Rachel Jacoff – författare

This 2007 second edition of The Cambridge Companion to Dante is designed to provide an accessible introduction to Dante for students, teachers and general readers. The volume was fully updated and includes three new essays on Dante's works. The suggestions for further reading now include secondary works and translations as well as online resources. The essays cover Dante's early works and their relation to the Commedia, his literary antecedents, both vernacular and classical, biblical and theological influences, the historical and political dimensions of Dante's works, and their reception. In addition there are introductory essays to each of the three canticles of the Commedia that analyse their themes and style. This edition will ensure that the Companion continues to be the most useful single volume for new generations of students of Dante.

This 2007 second edition of The Cambridge Companion to Dante is designed to provide an accessible introduction to Dante for students, teachers and general readers. The volume was fully updated and includes three new essays on Dante's works. The suggestions for further reading now include secondary works and translations as well as online resources. The essays cover Dante's early works and their relation to the Commedia, his literary antecedents, both vernacular and classical, biblical and theological influences, the historical and political dimensions of Dante's works, and their reception. In addition there are introductory essays to each of the three canticles of the Commedia that analyse their themes and style. This edition will ensure that the Companion continues to be the most useful single volume for new generations of students of Dante.

John Freccero enables us to see the Divine Comedy for the bold, poetic experiment that it is. Too many critics have domesticated Dante by separating his theology from his poetics. Freccero argues that to fail to see the convergence of the letter and the spirit, the pilgrim and the poet, is to fail to understand Dante’s poetics of conversion. For Dante, body and soul go together and there is no salvation that’s purely intellectual, no poetry that is simply literary.The essays that form this book were originally published between 1959 and 1984. They are arranged to follow the order of the Comedy, and they form the perfect companion for a reader of the poem. With these essays assembled for the first time, we can now see Freccero’s stature: he is the best contemporary critic of Dante. Freccero is that rare article, a critic of eclectic and not dogmatic persuasion. Throughout Freccero operates on the fundamental premise that there is always an intricate and crucial dialectic at work between Dante the poet and Dante the pilgrim, and that it is this dialectic that makes the work so profoundly dramatic, one of the great novels of the self.Thanks to Freccero we readers have the Comedy whole again. Freccero calls upon medieval philosophy, cosmology, science, theology, and poetics to enable us to traverse Dante’s moral landscape without losing our way in the confusions of minute exegeses. In a secular age Freccero enables us to see this poem as what it is, something wholly other than what we might believe or write. In doing so he shows us the most that language can achieve in any age, secular or not.

A Stanford University Press classic.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.