Peter Miles – författare

This edition covers all the essential competencies of the Gasfitting component of the current Plumbing and Services Training Package. All chapters have been thoroughly revised and some considerably augmented with all materials compliant with the current standards. The text is written in a clear, accessible style with an abundance of illustrations and photographs. End-of-chapter questions and exercises allow students to reinforce their understanding of the material covered in the text. This edition contains new information on: regulators; ventilation; pipe installation; continuous flow hot water systems; meters; safety devices; LPG, and more.

Mark Robarts is a clergyman with ambitions beyond his small country parish of Framley. In a naive attempt to mix in influential circles, he agrees to guarantee a bill for a large sum of money for the disreputable local Member of Parliament, while being helped in his career in the Church by the same hand. But the unscrupulous politician reneges on his financial obligations, and Mark must face the consequences this debt may bring to his family. One of Trollope's most enduringly popular novels since it appeared in 1860, Framley Parsonage is an evocative depiction of country life in nineteenth-century England, told with great compassion and acute insight into human nature.

'The present system means joyless drudgery, semi-starvation, rags and premature death; and they vote for it and uphold it. Let them have what they vote for! Let them drudge and let them starve!'There is no other novel quite like The Ragged Trousered Philanthropists. George Orwell called it 'a wonderful book'; its readers have become a living part of its remarkable history.Tressell's novel is about survival on the underside of the Edwardian Twilight, about exploitative employment when the only safety nets are charity, workhouse, and grave. Following the fortunes of a group of painters and decorators and their families, and the attempts to rouse their political will by the Socialist visionary Frank Owen, the book is both a highly entertaining story and a passionate appeal for a fairer way of life. It asks questions that are still being asked today: why do your wages bear no relation to the value of your work? Why do fat cats get richer when you don't? Tressell's answers are 'The Great Money Trick' and the 'philanthropy' of an unenlightened workforce, who give away their rights and aspirations to a decent life so freely.Intellectually enlightening, deeply moving and gloriously funny (complete with exploding clergyman), The Ragged Trousered Philanthropists is a book that changes lives. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The Jago had got him, and it held him fast.'In the worst of London's East End slums, in an area called the Jago, young Dicky Perrott is used to a life of poverty, crime, and violence. Gang warfare is the order of the day, deaths are commonplace, and thieving the only way to survive. At first Dicky dreams of becoming a High Mobsman - one of the aristocrats of Jago crime - but the efforts of Father Sturt to improve conditions offer him a different path. Dicky's journey takes him through a savage but colourful community of pickpockets and cosh-carriers, where the police only enter in threes, and where murder erupts with an unusual horror and intimacy. Morrison's portrayal of the Victorian underclass and its underworld drew attention to the bleak prospects for children living in such surroundings, and it is a classic of slum-fiction. In this edition Peter Miles provides a rich contextual background to the creation of the novel, and the social debates to which it contributed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

During the interwar period cinema and literature seemed to be at odds with each other, part of the continuing struggle between mass and elite culture which so worried writers such as Aldous Huxley, T.S. Eliot and the Leavises. And this cultural divide appeared to be sharp evidence of a deeper struggle for control of the nation’s consciousness, not only between dominant and oppositional elements within Britain, but between British and American vales as well. On the one hand, films like Sing As We Go, Proud Valley, and The Stars Look Down consolidated the assumptions about the existence of a national rather than separate class identities. On the other hand, working-class literature such as Love on the Dole articulated working-class experience in a manner intended to bridge the gap between the ‘Two Englands’. This book, originally published in 1987, examines how two of the most significant cultural forms in Britain contributed indirectly to the stability of Britain in the interwar crisis, helping to construct a new class alliance. A major element in the investigation is an analysis of the mechanics of the development of a national cultural identity, alongside separate working-class culture, the development of the lower-middle class and the implications of the intrusion of Hollywood culture.The treatment throughout is thematic rather than text-oriented – works of Graham Greene, George Orwell, Bert Coombes, Evelyn Waugh, the British Documentary Film Movement and Michael Balcon are included in the wide range of material covered.

During the interwar period cinema and literature seemed to be at odds with each other, part of the continuing struggle between mass and elite culture which so worried writers such as Aldous Huxley, T.S. Eliot and the Leavises. And this cultural divide appeared to be sharp evidence of a deeper struggle for control of the nation’s consciousness, not only between dominant and oppositional elements within Britain, but between British and American vales as well. On the one hand, films like Sing As We Go, Proud Valley, and The Stars Look Down consolidated the assumptions about the existence of a national rather than separate class identities. On the other hand, working-class literature such as Love on the Dole articulated working-class experience in a manner intended to bridge the gap between the ‘Two Englands’. This book, originally published in 1987, examines how two of the most significant cultural forms in Britain contributed indirectly to the stability of Britain in the interwar crisis, helping to construct a new class alliance. A major element in the investigation is an analysis of the mechanics of the development of a national cultural identity, alongside separate working-class culture, the development of the lower-middle class and the implications of the intrusion of Hollywood culture.The treatment throughout is thematic rather than text-oriented – works of Graham Greene, George Orwell, Bert Coombes, Evelyn Waugh, the British Documentary Film Movement and Michael Balcon are included in the wide range of material covered.