Patrick A. Smith – författare

Providing easy access to information on nearly 450 short stories, this unique guide surveys a wide spectrum of world literature, canonical works, and contemporary fiction. Librarians and teachers will find multiple purposes for this expertly-compiled resource, which can be employed in much the same way as a standard bibliography. Educators will appreciate the concise annotations, arranged alphabetically by author, that form the core of this work. Insightful critical statements synthesize plot summaries and identify the thematic content of each short story.A theme guide utilizes the nearly 100 theme headings matching those at the start of each entry, allowing the user to quickly locate story titles on related themes and construct reading lists based on individual interests and needs. Another component designed to aid librarians offers one bibliography that lists the anthologies from which the stories are drawn (Works Cited) and one comprised of a number of recent anthologies that can be adapted for the classroom (Further Reading). In addition to the theme index, the general subject and author indexes make this a user-friendly and invaluable resource.

Providing easy access to information on nearly 450 short stories, this unique guide surveys a wide spectrum of world literature, canonical works, and contemporary fiction. Librarians and teachers will find multiple purposes for this expertly-compiled resource, which can be employed in much the same way as a standard bibliography. Educators will appreciate the concise annotations, arranged alphabetically by author, that form the core of this work. Insightful critical statements synthesize plot summaries and identify the thematic content of each short story.A theme guide utilizes the nearly 100 theme headings matching those at the start of each entry, allowing the user to quickly locate story titles on related themes and construct reading lists based on individual interests and needs. Another component designed to aid librarians offers one bibliography that lists the anthologies from which the stories are drawn (Works Cited) and one comprised of a number of recent anthologies that can be adapted for the classroom (Further Reading). In addition to the theme index, the general subject and author indexes make this a user-friendly and invaluable resource.

After growing up in Minnesota and graduating from college, Tim O'Brien received a draft notice and joined the war effort in Vietnam. He chronicled his combat experiences in his memoir If I Die in a Combat Zone, Box Me Up and Ship Me Home, and then went on to write the eight novels that are discussed in this volume. The novels reflect their characters' struggle with the effects of place, namely small-town America, in the Vietnam Era.Works included in this volume:If I Die in a Combat ZoneNorthern LightsGoing After CacciatoThe Nuclear AgeThe Things They CarriedIn the Lake of the WoodsTomcat in LoveJuly, July

After reading Neuromancer for the first time, literary scholar Larry McCaffery wrote, ""I knew I had seen the future of [science fiction] (and maybe of literature in general), and its name was William Gibson."" McCaffery was right. Gibson's 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American Canadian science fiction writer and reluctant futurist responsible for introducing ""cyberspace"" into the lexicon has published nine other novels.Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources - print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts. Myriad topics include Gibson's childhood in the American South and his early adulthood in Canada, with travel in Europe; his chafing against the traditional SF mold, the origins of ""cyberspace,"" and the unintended consequences (for both the author and society) of changing the way we think about technology; the writing process and the reader's role in a new kind of fiction. Gibson (b. 1948) takes on branding and fashion, celebrity culture, social networking, the post-9/11 world, future uses of technology, and the isolation and alienation engendered by new ways of solving old problems. The conversations also provide overviews of his novels, short fiction, and nonfiction.

On the strength of a National Book Award for his novel Going After Cacciato and a widely acclaimed short-story cycle, The Things They Carried, Tim O’Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam—and, in the process, was cast as a "Vietnam writer." But to confine O’Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades.In addition to detailed discussions of all of O’Brien’s work—a memoir, If I Die in a Combat Zone, and seven books of fiction—the sixteen interviews and profiles in Conversations with Tim O’Brien explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O’Brien’s youth in Minnesota and the expectations of a midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction; the role of war in society; gender issues; and the craft of writing. O’Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

On the strength of a National Book Award for his novel Going After Cacciato (1978) and a widely acclaimed short-story cycle, The Things They Carried (1990), Tim O'Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam--and, in the process, was cast as a ""Vietnam writer."" But to confine O'Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades. In addition to detailed discussions of all of O'Brien's work--a memoir, If I Die in a Combat Zone (1973), and seven books of fiction--the sixteen interviews and profiles in Conversations with Tim O'Brien explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O'Brien's youth in Minnesota and the expectations of a Midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction, the role of war in society; gender issues; and the craft of writing. O'Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

On the strength of a National Book Award for his novel Going After Cacciato and a widely acclaimed short-story cycle, The Things They Carried, Tim O’Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam—and, in the process, was cast as a “Vietnam writer.” But to confine O’Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades. In addition to detailed discussions of all of O’Brien’s work—a memoir, If I Die in a Combat Zone, and seven books of fiction—the sixteen interviews and profiles in Conversations with Tim O’Brien explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O’Brien’s youth in Minnesota and the expectations of a midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction; the role of war in society; gender issues; and the craft of writing. O’Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

“After reading Neuromancer for the first time,” literary scholar Larry McCaffery wrote, “I knew I had seen the future of [science fiction] (and maybe of literature in general), and its name was William Gibson.” McCaffery was right. Gibson''s 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American-Canadian science fiction writer and reluctant futurist responsible for introducing “cyberspace” into the lexicon has published nine other novels. Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources—print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts. Myriad topics include Gibson''s childhood in the American South and his early adulthood in Canada, with travel in Europe; his chafing against the traditional SF mold, the origins of “cyberspace,” and the unintended consequences (for both the author and society) of changing the way we think about technology; the writing process and the reader''s role in a new kind of fiction. Gibson (b. 1948) takes on branding and fashion, celebrity culture, social networking, the post-9/11 world, future uses of technology, and the isolation and alienation engendered by new ways of solving old problems. The conversations also provide overviews of his novels, short fiction, and nonfiction.

After reading Neuromancer for the first time,"" literary scholar Larry McCaffery wrote, ""I knew I had seen the future of [science fiction] (and maybe of literature in general), and its name was William Gibson."" McCaffery was right. Gibson's 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American Canadian science fiction writer and reluctant futurist responsible for introducing ""cyberspace"" into the lexicon has published nine other novels.Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources--print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts. Myriad topics include Gibson's childhood in the American South and his early adulthood in Canada, with travel in Europe; his chafing against the traditional SF mold, the origins of ""cyberspace,"" and the unintended consequences (for both the author and society) of changing the way we think about technology; the writing process and the reader's role in a new kind of fiction. Gibson (b. 1948) takes on branding and fashion, celebrity culture, social networking, the post-9/11 world, future uses of technology, and the isolation and alienation engendered by new ways of solving old problems. The conversations also provide overviews of his novels, short fiction, and nonfiction.

“After reading Neuromancer for the first time,” literary scholar Larry McCaffery wrote, “I knew I had seen the future of [science fiction] (and maybe of literature in general), and its name was William Gibson.” McCaffery was right. Gibson''s 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American-Canadian science fiction writer and reluctant futurist responsible for introducing “cyberspace” into the lexicon has published nine other novels. Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources—print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts. Myriad topics include Gibson''s childhood in the American South and his early adulthood in Canada, with travel in Europe; his chafing against the traditional SF mold, the origins of “cyberspace,” and the unintended consequences (for both the author and society) of changing the way we think about technology; the writing process and the reader''s role in a new kind of fiction. Gibson (b. 1948) takes on branding and fashion, celebrity culture, social networking, the post-9/11 world, future uses of technology, and the isolation and alienation engendered by new ways of solving old problems. The conversations also provide overviews of his novels, short fiction, and nonfiction.