Paula Fredriksen – författare

How, over the course of five centuries, one particular god and one particular Christianity came to dominate late Roman imperial politics and piety The ancient Mediterranean teemed with gods. For centuries, a practical religious pluralism prevailed. How, then, did one particular god come to dominate the politics and piety of the late Roman Empire? In Ancient Christianities, Paula Fredriksen traces the evolution of early Christianity—or rather, of early Christianities—through five centuries of Empire, mapping its pathways from the hills of Judea to the halls of Rome and Constantinople. It is a story with a sprawling cast of characters: not only theologians, bishops, and emperors, but also gods and demons, angels and magicians, astrologers and ascetics, saints and heretics, aristocratic patrons and millenarian enthusiasts. All played their part in the development of what became and remains an energetically diverse biblical religion.The New Testament, as we know it, represents only a small selection of the many gospels, letters, acts of apostles, and revelations that circulated before the establishment of the imperial church. It tells how the gospel passed from Jesus, to the apostles, thence to Paul. But by using our peripheral vision, by looking to noncanonical and paracanonical texts, by availing ourselves of information derived from papyri, inscriptions, and archaeology, we can see a different, richer, much less linear story emerging. Fredriksen brings together these many sources to reconstruct the lively interactions of pagans, Jews, and Christians, tracing the conversions of Christianity from an energetic form of Jewish messianism to an arm of the late Roman state.

A groundbreaking new portrait of the apostle Paul, from one of today’s leading historians of antiquityOften seen as the author of timeless Christian theology, Paul himself heatedly maintained that he lived and worked in history’s closing hours. His letters propel his readers into two ancient worlds, one Jewish, one pagan. The first was incandescent with apocalyptic hopes, expecting God through his messiah to fulfill his ancient promises of redemption to Israel. The second teemed with ancient actors, not only human but also divine: angry superhuman forces, jealous demons, and hostile cosmic gods. Both worlds are Paul’s, and his convictions about the first shaped his actions in the second.  Only by situating Paul within this charged social context of gods and humans, pagans and Jews, cities, synagogues, and competing Christ-following assemblies can we begin to understand his mission and message. This original and provocative book offers a dramatically new perspective on one of history’s seminal figures.

How, over the course of five centuries, one particular god and one particular Christianity came to dominate late Roman imperial politics and piety The ancient Mediterranean teemed with gods. For centuries, a practical religious pluralism prevailed. How, then, did one particular god come to dominate the politics and piety of the late Roman Empire? In Ancient Christianities, Paula Fredriksen traces the evolution of early Christianity—or rather, of early Christianities—through five centuries of Empire, mapping its pathways from the hills of Judea to the halls of Rome and Constantinople. It is a story with a sprawling cast of characters: not only theologians, bishops, and emperors, but also gods and demons, angels and magicians, astrologers and ascetics, saints and heretics, aristocratic patrons and millenarian enthusiasts. All played their part in the development of what became and remains an energetically diverse biblical religion.The New Testament, as we know it, represents only a small selection of the many gospels, letters, acts of apostles, and revelations that circulated before the establishment of the imperial church. It tells how the gospel passed from Jesus, to the apostles, thence to Paul. But by using our peripheral vision, by looking to noncanonical and paracanonical texts, by availing ourselves of information derived from papyri, inscriptions, and archaeology, we can see a different, richer, much less linear story emerging. Fredriksen brings together these many sources to reconstruct the lively interactions of pagans, Jews, and Christians, tracing the conversions of Christianity from an energetic form of Jewish messianism to an arm of the late Roman state.

A compelling account of Christianity’s Jewish beginnings, from one of the world’s leading scholars of ancient religion  How did a group of charismatic, apocalyptic Jewish missionaries, working to prepare their world for the impending realization of God’s promises to Israel, end up inaugurating a movement that would grow into the gentile church? Committed to Jesus’s prophecy—“The Kingdom of God is at hand!”—they were, in their own eyes, history’s last generation. But in history’s eyes, they became the first Christians.  In this electrifying social and intellectual history, Paula Fredriksen answers this question by reconstructing the life of the earliest Jerusalem community. As her account arcs from this group’s hopeful celebration of Passover with Jesus, through their bitter controversies that fragmented the movement’s midcentury missions, to the city’s fiery end in the Roman destruction of Jerusalem, she brings this vibrant apostolic community to life. Fredriksen offers a vivid portrait both of this temple‑centered messianic movement and of the bedrock convictions that animated and sustained it.

