Rachel Rubinstein - Böcker

Over the past four decades Ruth R. Wisse has been a leading scholar of Yiddish and Jewish literary studies in North America, and one of our most fearless public intellectuals on issues relating to Jewish society, culture, and politics. In this celebratory volume, edited by four of her former students, Wisse’s colleagues take as a starting point her award-winning book The Modern Jewish Canon (2000) and explore an array of topics that touch on aspects of Yiddish, Hebrew, Israeli, American, European, and Holocaust literature.Arguing the Modern Jewish Canon brings together writers both seasoned and young, from both within and beyond the academy, to reflect the diversity of Wisse’s areas of expertise and reading audiences. The volume also includes a translation of one of the first modern texts on the question of Jewish literature, penned in 1888 by Sholem Aleichem, as well as a comprehensive bibliography of Wisse’s scholarship. In its richness and heft, Arguing the Modern Jewish Canon itself constitutes an important scholarly achievement in the field of modern Jewish literature.

Redefining Jewish American literature through expansive feminist frameworks.Bridging literary studies and cultural history, this edited volume examines Jewish women writers' wide-ranging contributions to American literary culture from the turn of the twentieth century to the present. Matrilineal Dissent features innovative considerations of contemporary autofiction, graphic narratives, and novels by Mizrahi writers as well as middlebrow, Progressive Era, and second-wave feminist literature. Authors discussed herein--such as Roz Chast, Erica Jong, Annie Nathan Meyer, and Adrienne Rich--challenge monolithic representations of Jewishness and gender while imagining radical alternatives. By tracing a matrilineal literary history, this book dissents from readers and critics who continue to describe women's contributions as mere commentaries on and correctives to male-dominated canons. Simultaneously, this volume troubles the politics of inheritance, continuity, and lineage to underscore the ways that literary traditions--like Jewishness and gender--are mutually constitutive and continually in flux.Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women's writing and acknowledge women as dominant players in Jewish cultural production?

Redefining Jewish American literature through expansive feminist frameworks.Bridging literary studies and cultural history, this edited volume examines Jewish women writers' wide-ranging contributions to American literary culture from the turn of the twentieth century to the present. Matrilineal Dissent features innovative considerations of contemporary autofiction, graphic narratives, and novels by Mizrahi writers as well as middlebrow, Progressive Era, and second-wave feminist literature. Authors discussed herein--such as Roz Chast, Erica Jong, Annie Nathan Meyer, and Adrienne Rich--challenge monolithic representations of Jewishness and gender while imagining radical alternatives. By tracing a matrilineal literary history, this book dissents from readers and critics who continue to describe women's contributions as mere commentaries on and correctives to male-dominated canons. Simultaneously, this volume troubles the politics of inheritance, continuity, and lineage to underscore the ways that literary traditions--like Jewishness and gender--are mutually constitutive and continually in flux.Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women's writing and acknowledge women as dominant players in Jewish cultural production?