Richard Garner – författare

Law and Society in Classical Athens, first published in 1987, traces the development of legal thought and its relation to Athenian values. Previously Athens’ courts have been regarded as chaotic, isolated from the rest of society and even bizarre. The importance of rhetoric and the mischief made by Aristophanes have devalued the legal process in the eyes of modern scholars, whilst the analysis of legal codes and practice has seemed dauntingly complex. Professor Garner aims to situate the Athenian legal system within the general context of abstract thought on justice and of the democratic politics of the fifth century. His work is a valuable source of information on all aspects of Athenian law and its relation to culture.

Law and Society in Classical Athens, first published in 1987, traces the development of legal thought and its relation to Athenian values. Previously Athens’ courts have been regarded as chaotic, isolated from the rest of society and even bizarre. The importance of rhetoric and the mischief made by Aristophanes have devalued the legal process in the eyes of modern scholars, whilst the analysis of legal codes and practice has seemed dauntingly complex. Professor Garner aims to situate the Athenian legal system within the general context of abstract thought on justice and of the democratic politics of the fifth century. His work is a valuable source of information on all aspects of Athenian law and its relation to culture.

According to the moral error theorist, all moral judgments are mistaken. The world just doesn’t contain the properties and relations necessary for these judgments to be true. But what should we actually do if we decided that we are in this radical and unsettling predicament—that morality is just a widespread and heartfelt illusion? One suggestion is to eliminate all talk and thought of morality (abolitionism). Another is to carry on believing it anyway (conservationism). And yet another is to treat morality as a kind of convenient fiction (fictionalism). We tend to think of moral thinking as valuable and useful (e.g., for motivating cooperative behavior), but we can also recognize that it can be harmful (e.g., hindering compromise) and even disastrous (e.g., inspiring support for militaristic propaganda). Would we be better off or worse off if we stopped basing decisions on moral considerations?This is a collection of twelve brand new chapters focused on a critical examination of the options available to the moral error theorist. After a general introduction outlining the topic, explaining key terminology, and offering suggestions for further reading, the chapters address questions like:• Is it true that the more that people are motivated by moral concerns, the more likely it is that society will be elitist, authoritarian, and dishonest?• Is an appeal to moral values a useful tool for helping resolve conflicts, or does it actually exacerbate conflicts?• Would it even be possible to abolish morality from our thinking? • If we were to accept a moral error theory, would it be feasible to carry on believing in morality in everyday contexts?• Might moral discourse be usefully modeled on familiar metaphorical language, where we can convey useful and important truths by uttering falsehoods?• Does moral thinking support or undermine a commitment to feminist goals?• What role do moral judgments play in addressing important decisions affecting climate change?The End of Morality: Taking Moral Abolitionism Seriously is the first book to thoroughly address these and other questions, systematically investigating the harms and benefits of moral thought, and considering what the world might be like without morality.

According to the moral error theorist, all moral judgments are mistaken. The world just doesn’t contain the properties and relations necessary for these judgments to be true. But what should we actually do if we decided that we are in this radical and unsettling predicament—that morality is just a widespread and heartfelt illusion? One suggestion is to eliminate all talk and thought of morality (abolitionism). Another is to carry on believing it anyway (conservationism). And yet another is to treat morality as a kind of convenient fiction (fictionalism). We tend to think of moral thinking as valuable and useful (e.g., for motivating cooperative behavior), but we can also recognize that it can be harmful (e.g., hindering compromise) and even disastrous (e.g., inspiring support for militaristic propaganda). Would we be better off or worse off if we stopped basing decisions on moral considerations?This is a collection of twelve brand new chapters focused on a critical examination of the options available to the moral error theorist. After a general introduction outlining the topic, explaining key terminology, and offering suggestions for further reading, the chapters address questions like:• Is it true that the more that people are motivated by moral concerns, the more likely it is that society will be elitist, authoritarian, and dishonest?• Is an appeal to moral values a useful tool for helping resolve conflicts, or does it actually exacerbate conflicts?• Would it even be possible to abolish morality from our thinking? • If we were to accept a moral error theory, would it be feasible to carry on believing in morality in everyday contexts?• Might moral discourse be usefully modeled on familiar metaphorical language, where we can convey useful and important truths by uttering falsehoods?• Does moral thinking support or undermine a commitment to feminist goals?• What role do moral judgments play in addressing important decisions affecting climate change?The End of Morality: Taking Moral Abolitionism Seriously is the first book to thoroughly address these and other questions, systematically investigating the harms and benefits of moral thought, and considering what the world might be like without morality.

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies.Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies.Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.