Raja Shehadeh - Böcker

________________'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ‘the power of culture over the culture of power’.Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world’s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations.Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman

“[Shehadeh's] books are maps, painstakingly pieced together, of regions lost to senseless division, to bad choices, and to lies.”—The Nation“Remarkable and hopeful . . . a deeply honest and intense memoir.”—Gal Beckerman, The New York Times Book ReviewA moving account of one man’s border crossings—both literal and figurative—by the award-winning author of Palestinian Walks, published on the fiftieth anniversary of the Six Day WarIn what has become a classic of Middle Eastern literature, Raja Shehadeh, in Palestinian Walks, wrote of his treks through the hills surrounding Ramallah over a period of three decades under Israel’s occupation.In Where the Line Is Drawn, Shehadeh explores how occupation has affected him personally, chronicling the various crossings that he undertook into Israel over a period of forty years to visit friends and family, to enjoy the sea, to argue before the Israeli courts, and to negotiate failed peace agreements.Those forty years also saw him develop a close friendship with Henry, a Canadian Jew who immigrated to Israel at around the same time Shehadeh returned to Palestine from studying in London. While offering an unforgettably poignant exploration of Palestinian-Israeli relationships, Where the Line Is Drawn also provides an anatomy of friendship and an exploration of whether, in the bleakest of circumstances, it is possible for bonds to transcend political divisions.

In a dazzling mix of reportage, analysis, and memoir, the leading Palestinian writer of our time reflects on aging, failure, the occupation, and the changing face of Ramallah. In Going Home, Raja Shehadeh, the Orwell Prize - winning author of Palestinian Walks, takes us on a series of journeys around his hometown of Ramallah. Set in a single day - the day that happens to be the fiftieth anniversary of Israel's occupation of the West Bank - the book is a powerful and moving record and chronicle of the changing face of his city.

It is often the smallest details of daily life that tell us the most. And so it is under occupation in Palestine. What most of us take for granted has to be carefully thought about and planned for: When will the post be allowed to get through? Will there be enough water for the bath tonight? How shall I get rid of the rubbish collecting outside? How much time should I allow for the journey to visit my cousin, going through checkpoints? And big questions too: Is working with left-wing Israelis collaborating or not? What affect will the Arab Spring have on the future of Palestine? What can anyone do to bring about change? Are any of life's pleasures untouched by politics?

As a young boy, Raja Shehadeh was entranced by a forbidden Israeli postage stamp in his uncle's album, intrigued by tales of a green land beyond the border.He couldn't have known then what Israel would come to mean to him, or to foresee the future occupation of his home in Palestine. Later, as a young lawyer, he worked to halt land seizures and towards peace and justice in the region. During this time, he made close friends with several young Jewish Israelis, including fellow thinker and searcher Henry. But as life became increasingly unbearable under in the Palestinian territories, it was impossible to escape politics or the past, and even the strongest friendships and hopes were put to the test. Brave, intelligent and deeply controversial, in this book award-winning author Raja Shehadeh explores the devastating effect of occupation on even the most intimate aspects of life. Looking back over decades of political turmoil, he traces the impact on the fragile bonds of friendship across the Israel-Palestine border, and asks whether those considered bitter enemies can come together to forge a common future.

Winner of the Moore Prize 2020In Going Home, Orwell Prize winning author Raja Shehadeh travels Ramallah and records the changing face of the city. Walking along the streets he grew up in, he tells the stories of the people, the relationships, the houses, and the businesses that were and now are cornerstones of the city and his community. This is, in many ways, an elegy. Green spaces - gardens and hills crowned with olive trees - have been replaced by tower blocks and concrete lots; the occupation and the settlements have further entrenched themselves in every aspect of movement-from the roads that can and cannot be used to the bureaucratic barriers that prevent people leaving the West Bank. The culture of the city has also shifted with Islam taking a more prominent role in people's everyday and political lives and the geography of the city. As he grapples with ageing and the failures of the resistance, Shehadeh notes the ways that the past still invades the presence from the ruins of the compound that was Yasser Arafat's home to the power of emigrated families to reshape neighbourhoods by selling their long-abandoned homes. This is perhaps Raja Shehadeh's most painfully visceral book.

A FINALIST FOR THE US NATIONAL BOOK AWARD 2023 FOR NONFICTION'Profoundly personal as well as historically significant ... In his moral clarity and baring of the heart, Shehadeh recalls writers such as Ghassan Kanafani and Primo Levi' Hisham Matar, New York TimesAziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of bestselling author and activist Raja. In this new and searingly personal memoir, Raja Shehadeh unpicks the snags and complexities of their relationship.A vocal and fearless opponent, Aziz resists under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja fails to recognise his father's courage and, in turn, his father does not appreciate Raja's own efforts in campaigning for Palestinian human rights. When Aziz is murdered in 1985, it changes Raja irrevocably.This is not only the story of the battle against the various oppressors of the Palestinians, but a moving portrait of a particular father and son relationship.

