Rémy Ngamije – författare

A vibrant and brilliant new collection of award-winning short fiction from the acclaimed author of the “charming, witty, and incredibly humane” (The Pittsburgh Gazette) debut The Eternal Audience of One.Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work of literature that provides you with a modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories. There’s “Crunchy, Green Apples (or, Omo)”, a story about loss told by the strangest of narrative devices: a shopping list. “Sofa, So Good, Sort Of (or, John Muafangejo)” is a first-person account of a family’s history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in “From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco).” When read together, however, a third world emerges—a complex, intergenerational, and interconnected world exploring the universal gaping void of grief. Rather than attempting to cross this black hole directly, the collection carefully traces around its edges, revealing the enormity of this cosmic force from the “electrifying voice you have been waiting for” (Maaza Mengiste, author of The Shadow King).

In this “absolute marvel of a book” (Dinaw Mengestu, author of Someone Like Us), acclaimed author Remy Ngamije offers up a vibrant collection of award-winning short fiction. Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work that provides you with a uniquely modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories. There’s “Crunchy, Green Apples (or, Omo)”, a story about loss told by the strangest of narrative devices: a shopping list. “Sofa, So Good, Sort Of (or, John Muafangejo)” is a first-person account of a family’s history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in “From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco).” When read together, however, a third world emerges—a complex, intergenerational, and interconnected “journey across all genres” (Mukoma Wa Ngugi, author of Unbury Our Dead with Song) that will stay with you long after you turn the final page.

In this “absolute marvel of a book” (Dinaw Mengestu, author of Someone Like Us), acclaimed author Remy Ngamije offers up a vibrant collection of award-winning short fiction. Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work that provides you with a uniquely modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories. There’s “Crunchy, Green Apples (or, Omo)”, a story about loss told by the strangest of narrative devices: a shopping list. “Sofa, So Good, Sort Of (or, John Muafangejo)” is a first-person account of a family’s history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in “From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco).” When read together, however, a third world emerges—a complex, intergenerational, and interconnected “journey across all genres” (Mukoma Wa Ngugi, author of Unbury Our Dead with Song) that will stay with you long after you turn the final page.

“Meet the future of African literature” (Mukoma Wa Ngugi, author of Nairobi Heat) with this “gorgeous, wildly funny, and, above all, profoundly moving and humane” (Peter Orner, author of Am I Alone Here) coming-of-age tale following a young man who is forced to flee his homeland of Rwanda and make sense of his reality.Nobody ever makes it to the start of a story, not even the people in it. The most one can do is make some sort of start and then work toward some kind of ending. One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university. But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived in this “hilarious and heartbreaking” (Adam Smyer, author of Knucklehead) intersection of pre- and post-1994 Rwanda, colonial and post-independence Windhoek, Paris and Brussels in the 70s, Nairobi public schools, and the racially charged streets of Cape Town. “Visually striking and beautiful told with youthful energy and hard-won wisdom” (Rabeah Ghaffari, author of To Keep the Sun Alive), The Eternal Audience of One is a lyrical and piquant tale of family, migration, friendship, war, identity, and race that will sweep you off your feet.

In this “absolute marvel of a book” (Dinaw Mengestu, author of Someone Like Us), acclaimed author Remy Ngamije offers up a vibrant collection of award-winning short fiction. Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work that provides you with a uniquely modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories. There’s “Crunchy, Green Apples (or, Omo)”, a story about loss told by the strangest of narrative devices: a shopping list. “Sofa, So Good, Sort Of (or, John Muafangejo)” is a first-person account of a family’s history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in “From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco).” When read together, however, a third world emerges—a complex, intergenerational, and interconnected “journey across all genres” (Mukoma Wa Ngugi, author of Unbury Our Dead with Song) that will stay with you long after you turn the final page.

“Meet the future of African literature” (Mukoma Wa Ngugi, author of Nairobi Heat) with this “gorgeous, wildly funny, and, above all, profoundly moving and humane” (Peter Orner, author of Am I Alone Here) coming-of-age tale following a young man who is forced to flee his homeland of Rwanda and make sense of his reality.Nobody ever makes it to the start of a story, not even the people in it. The most one can do is make some sort of start and then work toward some kind of ending. One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university. But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived in this “hilarious and heartbreaking” (Adam Smyer, author of Knucklehead) intersection of pre- and post-1994 Rwanda, colonial and post-independence Windhoek, Paris and Brussels in the 70s, Nairobi public schools, and the racially charged streets of Cape Town. “Visually striking and beautiful told with youthful energy and hard-won wisdom” (Rabeah Ghaffari, author of To Keep the Sun Alive), The Eternal Audience of One is a lyrical and piquant tale of family, migration, friendship, war, identity, and race that will sweep you off your feet.