Paul A. Silverstein – författare

Algerian migration to France began at the end of the 19th century, but in recent years France's Algerian community has been the focus of a shifting public debate encompassing issues of unemployment, multiculturalism, Islam, and terrorism. In this finely crafted historical and anthropological study, Paul A. Silverstein examines a wide range of social and cultural forms—from immigration policy, colonial governance, and urban planning to corporate advertising, sports, literary narratives, and songs—for what they reveal about postcolonial Algerian subjectivities. Investigating the connection between anti-immigrant racism and the rise of Islamist and Berberist ideologies among the "second generation" ("Beurs"), he argues that the appropriation of these cultural-political projects by Algerians in France represents a critique of notions of European or Mediterranean unity and elucidates the mechanisms by which the Algerian civil war has been transferred onto French soil.

". . . constitutes an important and much needed intervention on the themes of memory and violence in Middle East studies." —Lisa Hajjar, University of California, Santa BarbaraThe Middle East and North Africa form a region united by a common history of armed conflict and repeated international efforts at producing a lasting peace. This interdisciplinary collection explores the connections between memories of past violence and the violence of present memories, the context for all contemporary efforts at conflict resolution and reconciliation. The contributors examine the 1954–1962 Franco-Algerian war, the 1975–1991 Lebanese civil war, and the ongoing Arab-Israeli conflict as interconnected struggles that outline national polities, infranational fractures, and transnational political connections. Insofar as national unity has been constructed on the contested claims of sacrifice and martyrdom, the legacy of violence has remained inscribed at the heart of political identity. The case studies point to the failure of current attempts to officially forget past conflicts, at the same time indicating local successes in commemorative actions that forge at least partial peaces between individuals and groups.

The shadow cast by Pierre Bourdieu's theory is large and well documented, but his early ethnographic work in Algeria is less well known and often overlooked. This volume, the first critical examination of Bourdieu's early fieldwork and its impact on his larger body of social theory, represents an original and much-needed contribution to the field. Its six essays reappraise Bourdieu's original research in light of contemporary processes and make substantial contributions to the ethnography of North Africa. The contributors are scholars of North Africa and France, and each is actively engaged with Bourdieu's work. Bourdieu in Algeria offers a unique focus on Kabylia, Algeria; theory; history; and anthropology.

An acclaimed Moroccan novel about resisting colonialism and environmental destruction.An oasis community in Morocco hopes to stop a devastating drought by sacrificing black cows to satisfy the spirits. But the wise elder Bassou secretly plans a different solution: to sabotage the motorized pumps that have lowered the water table and nearly destroyed the subsistence farming and herding that support the local way of life. The young newlywed Yidir agrees to help him and eventually becomes a part of the broader fight for Moroccan independence from French colonial rule.Portraying an indigenous community undergoing radical change, Le sacrifice de vaches noires reflects on notions of modernity and tradition, science and spirituality, free will and fate, and considers the moral obligations of individuals and community. First published in French in 1992, the novel received international acclaim and is regarded as the single best work about Amazigh culture in southeastern Morocco. It was adapted into the award-winning film Atash (Thirst) by the Moroccan director Saâd Chraïbi in 2000.