"Shehadeh's books are like beacons held up against the darkness" Observer"A heartbreaking, hopeful look at how Palestinian culture endures" Irish Times Forgotten is a search for hidden or neglected memorials and places in historic Palestine - now Israel and the Occupied Palestinian Territories - and what they might tell us about the land and the people who live on our small slip of earth between the Mediterranean Sea and the Jordan River.From ancient city ruins to the Nabi 'Ukkasha mosque and tomb, acclaimed writers and researchers Raja Shehadeh and Penny Johnson ask: what has been memorialised, and what lies unseen, abandoned or erased - and why? Whether standing on a high cliff overlooking Lebanon or at the lowest land-based elevation on earth at the Dead Sea, they explore lost connections in a fragmented land.In elegiac, elegant prose, Shehadeh and Johnson grapple not only with questions of Israeli resistance to acknowledging the Nakba - the 1948 catastrophe for Palestinians - but also with the complicated history of Palestinian commemoration today.

"Shehadeh's books are like beacons held up against the darkness" Observer"A heartbreaking, hopeful look at how Palestinian culture endures" Irish Times Forgotten is a search for hidden or neglected memorials and places in historic Palestine - now Israel and the Occupied Palestinian Territories - and what they might tell us about the land and the people who live on our small slip of earth between the Mediterranean Sea and the Jordan River.From ancient city ruins to the Nabi 'Ukkasha mosque and tomb, acclaimed writers and researchers Raja Shehadeh and Penny Johnson ask: what has been memorialised, and what lies unseen, abandoned or erased - and why? Whether standing on a high cliff overlooking Lebanon or at the lowest land-based elevation on earth at the Dead Sea, they explore lost connections in a fragmented land.In elegiac, elegant prose, Shehadeh and Johnson grapple not only with questions of Israeli resistance to acknowledging the Nakba - the 1948 catastrophe for Palestinians - but also with the complicated history of Palestinian commemoration today.

FROM THE ORWELL PRIZE-WINNER AND NATIONAL BOOK AWARD FINALISTA TLS BOOK OF THE YEAR 2024 'Palestine's greatest prose writer' Observer'A valuable read. As well as talking through the history, Shehadeh is reaching out to Israelis and searching for some kind of dialogue' Armando Iannucci When the state of Israel was formed in 1948, it precipitated the Nakba or 'disaster': the displacement of the Palestine nation, creating fracture-lines which continue to erupt in violent and tragic ways today.In the years that followed, while the Berlin Wall crumbled and South Africa abolished apartheid, the Israeli government rejected every opportunity for reconciliation with Palestine. But Raja Shehadeh, a human rights lawyer and Palestine's greatest living writer, suggests that this does not mean the two nations cannot work together as partners on the road to peace, not genocide.In graceful, devastatingly observed prose, this is a fresh perspective in a time of great need.'Powerful' New Statesman'A buoy in the sea of bleakness' Rachel Kushner, author of Creation Lake'Shehadeh is a great inquiring spirit with a tone that is vivid, ironic, melancholy and wise' Colm Toibin, author of The Magician

'Palestine's greatest prose writer' Observer'Shehadeh is a great inquiring spirit with a tone that is vivid, ironic, melancholy and wise' Colm TóibínBattered by repeated suicide bombs, the Israeli army invaded Palestine in April 2002 and held many of the principal towns, including Ramallah, under siege. A tank stood at the end of Raja Shehadeh's road; there were Israeli soldiers on the rooftops; his mother was sick, and he couldn't cross town to help her.Shehadeh - winner of the 2008 Orwell Prize and a finalist for the 2023 National Book Awards - kept a diary. This is an account of what it is like to be under siege: the terror, the frustrations, as well as the moments of poignant relief and reflection on the profound crisis gripping both Palestine and Israel.

Raja Shehadeh was born into a successful Palestinian family with a beautiful house overlooking the Mediterranean. When the state of Israel was formed in 1948 the family were driven out to the provincial town of Ramallah. There Shehadeh grew up in the shadow of his father, a leading civil rights lawyer. He vowed not to become involved in politics or law but inevitably did so and became an important activist himself. In 1985 his father was stabbed to death. The Israeli police failed to investigate the murder properly and Shehadeh, by then a lawyer, set about solving the crime that destroyed his family. In Strangers in the House, Shehadeh recounts his troubled and complex relationship with his father and his experience of exile - of being a stranger in his own land. It is a remarkable memoir that combines the personal and political to devastating effect.

Over two decades of turmoil and change in the Middle East, steered via the history-soaked landscape of Palestine. This new edition includes a previously unpublished epigraph in the form of a walk.When Raja Shehadeh first started hill walking in Palestine, in the late 1970s, he was not aware that he was travelling through a vanishing landscape. These hills would have seemed familiar to Christ, until the day concrete was poured over the flora and irreversible changes were brought about by those who claim a superior love of the land.Six walks span a period of twenty-six years, in the hills around Ramallah, in the Jerusalem wilderness and through the ravines by the Dead Sea. Each walk takes place at a different stage of Palestinian history since 1982, the first in the empty pristine hills and the last amongst the settlements and the wall. The reader senses the changing political atmosphere as well as the physical transformation of the landscape. By recording how the land felt and looked before these calamities, Raja Shehadeh attempts to preserve, at least in words, the Palestinian natural treasures that many Palestinians will never know.