Philip F. Deaver – författare
Visar alla böcker från författaren . Handla med fri frakt och snabb leverans.
3 produkter
3 produkter
Häftad, Engelska, 2007
259 kr
Skickas inom 10-15 vardagar
Why do accomplished writers (and grown-ups) like Ron Carlson, Rick Bass, and Michael Chabon (to name but a few of those represented here) still obsess over their baseball days? What is it about this green game of suspense that not only moves us but can also move us to flights of lyrical writing? In Scoring from Second: Writers on Baseball some of the literary lights of our day answer these questions with essays, reminiscences, and meditations on the sport that is America's game but also a deeply personal experience for player, observer, and fan alike. Here writers as different as Andre Dubus and Leslie Epstein, Chabon and Floyd Skloot, Michael Martone and William Least Heat-Moon reflect on the game they grew up with, the players who thrilled them, and the lessons that baseball holds for us all. From the one-season wonder to the long-haul heroes to the hall of fame, the game that has framed so many American summers—and lives—comes to quirky, instructive, and always entertaining life in these pages.
Häftad, Engelska, 2008
361 kr
Skickas inom 3-6 vardagar
Caught in the muddle of modern life, eyes gazing at the middle distance, the characters in Silent Retreats search, down roads paved by custom and dotted by the absurd, for escape, refuge, or, at least, merciful diversion.Many of the men in Philip Deaver's stories, having drifted out of their native Illinois to the far corners, find comfort from empty jobs and blank relationships in healing, often hilarious, seductions. In "Why I Shacked Up With Martha" a distracted DC executive pierces the gray blur of his glass box on Dupont Circle with illicit, painfully superficial notes passed to his beautiful, liberated coworker. In "Marguerite Howe," a businessman from Texas at a cocktail party in New Haven accosts his hostess, blindly convinced that she is the woman of his college day-dreams at the University of Virginia. And, in Nebraska, a defeated legal aid attorney escapes the cold wind of failure and a near suicidal woman in the deep warmth of "Fiona's Rooms."Other characters, still within the radius of central Illinois, tread through the familiar scenery of the past, measuring with landmarks of memory the distance, and yet the circularity, time has wrought in their lives. In the title story, Martin Wolf—overcome with tears during the morning commute and craving connection and the cleansing rituals of his Catholic youth—learns from the words of a parish priest, crackling through the lines of a pay phone as cars screech by on Roosevelt Road, that silence has become self-indulgent. And in "Infield," Carl Landen savors the well-ordered tableau of the Pony League diamond where he played shortstop and where his son now plays that position. Recalling the ache in the shoulder after an overhand throw, seeing in his mind the figure of his father intruding at the edge of the field, he relaxes the pain of generations, the soreness that comes from knowing a town too well.A well-known theme of Philip Deaver's stories is "what happened to men after what happened to women." The stories in Silent Retreats trace the tentative journeys of men as they redefine who they are in a changed world while still coping with memory and desire in the old ways. Above all, these stories chronicle a search for absolution—for the elusive freedom lurking among the very syllables of the word.
E-bok
PDF, Engelska, 2011460 kr
Läs direkt efter köp
Caught in the muddle of modern life, eyes gazing at the middle distance, the characters in Silent Retreats search, down roads paved by custom and dotted by the absurd, for escape, refuge, or, at least, merciful diversion.Many of the men in Philip Deaver's stories, having drifted out of their native Illinois to the far corners, find comfort from empty jobs and blank relationships in healing, often hilarious, seductions. In "e;Why I Shacked Up With Martha"e; a distracted DC executive pierces the gray blur of his glass box on Dupont Circle with illicit, painfully superficial notes passed to his beautiful, liberated coworker. In "e;Marguerite Howe,"e; a businessman from Texas at a cocktail party in New Haven accosts his hostess, blindly convinced that she is the woman of his college day-dreams at the University of Virginia. And, in Nebraska, a defeated legal aid attorney escapes the cold wind of failure and a near suicidal woman in the deep warmth of "e;Fiona's Rooms."e;Other characters, still within the radius of central Illinois, tread through the familiar scenery of the past, measuring with landmarks of memory the distance, and yet the circularity, time has wrought in their lives. In the title story, Martin Wolf-overcome with tears during the morning commute and craving connection and the cleansing rituals of his Catholic youth-learns from the words of a parish priest, crackling through the lines of a pay phone as cars screech by on Roosevelt Road, that silence has become self-indulgent. And in "e;Infield,"e; Carl Landen savors the well-ordered tableau of the Pony League diamond where he played shortstop and where his son now plays that position. Recalling the ache in the shoulder after an overhand throw, seeing in his mind the figure of his father intruding at the edge of the field, he relaxes the pain of generations, the soreness that comes from knowing a town too well.A well-known theme of Philip Deaver's stories is "e;what happened to men after what happened to women."e; The stories in Silent Retreats trace the tentative journeys of men as they redefine who they are in a changed world while still coping with memory and desire in the old ways. Above all, these stories chronicle a search for absolution-for the elusive freedom lurking among the very syllables of the word.