How did Jesus of Nazareth become the Christ of the Christian tradition?  “Magisterial. . . . A learned, brilliant and enjoyable study.”—Géza Vermès, Times Literary Supplement  “Brilliant and lucidly written, full of original and fascinating insights.”—Reginald H. Fuller, Journal of the American Academy of Religion  “This is a first-rate work of a first-rate historian.”—James D. Tabor, Journal of Religion  In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. Carefully examining the New Testament texts, she provides fascinating insights into such issues as the social and religious problems facing early Christian communities, the content of Jesus’ ministry, and the circumstances of his crucifixion. This edition includes an introduction that reviews more recent scholarship on Jesus and its implications for both history and theology.

Now in paperback with a new postscript, this updated edition of Paula Fredriksen’s critically acclaimed Augustine and the Jews traces the social and intellectual forces that led to the development of Christian anti-Judaism and shows how and why Augustine challenged this tradition.Drawing us into the life, times, and thought of Augustine of Hippo (396–430), Fredriksen focuses on the period of astounding creativity that led to his new understanding of Paul and to his great classic, The Confessions. She shows how Augustine’s struggle to read the Bible led him to a new theological vision, one that countered the anti-Judaism not only of his Manichaean opponents but also of his own church. The Christian Empire, Augustine held, was right to ban paganism and to coerce heretics. But the source of ancient Jewish scripture and current Jewish practice, he argued, was the very same as that of the New Testament and of the church—namely, God himself. Accordingly, he urged, Jews were to be left alone. Conceived as a vividly original way to defend Christian ideas about Jesus and about the Old Testament, Augustine’s theological innovation survived the collapse of the Western Roman Empire, and it ultimately served to protect Jewish lives against the brutality of medieval crusades.Augustine and the Jews sheds new light on the origins of Christian anti-Semitism and, through Augustine, opens a path toward better understanding between two of the world’s great religions.

The Passion of the Christ, directed by Mel Gibson, was a commercial success of astonishing proportions, ranking as one of the highest grossing films of all time. It also unleashed a torrent of controversy and debate, provoking passionate responses, both negative and positive, from people of widely divergent backgrounds and beliefs. Exposing fundamental differences of opinion about everything from the historical reliability of gospel stories to the political power of Hollywood, the film continues to stir up accusations of anti-Semitism, gratuitous violence, and gross misrepresentation of the Bible. This book--whose contributors include theologians, journalists, academics, and clergy from Catholic, Protestant, and Jewish traditions--provides a wide spectrum of views and backgrounds. The essays consider the historical and ethical conundrums presented by the New Testament in general and by The Passion of the Christ in particular. The contributors' discussions range from the film's theological and historical underpinnings, to its cinematic and cultural implications, to the issues surrounding the millennia-long question "Who really killed Jesus?"

Current scholarship in the study of ancient Christianity is now available to nonspecialists through this collection of essays on anti-Judaism in the New Testament and in New Testament interpretation. While academic writing can be obscure and popular writing can be uncritical, this group of experts has striven to write as simply and clearly as possible on topics that have been hotly contested. The essays are arranged around the historical figures and canonical texts that matter most to Christian communities and whose interpretation has fed the negative characterizations of Jews and Judaism. A select annotated bibliography also gives suggestions for further reading. This book should be an excellent resource for academic courses as well as adult study groups.

Ancient Christians invoked sin to account for an astonishing range of things, from the death of God's son to the politics of the Roman Empire that worshipped him. In this book, award-winning historian of religion Paula Fredriksen tells the surprising story of early Christian concepts of sin, exploring the ways that sin came to shape ideas about God no less than about humanity. Long before Christianity, of course, cultures had articulated the idea that human wrongdoing violated relations with the divine. But Sin tells how, in the fevered atmosphere of the four centuries between Jesus and Augustine, singular new Christian ideas about sin emerged in rapid and vigorous variety, including the momentous shift from the belief that sin is something one does to something that one is born into. As the original defining circumstances of their movement quickly collapsed, early Christians were left to debate the causes, manifestations, and remedies of sin. This is a powerful and original account of the early history of an idea that has centrally shaped Christianity and left a deep impression on the secular world as well.

Published in Open Access with the support of the Swiss National Science FoundationHistorical criticism of the Bible emerged in the context of protestant theology and is confronted in every aspect of its study with otherness: the Jewish people and their writings. However, despite some important exceptions, there has been little sustained reflection on the ways in which scholarship has engaged, and continues to engage, its most significant Other. This volume offers reflections on anti-Semitism, philo-Semitism and anti-Judaism in biblical scholarship from the 19th century to the present. The essays in this volume reflect on the past and prepare a pathway for future scholarship that is mindful of its susceptibility to violence and hatred.