Rachel Morley - Böcker
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3 produkter
3 produkter
461 kr
Skickas inom 10-15 vardagar
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
1 833 kr
Skickas inom 10-15 vardagar
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
- Nyhet
228 kr
Kommande
A transporting and gloriously entertaining journey through the hidden lives of England’s rural parish churchesThe poet John Betjeman coined the phrase ‘church crawling’ to describe his days out visiting churches. In the spirit of Betjeman, Morley’s book captures the magical experience of poking around a deserted rural church only to see it transform – through her expert eyes – into a portal to the past, one that brings England’s people and history to life in the most colourful, moving and unexpected ways.Through their wall-paintings and monuments, their graffiti and plaques, carved beams and crypts, their jumble of furniture and oddities, Morley shows these buildings to be the living expression of centuries of communal history and folk culture, time capsules of wonder and connection. The stories they contain are both boisterous and tender, raucous and sublime, transporting us to the ancient and medieval past, to revolutions and wars, to lives both glorious and humble.Often the oldest and most significant building in a settlement, churches are where for centuries births have been celebrated, relationships consecrated and deaths memorialised, where the great and enduring mysteries have been contemplated, and where the ghosts of countless, unnamed, normal lives are to be found. As Rachel Morley shows, the concentration of human experience within their walls is so rich and so layered, that they offer as close an encounter with the past as it is possible to get.