Vigderman’s witty and intimate quest for her subject sets a literary precedent for the appreciation of artistic imagination. Loosening up the past, entering its mysteries and its memories, she reminds us that we change our lives when we begin a relationship with art. Patricia Vigderman grew up in Washington, D.C., and Europe. She graduated from Vassar College, after which a circuitous course led her through editing, translating, freelance journalism, teaching, marriage, motherhood, divorce, a doctoral dissertation (on nineteenth-century novels as film, as history, and as autobiography), and a lot of time in museums. Her recent writing has appeared in The Georgia Review, Harvard Review, The Iowa Review, The Kenyon Review, Mid-American Review, Northwest Review, Raritan, Seneca Review, and Southwest Review. She divides her year between Cambridge, Massachusetts, and Gambier, Ohio, where she teaches in the English department at Kenyon College. She is married to the writer Lewis Hyde.
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Possibility: Essays Against Despair attempts to translate some of life's disordered events into the orderly happiness of art. The book includes encounters with manatees, children, and snakes; with Henry Adams, Marcel Proust, and W.G. Sebald ; with Texas landscape, Vertigo, and Vermeer. Adams, in Japan after his wife's death, found in the elaborate ritual of the tea ceremony and in the discomforts of a rural inn, occasions for the wit to face down grief. His letters to friends coax laughter from strangeness and loss. Like Adams, Vigderman has a stylist's passion for revelatory detail, and for the pleasure of immersion in a world. Smart, generous, and probing, her discoveries play with direct experience, exploring the interaction of life and art as "magic you can walk in and out of.""Vigderman specializes in elliptical, epigrammatic insight that makes connectiosn that readers might not otherwise perceive.... Perhaps the most provocative essay and the emotional centerpiece is "My Depressed Person (A Monologue)," which interweaves a critical assessment of David Foster Wallace's short story "The Depressed Person" with Vigderman's own experience dealing with the depression of someone close to her, and perhaps her own as well."--Kirkus Reviews