Pedro Azara - Böcker
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4 produkter
4 produkter
412 kr
Skickas inom 7-10 vardagar
As archaeologists unearth the past, they seek meaning or purpose for the objects they uncover by looking at the objects themselves and their archaeological context. Art historians, on the other hand, primarily focus on aesthetics, asking why a particular object stimulates our senses, and what that tells us about ourselves. From Ancient to Modern offers a lens for understanding ancient objects through the perspectives and processes of both archaeology and aesthetics, and, in so doing, illuminates the multiple layers of meaning that a single object can take on--sometimes simultaneously--over the course of its existence. This beautifully illustrated volume is the accompanying catalog for the exhibition at New York University's Institute for the Study of the Ancient World and focuses on fifty objects from three iconic sites in the ancient Near East: Ur, Diyala, and Kish. The excavation, unique characteristics, and transformative journey of each object--from archaeological artifact to aesthetic item--are examined. Select contemporary artworks are also considered in the investigation of how ancient objects acquire meaning in the present day.Contributors include Kim Benzel, Jennifer Chi, Jean Evans, Lynn Grant, Jack Green, William Hafford, Marc Marin, Naomi Miller, Holly Pittman, Clemens Reichel, Karen Wilson, and Richard Zettler. Cover photograph (c) Bruce M. White, 2016
450 kr
A beautifully illustrated exploration of how Latif Al Ani’s photographs and contemporary Iraqi artists continue to challenge the colonial appropriation of Iraq’s ancient pastBeginning in the early nineteenth century, Mesopotamian and early Islamic ruins became the focus of many Western colonial expeditions. These missions, which routinely dismissed the role and knowledge of local communities, came to shape the historical narrative of ancient civilizations and modern people. In Iraq, home to renowned sites such as Babylon, Dur-Kurigalzu, Ctesiphon, Hatra, and Samarra, foreign excavations appropriated ancient cultures and influenced how they were interpreted and transmitted. And these excavations still reverberate today in understandings of Iraqi identity. Centered around the images of pioneering Iraqi photographer Latif Al Ani (1932–2021), Through the Lens: Latif Al Ani’s Visions of Ancient Iraq highlights the voices of those who explored the Iraqi past and the deeply personal stories of those who confront its legacy, challenging the Western colonial narrative that has dominated for centuries.The companion volume to an exhibition at New York University’s Institute for the Study of the Ancient World, the book features archival documents, lithographs, 1960s photography, essays that explore the rich history of ancient and modern Iraq, and the work and personal accounts of five contemporary Iraqi artists who reflect on the complex issues of Iraqi cultural identity and heritage.Contributors include Adel Abidin, Narmin Amin, Pedro Azara, Roberta Casagrande-Kim, Abdulrahman K. Darwesh, Nelida Fuccaro, Nadine Hattom, Hanaa Malallah, Nat Muller, Mahmoud Obaidi, and Ala Younis.Distributed for the Institute for the Study of the Ancient World at New York UniversityExhibition ScheduleInstitute for the Study of the Ancient World, New York UniversityNovember 8, 2023–February 25, 2024
166 kr
Skickas inom 7-10 vardagar
Taking us back to the earliest days of cities-and the earliest days of human civilization-in Mesopotamia, Pedro Azara in Cornerstone offers a contemporary view on the rise and growth of early cities and urban culture. Investigating ruins and exploring archaeological sites, Azara helps us understand how the earliest cities looked and felt, what the first architects and their buildings were like, and what nascent aesthetic ideals they upheld. Azara's scholarship is rigorous and far-reaching, but his writing is agile, direct, and entertaining as he not only brings the far-distant past to life, but teases out its relevance for our understanding of contemporary culture as well. The result is a fascinating glimpse into our history and a fresh new take on the origins of the civilization of some of our most ancient ancestors.
201 kr
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For their 2019 Venice Biennale pavilion, Catalonia presented an exhibition exploring the life of public statues and reflecting on the capacity of artworks to possess agency. The project considers the often-intense relationship that forms between humans and statues, focusing on fifteen such works from around Catalonia. At times celebrated, vandalized, protected, or destroyed, figurative sculptures have a strange capacity to inspire intense emotions, to make one “lose their head.”The collective artist book, To Lose Your Head (Idols), includes written and artistic reflections on the exhibition’s theme, exploring the idea of artistic agency as it analyses the passions that are sparked when dealing with figurative sculpture. Pedro Azara, an architect, archaeologist, and professor of aesthetics, explores the perception of images as living entities. Looking at the deep reverence and radical iconoclastic urges inspired by works of public art, he considers how the Western artistic tradition might still be deeply animist. Six contemporary Catalan artists—David Bestué, Lúa Coderch, Lola Lasurt, Daniela Ortiz, Perejaume, and Francesc Torres—take on this question from the perspective of artistic practice, creating works and essays in response to Azara. The publication includes documentation of the exhibition and provides information on accompanying works by playwright Marcel Borràs, architect Tiziano Schürch, and filmmaker Albert García-Alzórriz, in collaboration with poet Gabriel Ventura.