Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita's voice. Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian Cesar Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

Raul Zurita's "Purgatory", a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet's military dictatorship (1973-1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaiso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a "Dantean" trilogy that includes "Anteparaiso" ("Anteparadise") and "La Vida Nueva" ("The New Life"), "Purgatory" is his anguished response to Chile's violent recent history.

Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita''s voice.Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian César Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

Raúl Zurita’s Purgatory, a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet’s military dictatorship (1973–1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaíso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a Dantean trilogy that includes Anteparaíso (Anteparadise) and La Vida Nueva (The New Life), Purgatory is his anguished response to Chile’s violent recent history.

Chilean poet Raúl Zurita has long been recognized as one of themost celebrated and important voices from Latin America. Hiscompelling rhythms combine epic and lyric tones, public andmost intimate themes, grief and joy. This bilingual volume ofselected works is the first of its kind in any language, representingthe remarkable range of an extraordinary poet. Zurita’s workconfronts the cataclysm of the Pinochet coup with a powerfulurgency matched by remarkable craftsmanship and imaginativevision. In Zurita’s attempt to address the atrocities that indeliblymark Chile, he makes manifest the common history of theAmericas.

A shocking poetic account of an event that was kept secret: the throwing of the bodies of the disappeared in Chile into the mouths of volcanoes and into the sea. "INRI" responds to the need to find a language for an event that was kept hidden and excluded from official records in Chile: the fact that the bodies of the disappeared were thrown out of helicopters into the mouths of volcanoes and into the sea. In order to bring this event, which was neither seen nor heard, into language, Zurita invents a form and language capable of bringing it into the present. The one place where these unspeakable acts might be registered is in the landscape of Chile: the mountains, desert, and sea. There the event might begin to be touched, heard, and finally seen. When there are no places from which to speak, 'the stones cry out'. "INRI" is written as poetry without regular lines or metre. In the tradition of Whitman or Ginsberg's Howl, it works with long breaths and large blocks of meaning: intensities that overrun the usual measures of speech and syntax.To read it is to experience a strange force pulsing through the language, breaking apart its usual channels, and opening unseen and unheard zones. Zurita, winner of the Chilean National Poetry Prize, is one of the best known poets of Latin America. His work is part of a revolution in poetic language that began in the 1970s and sought to find new forms of expression, radically different from those of Pablo Neruda. The challenge was to confront the contemporary epoch, with its particular forms of violence, including violence done to language. "INRI" is distinctive in that it does not speak out of individual sorrow, though this is not missing from the text, but seeks, rather, a new space, out of which love might be asserted as prime human reality, a space which might give birth to a different type of society.

Una visión profunda de la poética de Zurita, uno de los grandes referentes de la poesía chilena y latinoamericana contemporáneas.En 1969 Raúl Zurita empieza a escribir El sermón de la montaña, su primer poema. Deja ya patentes buena parte de sus inquietudes creativas: la reflexión sobre lo transitorio y lo efímero, la experiencia del yo y especialmente la búsqueda, a través de la poesía, de mantras contra el dolor. Todas ellas se desarrollan en Mi Dios no ve, un itinerario documental por las más de cinco décadas que el chileno ha consagrado a la escritura.Mi Dios no ve incluye poemas, relatos autobiográficos, fragmentos de entrevistas, traducciones. Y también imágenes de sus intervenciones de land art, de acciones performativas sobre su propio cuerpo y de otras incursiones en el arte contemporáneo.El libro reclama, así, el reconocimiento de Zurita no sólo como gran poeta, sino como artista total.

Nuestra serie "Poesía en Breve", a estas alturas clásica de Editorial Usach, ofrece una acotada pero significativa muestra del trabajo de las y los poetas más relevantes de la literatura chilena. La selección ha sido realizada por escritoras y escritores que conocen ampliamente las obras de quienes conforman esta colección. Se trata de un acercamiento y, por sobre todo, de una invitación a profundizar el estudio de una tradición poética tan importante como la nuestra.

Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita's voice. Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian Cesar Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

Raul Zurita's "Purgatory", a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet's military dictatorship (1973-1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaiso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a "Dantean" trilogy that includes "Anteparaiso" ("Anteparadise") and "La Vida Nueva" ("The New Life"), "Purgatory" is his anguished response to Chile's violent recent history.

Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita''s voice.Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian César Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

Raúl Zurita’s Purgatory, a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet’s military dictatorship (1973–1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaíso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a Dantean trilogy that includes Anteparaíso (Anteparadise) and La Vida Nueva (The New Life), Purgatory is his anguished response to Chile’s violent recent history.

Chilean poet Raúl Zurita has long been recognized as one of themost celebrated and important voices from Latin America. Hiscompelling rhythms combine epic and lyric tones, public andmost intimate themes, grief and joy. This bilingual volume ofselected works is the first of its kind in any language, representingthe remarkable range of an extraordinary poet. Zurita’s workconfronts the cataclysm of the Pinochet coup with a powerfulurgency matched by remarkable craftsmanship and imaginativevision. In Zurita’s attempt to address the atrocities that indeliblymark Chile, he makes manifest the common history of theAmericas.

A shocking poetic account of an event that was kept secret: the throwing of the bodies of the disappeared in Chile into the mouths of volcanoes and into the sea. "INRI" responds to the need to find a language for an event that was kept hidden and excluded from official records in Chile: the fact that the bodies of the disappeared were thrown out of helicopters into the mouths of volcanoes and into the sea. In order to bring this event, which was neither seen nor heard, into language, Zurita invents a form and language capable of bringing it into the present. The one place where these unspeakable acts might be registered is in the landscape of Chile: the mountains, desert, and sea. There the event might begin to be touched, heard, and finally seen. When there are no places from which to speak, 'the stones cry out'. "INRI" is written as poetry without regular lines or metre. In the tradition of Whitman or Ginsberg's Howl, it works with long breaths and large blocks of meaning: intensities that overrun the usual measures of speech and syntax.To read it is to experience a strange force pulsing through the language, breaking apart its usual channels, and opening unseen and unheard zones. Zurita, winner of the Chilean National Poetry Prize, is one of the best known poets of Latin America. His work is part of a revolution in poetic language that began in the 1970s and sought to find new forms of expression, radically different from those of Pablo Neruda. The challenge was to confront the contemporary epoch, with its particular forms of violence, including violence done to language. "INRI" is distinctive in that it does not speak out of individual sorrow, though this is not missing from the text, but seeks, rather, a new space, out of which love might be asserted as prime human reality, a space which might give birth to a different type of society.

Una visión profunda de la poética de Zurita, uno de los grandes referentes de la poesía chilena y latinoamericana contemporáneas.En 1969 Raúl Zurita empieza a escribir El sermón de la montaña, su primer poema. Deja ya patentes buena parte de sus inquietudes creativas: la reflexión sobre lo transitorio y lo efímero, la experiencia del yo y especialmente la búsqueda, a través de la poesía, de mantras contra el dolor. Todas ellas se desarrollan en Mi Dios no ve, un itinerario documental por las más de cinco décadas que el chileno ha consagrado a la escritura.Mi Dios no ve incluye poemas, relatos autobiográficos, fragmentos de entrevistas, traducciones. Y también imágenes de sus intervenciones de land art, de acciones performativas sobre su propio cuerpo y de otras incursiones en el arte contemporáneo.El libro reclama, así, el reconocimiento de Zurita no sólo como gran poeta, sino como artista total.

Nuestra serie "Poesía en Breve", a estas alturas clásica de Editorial Usach, ofrece una acotada pero significativa muestra del trabajo de las y los poetas más relevantes de la literatura chilena. La selección ha sido realizada por escritoras y escritores que conocen ampliamente las obras de quienes conforman esta colección. Se trata de un acercamiento y, por sobre todo, de una invitación a profundizar el estudio de una tradición poética tan importante como la nuestra.