Richard R. Brettell - Böcker
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3 produkter
3 produkter
755 kr
Skickas inom 11-20 vardagar
The Lone Star State is home to a dazzling array of world-class artworks, many in private collections and rarely exhibited. Reflecting the Kimbell Art Museum’s own collecting strengths, this book focuses on the art of Europe and the ancient Mediterranean from about 700 B.C. to around 1950. Over 40 prominent collections are featured along with works that have been given to museums in Texas or have left the state through gift or sale. Among the artists included are Thomas Gainsborough, Paul Gauguin, Guercino, Henri Matisse, Piet Mondrian, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, and Vincent van Gogh. The distinguished scholar Richard R. Brettell contributes a comprehensive essay on the importance of private collecting in Texas.Distributed for the Kimbell Art MuseumExhibition Schedule:Kimbell Art Museum (11/22/09 – 3/21/10)
176 kr
Skickas inom 7-10 vardagar
As the discipline of art history has moved away from connoisseurship, the notion of beauty has become increasingly problematic. Both culturally and personally subjective, the term is difficult to define and nearly universally avoided. In this insightful book, Richard R. Brettell, one of the leading authorities on Impressionism and French art of the nineteenth and early twentieth centuries, dares to confront the concept of modern beauty head-on. This is not a study of aesthetic philosophy, but rather a richly contextualised look at the ambitions of specific artists and artworks at a particular time and place.Brettell shapes his manifesto around three masterworks from the collection of the J. Paul Getty Museum: Edouard Manet's 'Jeanne' (Spring), Paul Gauguin's 'Arii Matamoe' (The Royal End) and Paul Cezanne's 'Young Italian Woman at aTable'. The provocative and wide-ranging discussion reveals how each of these exceptional paintings, though depictingvery different subjects-a fashionable actress, a severed head and a weary working woman-enacts a revolutionary, yetenduring, icon of beauty.
342 kr
Skickas inom 7-10 vardagar
Innovative Impressions explores an under-examined aspect of three impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.Through this collaborative effort they challenged each other to develop a new language of printmaking whose visual and expressive potential went well beyond the traditional reproductive purpose of the medium. Indeed, the intimacy of small-scale works on paper at times spurred the artists to be even more daringly creative than they were in their paintings.Their interactions and engagement with printmaking varied over time, culminating in the 1890s, when each developed distinctive methods of introducing color into their work. For much of their careers this unlikely trio of artists inspired and challenged each other, and these dynamics played a crucial role in their creative processes.