Patrick Major - Böcker
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6 produkter
6 produkter
2 976 kr
Skickas inom 5-8 vardagar
Why was the West German Communist Party banned in 1956, only 11 years after it had emerged from Nazi persecution? Although politically weak, the postwar party was in fact larger than its Weimar predecessor and initially dominated works councils at the Ruhr pits and Hamburg docks, as well as the steel giant, Krupp. Under the control of East Berlin, however, the KPD was sent off on a series of overambitious and flawed campaigns to promote national unification and prevent West German rearmament. At the same time, the party was steadily criminalized by the Anglo-American occupiers, and ostracized by a heavily anti-communist society. Patrick Major has used material available only since the end of the Cold War, from both Communist archives in the former GDR as well as western intelligence, to trace the final decline and fall of the once-powerful KPD.
1 774 kr
Skickas inom 5-8 vardagar
Few historical changes occur literally overnight, but on 13 August 1961 eighteen million East Germans awoke to find themselves walled in by an edifice which was to become synonymous with the Cold War: the Berlin Wall. This new history rejects traditional, top-down approaches to Cold War politics, exploring instead how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, 'caught out' by Sunday the Thirteenth. Party, police and Stasi reports reveal why one in six East Germans fled the country during the 1950s, undermining communist rule and forcing the eleventh-hour decision by Khrushchev and Ulbricht to build a wall along the Cold War's frontline. Did East Germans resist or come to terms with immurement? Did the communist regime become more or less dictatorial within the confines of the so-called 'Antifascist Defence Rampart'? Using film and literature, but also the GDR's losing battle against Beatlemania, Patrick Major's cross-disciplinary study suggests that popular culture both reinforced and undermined the closed society. Linking external and internal developments, Major argues that the GDR's official quest for international recognition, culminating in Ostpolitik and United Nations membership in the early 1970s, became its undoing, unleashing a human rights movement which fed into, but then broke with, the protests of 1989. After exploring the reasons for the fall of the Wall and reconstructing the heady days of the autumn revolution, the author reflects on the fate of the Wall after 1989, as it moved from demolition into the realm of memory.
620 kr
Skickas inom 7-10 vardagar
Few historical changes occur literally overnight, but on 13 August 1961 eighteen million East Germans awoke to find themselves walled in by an edifice which was to become synonymous with the Cold War: the Berlin Wall. This new history rejects traditional, top-down approaches to Cold War politics, exploring instead how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, 'caught out' by Sunday the Thirteenth. Party, police, and Stasi reports reveal why one in six East Germans fled the country during the 1950s, undermining communist rule and forcing the eleventh-hour decision by Khrushchev and Ulbricht to build a wall along the Cold War's frontline. Did East Germans resist or come to terms with immurement? Did the communist regime become more or less dictatorial within the confines of the so-called 'Antifascist Defence Rampart'? Using film and literature, but also the GDR's losing battle against Beatlemania, Patrick Major's cross-disciplinary study suggests that popular culture both reinforced and undermined the closed society. Linking external and internal developments, Major argues that the GDR's official quest for international recognition, culminating in Ostpolitik and United Nations membership in the early 1970s, became its undoing, unleashing a human rights movement which fed into, but then broke with, the protests of 1989. After exploring the reasons for the fall of the Wall and reconstructing the heady days of the autumn revolution, the author reflects on the fate of the Wall after 1989, as it moved from demolition into the realm of memory.
2 374 kr
Skickas inom 10-15 vardagar
This book asks the reader to reassess the Cold War not just as superpower conflict and high diplomacy, but as social and cultural history. It makes cross-cultural comparisons of the socio cultural aspects of the Cold War across the East/West block divide, dealing with issues including broadcasting, public opinion, and the production and consumption of popular culture.
747 kr
Skickas inom 10-15 vardagar
This book asks the reader to reassess the Cold War not just as superpower conflict and high diplomacy, but as social and cultural history. It makes cross-cultural comparisons of the socio cultural aspects of the Cold War across the East/West block divide, dealing with issues including broadcasting, public opinion, and the production and consumption of popular culture.
599 kr
Kommande
Founded in 1922, the BBC developed strong connections with Germany from the start, focused particularly on Berlin. The first Director-General of the BBC John Reith, wanted to broadcast ‘high’ culture to British radio audiences and often selected Berlin orchestral music for the early live performances of the BBC. The BBC in Berlin contributed to British attitudes towards the Third Reich. During the Second World War, the BBC developed its German Service aimed at listeners across German-speaking regions, but with much of the content derived from and focused on Berlin. And after 1945, the BBC set up in the occupied part of the city, becoming a key institution in the cultural politics of the Cold War, both westwards- facing, in transmitting news and features from West Berlin to British and world listeners (and later TV viewers); and also DDR-centred with the continuing activity of the BBC German service. The fall of the Berlin Wall in 1989 and the reunification of Germany in 1990 were hugely significant moment for the BBC.As one of the few international cultural institutions that remained in situ in the city throughout the Weimar years, the Third Reich, the era of divided Germany through to reunification and the return of the capital to the city, the BBC is a potentially revealing case-study of how British-German relations changed over time. This collection of essays will create a fuller understanding of how German culture has been presented to English-speaking audiences, and how, conversely, British national identity and memory has been formed by images and stereotypes of Germany.