Dara Horn – författare

A million-dollar Chagall is stolen from a museum during a singles' cocktail hour. The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history—from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.

Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realise what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster travelling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China and the little-known life of the “righteous Gentile” Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, yet so little respect for Jewish lives unfolding in the present.Horn draws upon her travels, her research and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of “Never forget”, is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanisation built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

I believe that when people die, they go to the same place as all the people who haven’t yet been born. That’s why it’s called the world to come, because that’s where they make the new souls for the future. And the reward when good people die is that they get to help make the people in their families who haven’t been born yet. Extraordinary stories begin with an extraordinary moment – like when lonely divorcee Benjamin Ziskind steals a million-dollar painting during a singles’ cocktail event at a New York museum. Convinced that the painting used to hang on the wall of his family living room before his parents died, he seizes his chance in that split second to hold on to the family past in an uncertain present. So begins an awe-inspiring journey for Ben and his twin sister Sara, one that not only gives them reason to see both the painting and their parents in new and startling ways, but which also takes them to the very boundaries of life itself – in this world, and the world to come...

In the Image is an extraordinary first novel illuminated by spiritual exploration, one that remembers "a language, a literature, a held hand, an entire world lived and breathed in the image of God."Bill Landsmann, an elderly Jewish refugee in a New Jersey suburb with a passion for travel, is obsessed with building his slide collection of images from the Bible that he finds scattered throughout the world. The novel begins when he crosses paths with his granddaughter's friend, Leora, and continues by moving forward through her life and backward through his, revealing the unexpected links between his family's past and her family's future.Not just a first novel but a cultural event—a wedding of secular and religious forms of literature—In the Image neither lives in the past nor seeks to escape it, but rather assimilates it, in the best sense of the word, honoring what is lost and finding, among the lost things, the treasures that can renew the present. Reading group guide included.

How is tonight different from all other nights? For Jacob Rappaport, a Jewish soldier in the Union army during the Civil War, it is a question his commanders have already answered for him—on Passover, 1862, he is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn’t to murder the spy, but to marry her. Their marriage, with its riveting and horrifying consequences, reveals the deep divisions that still haunt American life today.Based on real personalities such as Judah Benjamin, the Confederacy’s Jewish secretary of state and spymaster, and on historical facts and events ranging from an African American spy network to the dramatic self-destruction of the city of Richmond, All Other Nights is a gripping and suspenseful story of men and women driven to the extreme limits of loyalty and betrayal. It is also a brilliant parable of the rift in America that lingers a century and a half later: between those who value family and tradition first, and those dedicated, at any cost, to social and racial justice for all.In this eagerly awaited third novel, award-winning author Dara Horn brings us page-turning storytelling at its best. Layered with meaning, All Other Nights reinvents the most American of subjects with originality and insight.

Software prodigy Josie Ashkenazi has invented an application that records everything its users do. When she visits the Library of Alexandria as a tech consultant, she is abducted in Egypt’s postrevolutionary chaos with only a copy of the philosopher Maimonides’ famous work to anchor her—leaving her jealous sister Judith free to take over her life. A century earlier, Cambridge professor Solomon Schechter arrives in Egypt, hunting for a medieval archive hidden in a Cairo synagogue. Their stories intertwine in this spellbinding novel of how technology changes memory and how memory shapes the soul.

Rachel’s current troubles are only the latest in a litany spanning dozens of countries, scores of marriages, hundreds of children and 2,000 years. Only one person shares her immortality: an illicit lover who pursues her through the ages. But when her children develop technologies that could change her fate, Rachel must find a way out. From ancient religion to the scientific frontier, Dara Horn pits our efforts to make life last against the deeper challenge of making life worth living.

