They broke down the doors of Wall Street''s old boys'' club, finding their first foothold in small brokerage houses before making their way into investment banks and exchange floors.With a thick skin and a dash of humour, as needed, they pushed back against those who said they did not belong.Until they finally made it.Introducing the Women of Wall Street . . . First came the secretaries who struggled to get past the typing pool. Then came the first Harvard Business School grads who were laughed out of interviews. But by the 1980s, with markets in turbo-drive, women were playing for high stakes in Wall Street''s bad-boy culture by day and clubbing by night.In She Wolves, award-winning historian Paulina Bren tells the inside story of how women infiltrated Wall Street, from the swinging sixties - a time when ''No Ladies'' signs hung across the doors of its luncheon clubs and (more discretely) inside its brokerage houses and investment banks - up to 9/11. If the wolves of Wall Street made a show of their ferocity, the she wolves did so with subtlety and finesse, navigating a bawdy subculture where unapologetic sexism and racism were the norm. As engaging as it is enraging, She Wolves is a fascinating behind-the-scenes deep dive into the collision of women, finance and New York. ''Vivid . . . Riveting'' LIZA MUNDY, author of Code Girls''Fascinating . . . Gorgeous'' AMY ODELL, author of AnnaFrom the award-winning author of The Barbizon

AS HEARD ON RADIO 4 WOMAN''S HOUR''Captivating . . . a brilliant many-layered social history of women''s ambition'' Observer''Fascinating . . . a piece of forgotten female history'' Sunday Times''Deeply researched history, leavened with gossip'' TLSWELCOME TO THE BARBIZON, NEW YORK''S PREMIER WOMEN-ONLY HOTELBuilt in 1927 as a home for the ''Modern Woman'' seeking a career in the arts, the Barbizon became the place to stay for ambitious, independent women, who were lured by the promise of fame and good fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and over the years, its 688 tiny floral ''highly feminine boudoirs'' also housed Joan Crawford, Grace Kelly (notorious for sneaking in men), Joan Didion, Candice Bergen, Charlie''s Angel Jaclyn Smith, Ali MacGraw, Cybil Shepherd, Elaine Stritch, Liza Minnelli, Eudora Welty, The Cosby Show''s Phylicia Rashad, Grey Gardens''s Edith Bouvier Beale, and writers Mona Simpson and Ann Beattie, among many others. Mademoiselle boarded its summer interns there - perfectly turned-out young women, who would never be spotted hatless - as did Katherine Gibbs Secretarial School its students - in their white-gloves and kitten heels - and the Ford Modelling Agency its young models.THE BARBIZON is a colourful, glamorous portrait of the lives of the young women, who -- from the Jazz Age New Women of the 1920s to the Liberated Women of the 1960s -- came to New York looking for something more.''A treat, elegantly spinning a forgotten story of female liberation, ambition and self-invention'' Guardian''The story of the Barbizon is in many ways the story of American women in the twentieth century'' Economist''Illuminating . . . this vivid, well researched account is testament to its vibrant history and the women who made it such a powerhouse'' Daily Express

They broke down the doors of Wall Street''s old boys'' club, finding their first foothold in small brokerage houses before making their way into investment banks and exchange floors.With a thick skin and a dash of humour, as needed, they pushed back against those who said they did not belong.Until they finally made it.Introducing the Women of Wall Street . . . First came the secretaries who struggled to get past the typing pool. Then came the first Harvard Business School grads who were laughed out of interviews. But by the 1980s, with markets in turbo-drive, women were playing for high stakes in Wall Street''s bad-boy culture by day and clubbing by night.In She Wolves, award-winning historian Paulina Bren tells the inside story of how women infiltrated Wall Street, from the swinging sixties - a time when ''No Ladies'' signs hung across the doors of its luncheon clubs and (more discretely) inside its brokerage houses and investment banks - up to 9/11. If the wolves of Wall Street made a show of their ferocity, the she wolves did so with subtlety and finesse, navigating a bawdy subculture where unapologetic sexism and racism were the norm. As engaging as it is enraging, She Wolves is a fascinating behind-the-scenes deep dive into the collision of women, finance and New York. ''Vivid . . . Riveting'' LIZA MUNDY, author of Code Girls''Fascinating . . . Gorgeous'' AMY ODELL, author of AnnaFrom the award-winning author of The Barbizon

AS HEARD ON RADIO 4 WOMAN''S HOUR''Captivating . . . a brilliant many-layered social history of women''s ambition'' Observer''Fascinating . . . a piece of forgotten female history'' Sunday Times''Deeply researched history, leavened with gossip'' TLSWELCOME TO THE BARBIZON, NEW YORK''S PREMIER WOMEN-ONLY HOTELBuilt in 1927 as a home for the ''Modern Woman'' seeking a career in the arts, the Barbizon became the place to stay for ambitious, independent women, who were lured by the promise of fame and good fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and over the years, its 688 tiny floral ''highly feminine boudoirs'' also housed Joan Crawford, Grace Kelly (notorious for sneaking in men), Joan Didion, Candice Bergen, Charlie''s Angel Jaclyn Smith, Ali MacGraw, Cybil Shepherd, Elaine Stritch, Liza Minnelli, Eudora Welty, The Cosby Show''s Phylicia Rashad, Grey Gardens''s Edith Bouvier Beale, and writers Mona Simpson and Ann Beattie, among many others. Mademoiselle boarded its summer interns there - perfectly turned-out young women, who would never be spotted hatless - as did Katherine Gibbs Secretarial School its students - in their white-gloves and kitten heels - and the Ford Modelling Agency its young models.THE BARBIZON is a colourful, glamorous portrait of the lives of the young women, who -- from the Jazz Age New Women of the 1920s to the Liberated Women of the 1960s -- came to New York looking for something more.''A treat, elegantly spinning a forgotten story of female liberation, ambition and self-invention'' Guardian''The story of the Barbizon is in many ways the story of American women in the twentieth century'' Economist''Illuminating . . . this vivid, well researched account is testament to its vibrant history and the women who made it such a powerhouse'' Daily Express