Patrick L. Bourgeois – författare

Imagination and Postmodernity addresses the role of the imagination in philosophy today. By focusing on philosophy at the boundary of reason with constant reference to Kant’s view of the boundary-limit, it is possible to advance a viable alternative to deconstructing the imagination. Patrick L. Bourgeois puts forth the claim that by refocusing the imagination in the postmodern conversation, a far-reaching contemporary position can be reached that reestablishes the position of the humanities as central against the anti-humanism of deconstruction. This work addresses some of the challenges and problems that emerge in conflicting positions within contemporary philosophy, including a concentration on the role of the imagination in the work of Paul Ricoeur in contrast and in opposition to its role in such postmodern thinkers as Derrida and Lyotard. This treatment requires going back to the role of the imagination in the period of Kant and his immediate followers in order to clarify the various ways of seeing the imagination then and now, for the role today is anticipated in the nineteenth century. Finally, this work, as a creative appropriation of the position of Paul Ricoeur, presents a role for the imagination today that is more encompassing than most thinkers allow for.

Unites George Herbert Mead and Maurice Merleau-Ponty in a shared rejection of substance philosophy as well as spectator theory of knowledge, in favor of a focus on the ultimacy of temporal process and the constitutive function of social praxis.This book unites George Herbert Mead and Maurice Merleau-Ponty in a shared rejection of substance philosophy as well as spectator theory of knowledge, in favor of a focus on the ultimacy of temporal process and the constitutive function of social praxis. Both Mead and Merleau-Ponty return to the richness of lived experience within nature, and both lead to radically new, insightful visions of the nature of selfhood, language, freedom, and time itself, as well as of the nature of the relation between the so-called "tensions" of appearance and reality, sensation and object, the individual and the community, freedom and constraint, and continuity and creativity.