Over the past four decades Ruth R. Wisse has been a leading scholar of Yiddish and Jewish literary studies in North America, and one of our most fearless public intellectuals on issues relating to Jewish society, culture, and politics. In this celebratory volume, edited by four of her former students, Wisse’s colleagues take as a starting point her award-winning book The Modern Jewish Canon (2000) and explore an array of topics that touch on aspects of Yiddish, Hebrew, Israeli, American, European, and Holocaust literature.Arguing the Modern Jewish Canon brings together writers both seasoned and young, from both within and beyond the academy, to reflect the diversity of Wisse’s areas of expertise and reading audiences. The volume also includes a translation of one of the first modern texts on the question of Jewish literature, penned in 1888 by Sholem Aleichem, as well as a comprehensive bibliography of Wisse’s scholarship. In its richness and heft, Arguing the Modern Jewish Canon itself constitutes an important scholarly achievement in the field of modern Jewish literature.

A family sits at the table, ready to start their Passover seder. There’s Grandpa, who’s attempting to lead; an anxious father and pregnant mother; Cool Cousin and Uncool Cousin; 98-year-old great-grandma who survived the Warsaw Ghetto; our narrator, Wise Child, and his siblings—one of whom has lost the Afikomen. Without it, this seder can never end. Accompanied by a wisecracking, irreverent little goat who shows up at the front door, Wise Child takes a journey through time and all the Passovers past to retrieve the Afikomen, end the seder and understand his family, his faith and his history along the way.Complemented by Theo Ellsworth’s fantastical artwork, Dara Horn’s first graphic novel is a delightfully bizarre exploration of the meaning of Passover, layered with joy, humour and magic.

De oude Joodse vluchteling Bill Landsmann slijt zijn dagen met het verzamelen van dia''s vol beelden uit het Oude Testament. Hoewel hij in een buitenwijk van New Jersey woont, reist hij voor zijn collectie de hele wereld af. Wanneer zijn leven dat van Leora kruist, de vriendin van zijn overleden kleindochter, lijken hun paden in elkaar te reflecteren; terug in de tijd naar het verleden van Bills familie en vooruit richting Leora''s toekomst. Terwijl het hedendaagse New York wordt gespiegeld in dat van een eeuw geleden, onthullen verbazingwekkende dwarsverbanden zich tegen een achtergrond van Joodse tradities, mystiek en literatuur.Evenbeeld is het waanzinnige literaire debuut van de bekroonde Joodse schrijfster Dara Horn.

Het is 1920. De Joodse schilder Marc Chagall komt in contact met de Jiddische schrijver Der Nister. Samen geven ze les op een school voor Joodse wezen, waar ze een bijzonder contact leggen met één van hun leerlingen. Een eeuw later heeft deze ontmoeting nog altijd effect op het leven Benjamin Zinskind en zijn tweelingzus Sara. Hun leven komt in het teken te staan van een schilderij dat jarenlang in de woonkamer van hun inmiddels overleden ouders heeft gehangen en op onverklaarbare wijze in een museum terecht is gekomen. Totdat het gestolen wordt…In ''De wereld die op je wacht'' maakt de waargebeurde kunstroof rondom Chagall een waanzinnig literair optreden. Dara Horn smelt het Jodendom prachtig samen met kunst en geschiedenis en houdt je tot het eind in haar greep.

Software prodigy Josie Ashkenazi has invented an application that records everything its users do. When an Egyptian library invites her to visit as a consultant, her jealous sister Judith persuades her to go. But in Egypt’s postrevolutionary chaos, Josie is abducted—leaving Judith free to take over Josie’s life at home, including her husband and daughter, while Josie’s talent for preserving memories becomes a surprising test of her empathy and her only means of escape.A century earlier, another traveler arrives in Egypt: Solomon Schechter, a Cambridge professor hunting for a medieval archive hidden in a Cairo synagogue. Both he and Josie are haunted by the work of the medieval philosopher Moses Maimonides, a doctor and rationalist who sought to reconcile faith and science, destiny and free will. But what Schechter finds, as he tracks down the remnants of a thousand-year-old community’s once-vibrant life, will reveal the power and perils of what Josie’s ingenious work brings into being: a world where nothing is ever forgotten.An engrossing adventure that intertwines stories from Genesis, medieval philosophy, and the digital frontier, A Guide for the Perplexed is a novel of profound inner meaning and astonishing imagination.